Poet...Musician...Thinker...Blogger...Teacher...Husband...Father...I'm not perfect, but I try!
Monday, May 15, 2023
May 14: "A Lesson from James Wright," Poem Occasions, "Hamilton"
Friday, May 12, 2023
May 12: "It Was Early," Day-to-Day Life, Dandelions
Saturday, April 24, 2021
April 22-24: Something I Have Never Forgotten, Wrapped in Darkness, King Kong
Merton experiences a spiritual revelation . . .
When I went back to Havana, I found out something else, too, and something vastly more important. It was something that made me realize, all of a sudden, not merely intellectually, but experimentally, the real uselessness of what I had been half deliberately looking for: the visions in the ceiba trees. And this experience opened another door, not a way to a kind of writing but a way into a world infinitely new, a world that was out of this world of ours entirely and which transcended it infinitely, and which was not a world, but which was God Himself.
I was in the Church of St. Francis at Havana. It was a Sunday. I had been to Communion at some other church, I think at El Cristo, and now I had come here to hear another Mass. The building was crowded. Up in front, before the altar, there were rows and rows of children, crowded together. I forget whether they were First Communicants or not: but they were children around that age. I was far in the back of the church, but I could see the heads of all those children.
It came time for the Consecration. The priest raised the Host, then he raised the chalice. When he put the chalice down on the altar, suddenly a Friar in his brown robe and white cord stood up in front of the children, and all at once the voices of the children burst out:
“Creo en Diós...”
“I believe in God the Father Almighty, the creator of heaven and earth...”
The Creed. But that cry, “Creo en Dios!” It was loud, and bright, and sudden and glad and triumphant; it was a good big shout, that came from all those Cuban children, a joyous affirmation of faith.
Then, as sudden as the shout and as definite, and a thousand times more bright, there formed in my mind an awareness, an understanding, a realization of what had just taken place on the altar, at the Consecration: a realization of God made present by the words of Consecration in a way that made Him belong to me.
But what a thing it was, this awareness: it was so intangible, and yet it struck me like a thunderclap. It was a light that was so bright that it had no relation to any visible light and so profound and so intimate that it seemed like a neutralization of every lesser experience.
And yet the thing that struck me most of all was that this light was in a certain sense “ordinary”—it was a light (and this most of all was what took my breath away) that was offered to all, to everybody, and there was nothing fancy or strange about it. It was the light of faith deepened and reduced to an extreme and sudden obviousness.
It was as if I had been suddenly illuminated by being blinded by the manifestation of God’s presence.
The reason why this light was blinding and neutralizing was that there was and could be simply nothing in it of sense or imagination. When I call it a light that is a metaphor which I am using, long after the fact. But at the moment, another overwhelming thing about this awareness was that it disarmed all images, all metaphors, and cut through the whole skein of species and phantasms with which we naturally do our thinking. It ignored all sense experience in order to strike directly at the heart of truth, as if a sudden and immediate contact had been established between my intellect and the Truth Who was now physically really and substantially before me on the altar. But this contact was not something speculative and abstract: it was concrete and experimental and belonged to the order of knowledge, yes, but more still to the order of love.
Another thing about it was that this light was something far above and beyond the level of any desire or any appetite I had ever yet been aware of. It was purified of all emotion and cleansed of everything that savored of sensible yearnings. It was love as clean and direct as vision: and it flew straight to the possession of the Truth it loved.
And the first articulate thought that came to my mind was:
“Heaven is right here in front of me: Heaven, Heaven!”
It lasted only a moment: but it left a breathless joy and a clean peace and happiness that stayed for hours and it was something I have never forgotten.
Merton experiences an epiphany here. A vision of God's presence in the world--a light that is both completely ordinary and completely transcendent. It's available to everybody. I suppose all you have to do is open yourself to it, the way Merton does at this moment he's describing.
Most people aren't that open to this experience. I know I'm not. Most days, I keep my head down, blinders on, focused on myself and my problems. That pretty much describes the human condition. Instead of seeing the light, I see the dark.
Merton, himself, admits that this divine vision he experiences is fleeting. He simply can't sustain it. I suppose it's like striking a match. The flame springs up, blue and brilliant, then settles down, gutters for a minute or so, and disappears into smoke. And what Merton is left with is an intense physical memory of God. But it sustains him for a long time.,
Tonight, I'm sort of wrapped in darkness. Like a blanket around my shoulders. Just like Merton can't shake the light of God's grace from his eyes, I can't quite shrug off these shadows. Instead, I'm sitting here trying to make friends with them.
