Holden has an appreciation for people who have talent. He loves his brother D. B.'s short stories. He loves that Jane is a ballet dancer. He loves the drummer in the Radio City Music Hall orchestra. He loves the writer Isak Dinesen. And he loves this guy's whistling.
I appreciate people with talent, too. I play keyboard in a praise band at church. The lead singer has been performing professionally for over thirty-some years. The guy who plays guitar has over forty years as a professional musician. The drummer can play guitar, bass, and cello, as well. All of them have perfect pitch. When we're practicing vocals, the guitarist will look at me and say something like, "It's just a third down," and I'll nod as if I understand him. I love playing with these people. They're crazy talented. But I also walk a tightrope of inadequacy. I know that I'm like the red-headed stepchild of the group. Sometimes I think they simply include me out of pity.
Tonight, I have to play the pipe organ for the chancel choir practice. These are people who know music, and they know I'm not a terrific whistler, if you get my meaning. I will stumble through whatever sheet music the choir director places in front of me. It will be an hour of complete humility. And when I make a mistake, the choir members will all shake their heads. Stress will build on more stress. By time the rehearsal is over, I'm going to look like the Hunchback of Notre Dame. One big knot of tension.
That's my worry today. Choir practice. Not being the most terrific whistler in the world.
Saint Marty will put his lips together tonight and blow, but what comes out of his mouth will sound more like "Tin Roof Collapsing" than "Tin Roof Blues."
The mother of the most terrific whistler in the world |
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