Wednesday, April 11, 2018

April 11: Mast-Head, Whale Book, Bigfoot and Christmas

It was during the more pleasant weather, that in due rotation with the other seamen my first mast-head came round.

In most American whalemen the mast-heads are manned almost simultaneously with the vessel's leaving her port; even though she may have fifteen thousand miles, and more, to sail ere reaching her proper cruising ground. And if, after a three, four, or five years' voyage she is drawing nigh home with anything empty in her- say, an empty vial even- then, her mast-heads are kept manned to the last! and not till her skysail-poles sail in among the spires of the port, does she altogether relinquish the hope of capturing one whale more.

Now, as the business of standing mast-heads, ashore or afloat, is a very ancient and interesting one, let us in some measure expatiate here. I take it, that the earliest standers of mast-heads were the old Egyptians; because, in all my researches, I find none prior to them. For though their progenitors, the builders of Babel, must doubtless, by their tower, have intended to rear the loftiest mast-head in all Asia, or Africa either; yet (ere the final truck was put to it) as that great stone mast of theirs may be said to have gone by the board, in the dread gale of God's wrath; therefore, we cannot give these Babel builders priority over the Egyptians. And that the Egyptians were a nation of mast-head standers, is an assertion based upon the general belief among archaeologists, that the first pyramids were founded for astronomical purposes: a theory singularly supported by the peculiar stairlike formation of all four sides of those edifices; whereby, with prodigious long upliftings of their legs, those old astronomers were wont to mount to the apex, and sing out for new stars; even as the look-outs of a modern ship sing out for a sail, or a whale just bearing in sight. In Saint Stylites, the famous Christian hermit of old times, who built him a lofty stone pillar in the desert and spent the whole latter portion of his life on its summit, hoisting his food from the ground with a tackle; in him we have a remarkable instance of a dauntless stander-of-mast-heads; who was not to be driven from his place by fogs or frosts, rain, hail, or sleet; but valiantly facing everything out to the last, literally died at his post. Of modern standers-of-mast-heads we have but a lifeless set; mere stone, iron, and bronze men; who, though well capable of facing out a stiff gale, are still entirely incompetent to the business of singing out upon discovering any strange sight. There is Napoleon; who, upon the top of the column of Vendome stands with arms folded, some one hundred and fifty feet in the air; careless, now, who rules the decks below, whether Louis Philippe, Louis Blanc, or Louis the Devil. Great Washington, too, stands high aloft on his towering main-mast in Baltimore, and like one of Hercules' pillars, his column marks that point of human grandeur beyond which few mortals will go. Admiral Nelson, also, on a capstan of gun-metal, stands his mast-head in Trafalgar Square; and even when most obscured by that London smoke, token is yet given that a hidden hero is there; for where there is smoke, must be fire. But neither great Washington, nor Napoleon, nor Nelson, will answer a single hail from below, however madly invoked to befriend by their counsels the distracted decks upon which they gaze; however it may be surmised, that their spirits penetrate through the thick haze of the future, and descry what shoals and what rocks must be shunned.