That probably sounds crazy. I mean, who wants to invite darkness to take a seat on the couch next to you? Really, though, that is the only way I know how to overcome these feelings. By living with them, talking with them, trying to understand them. Sort of like what Hemingway wrote: "Write the best story you can and write it as straight as you can."
You don't need to ornament the dark. Ascribe all kinds of big words to it. Darkness is simply the absence of light. And it's also what comes before sunrise. My darkness comes from a kind of aloneness. Being surrounded by people, yet unable to talk about the big hairy ape that's stalking my thoughts. (Yes, that's a King Kong allusion. Stick with me.) There are things in life that are difficult to put words to. Because if you put words to them, it makes them real, and, if they're real, then you have to deal with them. And who wants to deal with a 40-foot tall gorilla?
You just have to wait out the darkness. Stay in the cave until the sun shows up, however long that takes. Get used to the monkey. Maybe find out it's not all that frightening. Tame it. Maybe take a trip to the Empire State Building with it. Visit the Statue of Liberty. Take in a Broadway show. Maybe Hamilton.
Sometimes the things that frighten us the most turn out to be angels instead of monsters. Or maybe God, putting you to the Job test.
Saint Marty is sitting in his dark living room, ready for anything--Job or Kong or angel or God.
Friday, July 10, 2020
July 10: Sweet Sense of Independence, "Hamilton," My Legacy
Bonnemaman was the one who suffered most from my reticence. For years she had been sitting at home wondering what Pop was doing in the city all day, and now that I was developing the same wandering habits it was quite natural for her to imagine strange things about me, too.
But the only wickedness I was up to was that I roamed around the city smoking cigarettes and hugging my on sweet sense of independence.
I found out that Grosset and Dunlap published more than the Rover Boys. They brought out reprints of writers like Hemingway and Aldous Huxley and D. H. Lawrence and I devoured them all, on the cool sleeping porch of the house at Douglaston, while the moths of the summer darkness came batting and throbbing against the screens, attracted by my light that burned until all hours.
Most of the time I was running into my uncle's room to borrow his dictionary, and when he found out what words I was looking up he arched his eyebrows and said: "What are you reading, anyway?"
Sweet sense of independence.
That's what my daughter will be tasting this weekend. She, her boyfriend, and another friend are going on a road trip to the Keweenaw Peninsula for a few days. By themselves. In my daughter's car. It's not that I don't trust my daughter's judgement. She's got a good head on her shoulders. It's just the letting-go part of this little adventure that I'm having a problem with.
My daughter and I watched Hamilton this evening. It has been one of my daughter's favorite musical soundtracks since the show premiered on Broadway. That's four years of listening. She could literally sing the entire show if she wanted to. I do love the music, as well. And I knew the plot of the show. Nothing was a surprise. I knew that American defeated Great Britain in the Revolutionary War with the help of Lafayette. George Washington stepped down as President after two terms. I knew that Hamilton cheated on his wife, and that his son was killed in a duel. Hamilton supported Thomas Jefferson in his bed for the Oval Office, and Aaron Burr killed Hamilton in a duel. Knew all of that going in.
It was the ending of the show that did me in tonight. The question of who is going to tell your story. what your legacy will be. When Phillipa Soo was singing Eliza Schuyler-Hamilton's last song, I found myself literally crying. Not just tearing up. I wasn't expecting that. The idea that Eliza spent the rest of her life telling Hamilton's story, putting herself "back in the narrative"--the depth of her devotion and love profoundly affected me.
I'm not sure what kind of legacy I'm going to leave behind, and I doubt that there's going to be an Eliza in my life to tell my story. Chances are, these blog posts are going to do that job. Somebody 70 or 80 or 100 years from now may be reading these very words because of my poems. Or because of something my son or daughter did. I may be a footnote to their lives. Or maybe that future person is doing a dissertation on the pandemic of 2020, and I'm eventually going to be cited or quoted as a reference.
