Showing posts with label The MacGuffin. Show all posts
Showing posts with label The MacGuffin. Show all posts

Sunday, October 22, 2017

October 22: Daughter's Driving Test, Classic Saint Marty, "Without Words"

It has been quite the day.

I took my daughter for her driving test this afternoon.  She has been sick to her stomach all weekend long over it.  Cranky.  Short-tempered.  I understand.  She's been driving for many months now.  Most of her friends already have their licenses.  She did not want to fail the test.

And she didn't.  It was a tense half hour of parallel parking and driving, but she did well.  Tomorrow, she goes to the Secretary of State office, and tomorrow night, she will be asking me for the keys to my car.  I have entered a new stage in fathering.

Seven years ago, I was thinking about how my daughter was going to remember me . . .

October 27, 2010:  Saint Namatius

I often wonder what kind of legacy I'm going to leave behind.  As a writer, of course, I want to leave behind a few books that people are still reading fifty or a hundred years after I die.  As a father, I want to be remembered by my daughter and son as a presence of love and support.  I want my daughter to remember the nights I read Charlotte's Web to her, doing character voices, making her imagine the manure pile in Wilbur's barn.  I want my son to remember the nights I sang him to sleep, rubbing his head and back like I was polishing a delicate flute of Waterford crystal.  As a teacher, I want my students to remember me as a person who taught them how to live better lives (and hopefully avoid comma splices).  As a Christian, I honestly don't know what my legacy is going to be.  It may be this blog, floating out in cyberspace like a note floating in a bottle in the Pacific.  Forever unread.

The saints who intrigue me the most are the ones whose biographies start out something like this:  "Not much is known about Saint Joe Schmo..."  It's as if their entire lives are empty chalkboards, and, yet, they're regarded holy enough to be saints.  That's astounding to me.  That would be like me winning the Nobel Prize in Literature because the members of the Swedish Academy heard from a friend's cousin that I'm a good writer.  It just doesn't work that way.

Last night, I started teaching a spiritual journaling workshop.  It was a good first night, with a lot of sharing of stories and backgrounds.  The focus of the session was trying to define what our "present periods" are and how we all go about trying to preserve our histories and pasts.  At one point in the evening, we discussed cemeteries  and how visiting one gives you a sense of clarity and peace.  I have been a cemetery stalker for a long time (not in the Ouija board, chicken blood sense).  I find strolling among headstones, reading names, noting birth and death dates, grounds me.  It reminds me of how trivial most of the things that occupy my days really are.  And it also reminds me that, when I'm long gone from this little rock of a planet, the only physical reminder that I've walked, breathed, spoken, took craps, loved my wife and children, or wrote poetry is going to be a piece of marble with my name chiseled into it.  That's it.  For a majority of the residents of cemeteries, that's the sum total of their legacies.  A slab of cold stone.

That's not a very comforting thought.  To be honest, it scares the shit out of me.  I guess I haven't quite left behind the ten-year-old boy who wanted to be the next Stephen King.  I can't shake the fantasy that, one day, some huge literary agent is going to stumble across my blog and send me an e-mail with these words in the subject line:  "YOU ARE THE BE$T WRITER I'VE EVER READ!  PLEA$E LET ME REPRE$ENT YOU!"  Or something like that.  I'm not sure if this scenario is a reflection of my stubborn refusal to accept reality or a genuine possibility for a lucrative, successful writing career.  I just don't want to give up my dream, because, without my dream, I'm just one step away from being Al Bundy in my own version of Married With Children.

