Which explains why the poem below appealed to me tonight. It's a hell of a poem (incredibly labored pun intended), and it touches upon many of Billy Collins' favorite subjects--the collision of poetry with life and love and the ridiculous. And it has that breathless moment at the end when the poem opens up like a chrysalis.
Saint Marty would kill to write a poem like this.
Hell
by: Billy Collins
I have a feeling that it is much worse
than shopping for a mattress at a mall,
of greater duration without question,
and there is no random pitchforking here,
no licking flames to fear,
only this cavernous store with its maze of bedding.
Yet wandering past the jovial kings,
the more sensible queens,
and the cheerless singles
no scarlet sheet will ever cover,
I am thinking of a passage from the Inferno,
which I could fully bring to mind
and recite in English or even Italian
if the salesman who has been following us--
a crumpled pack of Newports
visible in the pocket of his short sleeve shirt--
would stop insisting for a moment
that we test this one, then this softer one,
which we do by lying down side by side,
arms rigid, figures on a tomb,
powerless to imagine what it would be like
to sleep or love this way
under the punishing rows of fluorescent lights,
which Dante might have included
had he been able to lie on his back between us here today.
What fresh hell is this? |
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