Let me clear up something right now: I'm a mess. I'm full of insecurities and contradictions. I'm not always nice or smart. At the moment, the trajectory of my life seems unclear. I'm never going to be President of the United States, although Donald Trump has proven that anybody with enough money and connections with Russia can become a resident of the Oval Office. Perhaps I'll write something of note some day. Marriage and family--well, that's all in God's hands, as everything is.
Maybe my daughter and son will write a musical about me some day. It will take Broadway by storm, win all kinds of Tony Awards, and, eventually, the Pulitzer Prize for Drama. My kids will speak my narrative. I hope it will be a good one, something they can be proud of, despite all of my character flaws.
Perhaps, as my daughter is sitting in her hotel tomorrow night, after a day of travel and sight-seeing and fishing, she will take out a notebook and jot down a random line of poetry that will become the opening lyric of that musical: "How does a bastard, orphan, son of a whore / And a Scotsman, dropped in the middle of a forgotten spot / In the Caribbean by providence impoverished / In squalor, grow up to be a hero and a scholar?" Or something catchy like that.
Here's the thing: you don't get to decide your legacy. My job in this whole process: living the best life that I am able. The rest is in the hands of other people, long after I'm gone.
Hopefully, they'll write about the miracle of this night, with my daughter. How we both sat, crying on the couch, at the end of Hamilton. How my daughter, filled with her sweet sense of independence, on the cusp of her adventure, looked at me, after rubbing her eyes, and said, "That was really good."
And for that moment in his legacy, his narrative, Saint Marty gives thanks.
Sunday, June 4, 2017
June 4: "Wonder Woman," Classic Saint Marty, "Something Better"
Wonder Woman was different. It was about a strong woman. Yes, that strong woman was still in a tight swimsuit with armor, but it was still good. Even my daughter, who generally eschews the superhero genre, really liked it.
And I just finished grading a whole bunch of papers for my online class. I am ready for the evening. I will be watching the Tony Awards. No Hamilton this year. But, hopefully, Bette Midler will sing "Hello, Dolly!" Maybe.
A year ago, I lost a friend who really loved theater. Tonight's Classic Saint Marty is dedicated to him...
June 4, 2016: The World Floating, Death of a Friend, Lee
Emerson saw it. "I dreamed that I floated at will in the great Ether, and I saw this world floating also not far off, but diminished to the size of an apple. Then an angel took it in his hand and brought it to me and said, 'This must thou eat.' And I ate the world." All of it. All of it intricate, speckled, gnawed, fringed, and free. Israel's priests offered the wave breast and the heave shoulder together, freely, in full knowledge, for thanksgiving. They waved, they heaved, and neither gesture was whole without the other, and both meant a wide-eyed and keen-eyed thanks. Go your way, eat the fat, and drink the sweet, said the bell. A sixteenth-century alchemist wrote of the philosopher's stone, "One finds it in the open country, in the village and in the town. It is in everything which God created. Maids throw it on the street. Children play with it." The giant water bug ate the world. And like Billy Bray I go my way, and my left foot says "Glory," and my right foot says "Amen": in and out of Shadow Creek, upstream and down, exultant, in a daze, dancing, to the twin silver trumpets of praise.
It's all about living life to the fullest. Eating the world like a ripe apple floating in outer space. And giving thanks for everything in life that brings happiness and joy. That's what Annie Dillard is talking about in this final paragraph of Pilgrim at Tinker Creek. She is giving glory, saying a prayer of thanksgiving, for all the creation around her, big and small.
This morning, I am giving thanks for the life of a friend of mine. A big friend. A guy who looked like he could reach up and eat the world like an apple. Yes, Lee LaForge was larger than life, a Rushmore of a man in stature and joy and love. Gifted teacher, performer, activist, and friend to everyone. In the past, I drank with him. Sang with him. Laughed with him. In a musical, I shared a stage kiss with him. It was a pretty good kiss.
I am not going to become maudlin. Lee wouldn't want that. He would want me to tell you this story:
Over twenty years ago, I directed a production of the musical The Best Little Whorehouse in Texas. Lee was in the show, playing, among other things, a state senator caught in a compromising situation by a news reporter. The only direction I gave him was, "Do something funny." Every performance, when the door was opened on Lee's scene, I never knew what I was going to see. One night, he and his acting partner got creative with a can of whipped cream. Another night, Lee was on all fours with his partner riding his back like a horse, cracking a whip and yelling, "Who's your daddy?" That little moment, orchestrated by Lee, always brought the house down. Every night. Joy. Laughter. Thunderous applause.