Which brings me back to my original question of what  my legacy is going to be, the thing or things for which I'm going to be remembered.  If I'm remembered at all.  I'm not a saint.  I will never be a saint.  I can't imagine doing anything for a sustained period that even remotely resembles being saintly.  Let me give you an example:  today's feast is for Namatius, a man who was the Bishop of Clermont, France, in the 400s.  Namatius and his wife (yes, Catholic bishops were allowed to marry at one time) are best known for building cathedrals filled with beautiful artwork.  His wife created the Bible of the Poor--"sacred images figuratively transcribed from the revealed texts."  Basically, she created picture book Bibles on church walls for the illiterate poor.  By the way, none of this information is first-hand.  This stuff comes from stories told by Saint Gregory of Tours about Namatius and his wife, which, in my book, is like being nominated for sainthood by a nephew of the chief saint-maker committee guy.  (There's an actual title, I believe, but you get the idea.)  The point is:  legacy is tied to memory, and memory is subject to human failings (like too many Jell-O shots at a Halloween party).  I'm not saying Saint Gregory got it wrong on Namatius.  He probably didn't.  But who's to know?

So, I'm just going to keep writing my posts, taking care of my family, and dreaming.  Who knows what could happen?  I don't think there's a patron saint for bloggers yet.  Now I just have to find someone to nominate me after I'm gone.

You know, the nephew of that chief saint-maker committee guy.

And a poem for this evening about broken dreams . . .

Without Words

by:  Martin Achatz



Some things leave me without words.
Clouds the color of spawning salmon.
A wolf spider as fat as my thumb.
Thunder in the comma of lake-effect snow.
I struggle for adequate verbs and nouns
When faced with grasshopper borealis
Or the scream of peacock at midnight.
It’s a fault line of language, deep
As hieroglyph or rune, untranslatable
By alphabet into the raw meat
Of what you feel this morning. 
When your baby’s heartbeat ceases. 
When joy evaporates like frost
From a windshield.  What can I give you
This day of ash and sackcloth?
I open my arms to you, try
To wrap them around the universe
Of your shoulders.
God blinded Saul to peel the scales
From his eyes, make him embrace
Love.  God makes me mute.
Please, take my silence.
Turn it into what you need most.
Tuna casserole.  Jim Beam.  Lasagna.
Fluke of whale.  Minaret of Taj Mahal.
I try to shape my tongue
Into a gift of gold or myrrh to leave
At your empty crib.


first published in "The MacGuffin"


Tuesday, September 9, 2014

September 9: Attention Please, Good News, Prayer of Thanks

Suddenly a voice was heard on the loud speaker.

"Attention, please!" it said.  "Will Mr. Homer Zuckerman bring his famous pig to the judges' booth in front of the grandstand.  A special award will be made there in twenty minutes.  Everyone is invited to attend.  Crate your pig, please, Mr. Zuckerman, and report to the judges' booth promptly!"

The best things in life come as surprises.  Mr. Zuckerman learns that lesson at the end of the book.  Another pig has taken home the blue ribbon at the Fair.  Failure has settled over the Zuckermans and Arables.  And then, the voice on the loud speaker.

I sat down in my office today to do some school work.  As usual, I checked my university e-mail before I started into the tasks at hand.  In my e-mail was a message with the memo line "Your submission to The MacGuffin."  Here we go, I thought.  Another rejection.

It wasn't a rejection.  Two of my poems were accepted by the poetry editor, and the other three are still under consideration for the Fall 2014 issue of the magazine.  I will admit that I read the message.  Then reread it.  Then reread it again.  Then I stood up in the middle of my office and danced a little bit.

It was a surprise.  And it was wonderful.

Tonight, I send out a little prayer of thanksgiving.  I was feeling tired, maybe a little defeated.  I'm still battling my bronchitis.  Yet, I am happy tonight.  Really happy.

For that, Saint Marty gives thanks.

Oh, yeah.  I've got some moves.

Thursday, October 20, 2011

October 20: Rejection, Publication, Snoopy

After work yesterday, I went to my niece's birthday party.  When I got there, my wife told me I received a letter from the poetry editor of the magazine The MacGuffin.  My heart skipped about three or four beats.

"What did the letter say?"  I asked.

"I didn't open it," my wife said.

"Did you bring it with you?"

"No," she said.  "I didn't."

So ensued an hour-and-a-half of agonized waiting.  I submitted poems to The MacGuffin in early July.  I'd literally forgotten about the poems, the magazine, the editor, everything.  When I hit the door of my house after the party, I saw the envelope sitting on the table.  It was thicker than I expected.  I wasn't sure if that was a good omen or a bad omen.  I sat on my couch and opened the envelope.