It may seem unwarrantable to couple in any respect the mast-head standers of the land with those of the sea; but that in truth it is not so, is plainly evinced by an item for which Obed Macy, the sole historian of Nantucket, stands accountable. The worthy Obed tells us, that in the early times of the whale fishery, ere ships were regularly launched in pursuit of the game, the people of that island erected lofty spars along the seacoast, to which the look-outs ascended by means of nailed cleats, something as fowls go upstairs in a hen-house. A few years ago this same plan was adopted by the Bay whalemen of New Zealand, who, upon descrying the game, gave notice to the ready-manned boats nigh the beach. But this custom has now become obsolete; turn we then to the one proper mast-head, that of a whale-ship at sea. The three mast-heads are kept manned from sun-rise to sun-set; the seamen taking their regular turns (as at the helm), and relieving each other every two hours. In the serene weather of the tropics it is exceedingly pleasant the mast-head: nay, to a dreamy meditative man it is delightful. There you stand, a hundred feet above the silent decks, striding along the deep, as if the masts were gigantic stilts, while beneath you and between your legs, as it were, swim the hugest monsters of the sea, even as ships once sailed between the boots of the famous Colossus at old Rhodes. There you stand, lost in the infinite series of the sea, with nothing ruffled but the waves. The tranced ship indolently rolls; the drowsy trade winds blow; everything resolves you into languor. For the most part, in this tropic whaling life, a sublime uneventfulness invests you; you hear no news; read no gazettes; extras with startling accounts of commonplaces never delude you into unnecessary excitements; you hear of no domestic afflictions; bankrupt securities; fall of stocks; are never troubled with the thought of what you shall have for dinner- for all your meals for three years and more are snugly stowed in casks, and your bill of fare is immutable.

Once again, Melville digresses from the narrative that he is trying to tell.  In fact, all of Moby-Dick is filled with these kinds of digressions.  A couple chapters prior to this, his digression was cetology--the science of whales.  Categorizing and describing the leviathan.  This time, Melville turns his pen to the mast-head.  Basically, a mast-head on a whaling vessel is a sailor assigned to stand at the top of a tall mast, gazing out at the sea in search of any sign of a whale.  Of course, Melville spreads his wings a little further, talking about historic mast-heads of the land, as well--Saint Stylites, Napoleon, George Washington, Admiral Nelson.  This is Melville, after all.  Anything and everything is related to the vocation of whaling in some way.

I have said before that I think Herman Melville is a postmodern writer before there were even modern writers.  He does things in Moby-Dick that were groundbreaking.  Of course, nineteenth century readers didn't get it.  They wanted Oliver Twist  and "Young Goodman Brown," not lessons in whale science and the history of mast-heads.  And that is what, on this exploration of Moby-Dick, I have really come to appreciate about Melville.  He was a writer born about a century too early.

I have a confession here:  for a very long time, I couldn't read Moby-Dick.  I found it tedious.  Difficult to get into.  Weird.  As a graduate student, after about six or seven attempts at reading the novel, I just pretended that I had read it.  Graduate school does that to you--it transforms you into a gifted liar.  At parties, if someone brought up Melville or Ahab or the great white whale, I would nod or laugh knowingly, as if I were part of the secret Moby-Dick Society.  The password to the clubhouse was "Queequeg."

It was until many years after I was done with graduate school that I first learned to appreciate what Melville does in the book.  Now, on this pass through, I'm sort of swimming in the delightful mess of its pages.  Enjoying all of the barnacles attached to it.  Plus, I'm recognizing and appreciating Melville's sense of humor, as well.  Most people wouldn't call Moby-Dick a funny book, but it is.  The entire chapter about Queequeg's Ramadan had me laughing out loud.

I think Melville wrote a book that he wanted to read.  A book about whales and whaling and sailors and harpooneers and science and history.  It didn't exist at the time.  So, he wrote it.  Plain as that.  I don't believe he was thinking Moby-Dick was going to make him a lot of money.  I doubt he even thought about an audience.  He just wanted a whale book.

I think that's the impulse that most writers follow or should follow.  I'm writing a collection of poetry about Bigfoot.  Because I like Bigfoot and want to read poems about him.  I'm putting the finishing touches on a book of Christmas essays and poems about bipolar disorder and solar eclipses and Star Trek and Bigfoot (of course).  Because I want to read a Christmas book about all of those things.  I have a finished chapbook of poems about love and Robert Frost and sturgeons.  Because I want to read a chapbook of poems about that stuff.

That's what everyone should do with their lives, I think, whether you're a writer or artist or mathematician or musician.  Make every day into things that fill you with happiness.

Me?  I'm climbing the mast-head and looking around for more Bigfoot tonight.

Because that makes Saint Marty happy and thankful.


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