That was Lee. His whole goal in life was happiness, making the most out of the piece of pie that he was served, whether pecan or pumpkin or banana cream. And he always wanted to share that pie with everybody he loved. I always knew, when I met up with Lee, he would have a hug and a joke. And his laugh was thunder. It rolled and overtook you, shook you, until you were weak and breathless.
Lee LaForge, you took large steps. On your left foot was "love." On your right foot was "rejoicing."
Saint Marty doffs his halo to a really saintly man.
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| A really good kisser . . . |
And a poem for 2 Sundays before Father's Day . . .
Something Better
by: Martin Achatz
I want something better for my kids,
The way all parents want their offspring
To attend college, law or medical
School. Do something extraordinary.
We scrub toilets, paint walls, deep-fry potatoes
For thirty or forty years, put everything
On hold until we're sure our daughters
Can study veterinary medicine, our sons
Learn to x-ray broken vertebrae, tibias,
Clavicles. My uncle drove to the GM plant
For over thirty-five years before he received
His pension, then began to paint oil landscapes
Of places he’d dreamed about in rush hour
Traffic on I-75, places full of waves,
Evergreens the color of Chinese jade,
Places he knew he'd never see,
All so his daughter could study,
Become an engineer at Ford.
I don’t want my children to teach
College English part-time, work
Eleven-hour days in an office,
Scribble poems on napkins, lunch bags,
Margins of graded essays, dreaming
Always of a time when those words,
Cut and polished and set in lines of gold,
Will buy vacations to Stockholm or Rome,
Ballet lessons and birthday parties
In hot air balloons. I want my kids
To know a life better than mine,
Even if it means I eat bologna
With cheese every day, pretending
My cut of lunchmeat is somehow
Superior to the one my father ate
At work for over fifty years.
Friday, March 10, 2017
March 10: Americans Had No Choice, Alternative Year, Year of Saint Marty
"Americans had no choice." That's a phrase that sounds pretty familiar these days in the United States. Along with "make America great again." Of course, back in the 1970s, Americans proved that they actually DID have a choice. The Vietnam War ended, and Richard Nixon resigned from the Presidency. And making America great again implies that America WASN'T great to begin with. The problem with that statement is that it involves overlooking the fact that millions of Americans have health insurance who didn't have health insurance a few years ago, and the fact that America has seen the longest stretch of job growth in its history. Plus, there was the whole first African American President of the United States thing to be proud of, as well.
Well, it seems like a lot of people are choosing fantasy over reality. Alternative facts over real facts. I am not going to devolve into a diatribe or rant. I read way too many Facebook posts like that every day. No, tonight I am simply going to write a blog post based upon alternative facts. I want to see if, by doing this little exercise, it will somehow alter my world view in any way.
So, ever since winning the Nobel Prize in Literature last October, I have been inundated with job offers and speaking engagements. While flattering, these opportunities have interfered with my writing, and I find that I now must retreat from public view to focus on my next opus--a Dantesque, three-volume poem written in terza rima about the rise of Hillary Clinton to the Presidency of the United States.
Next, I have been appointed Poet Laureate of the United Nations. Over the summer, I will be traveling to each continent of the world, delivering readings to indigenous peoples everywhere. Tickets to these events are being scalped for prices that rival ticket prices for Hamilton.
Pope Francis has invited me to celebrate Easter Sunday with him at the Vatican. I will attend a private Mass with the pontiff, and then we will have dinner together. Placido Domingo and Celine Dion will serenade us as we eat, after which Frank, as the pope insists I call him, will canonize me, making me the first living saint.
In the fall, I will win the Nobel Peace Prize for my tour as Poet Laureate of the United Nations. In the citation, I will be lauded for "promoting, though poetry, peace and understanding between all races and religions and peoples of the planet." At the award ceremony in December, I will be mobbed by hundreds of thousands of adoring fans.
In December, I will choose to celebrate Christmas in the Holy Land, where I will deliver a moving poem at the Church of the Nativity. The world will declare 2018, the Year of Saint Marty.
Saint Marty is thankful this evening for alternative facts.