Thank you for submitting to The MacGuffin, the letter read.  Although we are unable to publish your work at this time, we thank you for the opportunity to review it.

Along with the letter was a slip of paper, asking me to subscribe to the magazine, and a slip a paper with submission guidelines.  A standard, form rejection with a solicitation for money.

After the last couple of days of sickness and bad news, I actually harbored the hope, for a few minutes, that God was throwing me a bone.  And my tail was wagging until I ripped open that envelope.  As a writer, I expect rejection.  Massive rejection.  However, that doesn't make the sting of rejection less painful.  Each one seems like a little death.  One of my friends who's a successful writer once told me that each rejection brings you one step closer to publication.  I told him he was full of shit.


Basically, every rejection I get feels like I've just been picked last for the kickball teams in gym class.  Again.  Having assumed the role of assistant poetry editor for the literary magazine at the university where I teach, I know what a difficult task it is to wade through a pile of crappy poems to find one gold nugget of verse that makes it all worthwhile.  I know that poetry editors perform a thankless task, usually for little to no money.  It's all for the love of the art.

However (you knew there was a "however" coming), I'm tired of being the literary equivalent of a dodge ball target.  God needs to cut me some slack this week.  Give me some goodness to hang on to.  Perhaps I used my year's supply of goodness last weekend at the Wisconsin Dells.  Now I'm running of empty.  This afternoon, I have a meeting with the graduate students who are associate poetry editors at the magazine.  We're going through submissions.  The power is in my hands this time to give some unknown poet the thrill of a lifetime or crush his poetic dreams into oblivion.

Saint Marty feels like sharing his pain today.

Thursday, July 21, 2011

July 21: More Submssions, New Poem, Poetry Reading Tomorrow

I spent part of my morning submitting more poems for publication, this time to The MacGuffin.  I shot really high yesterday with The Atlantic.  Today, I was much more realistic.  I looked for a magazine I actually stand a chance of getting into.  Five more poems, plus cover letter, in the mail.

Being more realistic today
The rest of the day has been taken up with work and finishing my new poem, which I think turned out really well, although only poets and writers who are trying to get published will find it funny, probably.  That's OK.  The poetry world is inbred.  Full of people who read and appreciate each other.  Pat each other on the backs.  Tell each other how important and good their poetry is.  I love being around poets.

Tomorrow night, I'm going to the Butler Theater in Ishpeming to hear some people read poetry and fiction and creative nonfiction.  I know one person fairly well, one person socially, and one person not at all.  I'm going for the person whom I know fairly well.

Come join in the fun!
If you want to be blessed by Saint Marty's presence tomorrow night, meet him at the Butler Theater in downtown Ishpeming at 7 p.m.  He'll be the one drinking the wine.

Submissions Accepted

Despondent Deconstructionist Review now
Accepting submissions for its fall
Poetry issue.  Wants poems
Of beauty and truth, or ugliness and deceit,
Focused on European-Jewish experience
Of lesbians and transsexuals,
Or vampires from outer space.
Will consider poems traditional,
Experimental, traditionally experimental,
Experimentally traditional, and haiku,
As long as they are not too short.
Please no pornography or swear words
Unless necessary for subject matter,
Or completely gratuitous and obscene.
5 to 438 pages, comic-book sized,
Not Archie Double Digest-sized,
More like monthly X-Men-sized.
Receives 128,436 poems per year.
Publishes 1.5 of those poems.
Reading period December 5 and 6.
Responds in 1 to 3 years.
Depends on backlog.  Pays in
Dairy Queen coupons and postage stamps.
"If you submit to us, expect
To be rejected.  Great poetry,
Like great poets, comes
From miscarriage, divorce,
Famine and genocide.  Desert places,
As Robert Frost said.  Although,
We don't like Robert Frost."
Send SASE with submission.
We burn all manuscripts.
The circles of return to birth
Can only remain open, but this
Is a chance, a sign of life,
And a wound.  Jacques Derrida.

Derrida's spontaneously deconstructing!