Wednesday, January 18, 2017
January 18: Luke Skywalker Action Figure, Alice Walker, "We Alone"
Human beings spend way too much time worrying about wealth. I'm just as guilty as the next person. I watch Antiques Roadshow and wonder whether my original Luke Skywalker action figure is worth $50,000. (I have two of them.) Unfortunately, most people define themselves by their "stuff." Cars. Houses. Salary. Job titles.
People who can afford diamonds or gold or Corvettes or tickets to Hamilton are the ones we envy. Because those things are rare, and anybody that has them must be blessed in some way.
Alice Walker turns that idea on its ear. She calls for us to treasure the commonplace. Maple leaves. Seashells. The detritus that ends up in the compost pile. We are all blessed by these wonders. Every day.
Saint Marty still isn't giving up on his Luke Skywalkers, though. That's retirement, baby.
We Alone
by: Alice Walker
We alone can devalue gold
by not caring
if it falls or rises
in the marketplace.
Wherever there is gold
there is a chain, you know,
and if your chain
is gold
so much the worse
for you.
Feathers, shells
and sea-shaped stones
are all as rare.
This could be our revolution:
to love what is plentiful
as much as
what's scarce.
Sunday, June 12, 2016
June 12: Dance Recital Weekend, Tony Awards, Classic Saint Marty
I am a little exhausted at the moment. I had little time to relax (unless you count dozing off in the auditorium during dance rehearsals). Five days of work await me. I have a feeling that it's going to be a very long week. My only consolation is that tomorrow will be a relatively quiet day at my new job, and I will be working by myself. Solitude.
Tonight, however, I will be watching the Tony Awards to see Lin-Manuel Miranda take home a boatload of prizes for Hamilton. And I will be eating Scoop Fritos and cheese dip (it's sort of a tradition for me). It will be a good night, full of people breaking into spontaneous songs on television.
The episode of Classic Saint Marty I have chosen to share today is only about a year old. It was written during a time when there was still hope for my sister's recovery from brain lymphoma. In fact, I don't think she'd received that diagnosis yet. I was thinking a lot about miracles at the time and the need for them in my life.
June 16, 2015: Weeping Building, Miracles, Sally Wen Mao, "Monstera Deliciosa"
In one slip of a second, anything seemed possible--had the moon risen and started to sing, had pyramids appeared over the Chrysler building weeping, Ives would have been no more surprised.
Ives has just had a near death experience. As he walks the streets of Manhattan, he starts having visions of God's goodness. Four colored winds spinning in the sky. The sun, glowing red and huge. Car horns sounding like celestial trumpets. As the above passage says, anything seems possible.
I've been contemplating miracles recently. Ives thinks of his near-death experiences as some kind of divine vision granted to him. I'm not so sure that's accurate. I think most people go through their days with blinders on. Ives' blinders have simply been removed for a little while. He's seeing the world from a God's-eye-view.
I think I'm a lot like the blindered Ives. Driving to work, talking to patients, eating lunch, walking to my car at the end of the day, I probably miss more miracles than contained in the gospels. For instance, near the medical center where I work, there's a bike path in the woods. I know there are albino deer in that forest. One night, as I was leaving the university after teaching an evening class, I drove by a cemetery. Near the cemetery fence was a family of deer. When the headlights of my car spotlighted them, the deer leaped into the darkness, hurdling headstones and hedges like souls racing to heaven.
Everyday miracles. I need to open my eyes and look around more often. Maybe I'll see the moon singing or the university clock tower weeping. Who knows? The whole world is full of wonder. Sure, I'm sort of stuck in a swamp of worry right now. But I know that my very existence--my lungs' habit of breathing, my heart's habit of beating, my pores' habit of sweating--all of the things that keep me alive are impossible miracles of creation.
Sally Wen Mao's poem for tonight is about one of those miracles of nature that most people don't even stop to notice.
Saint Marty is taking some time tonight to give thanks for miracles.
Monstera Deliciosa
by: Sally Wen Mao
I'm a monster because I poison the children.
They dance around me and my fronds flutter
with holes. They invite: Eat my fanged fruit.
Each scale will peel off easy, but if you eat it
unripe, it will steal your voice. Your gums
will blister little stars. You'll vomit, swell, tremble.
When ripe, it is sublime. Better than banana,
soft mango, sweeter than wild yellow rambutan
coated in syrup. It only takes one year. Bite.
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| Bon appetit! |







