Showing posts with label manuscript. Show all posts
Showing posts with label manuscript. Show all posts

Tuesday, June 11, 2024

June 11: "The Student," Summer Vacation, "Poetry Gardening"

Billy Collins writes about . . . 

The Student

by: Billy Collins

She made asterisks
next to passages she liked,

little stars that kept shining
after she closed the book.



Today was the last day of school for my student son.  Summer vacation has officially begun, so he won't be annotating any books for the next three or so months.

Me?  I worked on my poetry manuscript again, among all my other tasks.  Today, I organized poems, created sections, and proofread.  It was a little anxiety-inducing to say the least.  (Reminder:  I have been living with this book for over 20 years.  That's almost as long as my daughter has been alive and five years longer than my son has been on this planet.)  The floor of my office was a minefield of poetry for a good portion of the afternoon.

However, I'm happy with the results.  Maybe "happy" is too strong a word.  It's more like I'm satisfied with my work.  It holds together.  Makes sense.  Feels done.  However, I have been at this point before and then worked another half a decade on various poems.  (One poem in particular took me ten years to complete.)

Saint Marty is cautiously optimistic, which is not an emotion he experiences often.

Poetry Gardening

by: Martin Achatz

Poems spread across the floor, 
sprouts and dandelions
waiting for me to start 
weeding.



Saturday, December 28, 2019

December 28: Little Christmas Present, "The Christmas Eve Wrinkle," "Hand of God"


Greetings all Christmas lovers out there.
I have been working on a collection of Christmas essays and poems in a manuscript for a couple years.
Below is the first essay and poem from the book.  A little Christmas present from Saint Marty.

The Christmas Eve Wrinkle

by:  Martin Achatz

           For five years, I had been roped into being the accompanist for St. Jude’s children’s Christmas Eve mass.  For five years, I had banged out Silent Night for tinsel-winged, gum-chewing, bathrobed, and foil-crowned angels, Marys, Josephs, shepherds, and kings.  And after each of those years, I had gone home, eggnogged myself silly, and tried to survive the holidays with what was left of my sputtering Christmas spirit.
            It usually started at the beginning of each October.  And this year seemed no different.
            Mrs. Janice, mother of the twin terrors of last year’s heavenly host, approached me one Sunday.  “Oh, Jeremy and Justin are so looking forward to being in the choir again this year.”
            Dr. and Mrs. Bingly, parents of a two-year shepherd alumnus, had said to me during a chance meeting at the IGA, “Well, I hope that little Matt has a shot at Joseph this year.”
            Andrew Elbow’s mother and father, holding the same high aspirations for their son, volunteered for the Christmas decorating committee, the Christmas bazaar organizing committee, the Christmas adult choir, and the Christmas bell-ringing committee.
            Finally, the hammer had fallen.  Father George, beloved pastor of St. Jude’s, had pulled me aside after choir practice one Wednesday, laid a quaking hand on my shoulder, and sighed, “Well, I guess it’s about time to get the children’s Christmas Eve mass rolling.”
            And so ensued a flurry of announcements, bed-sheet costuming, telephone calls, prodding stage parents, and, for me, two months of Saturday morning rehearsals with twenty, off-key seven-year-olds under the direction of Theta Creed, retired kindergarten teacher and unchallenged fuhrer of the Christmas Eve program.
            “Now, boys and girls, we must all use our best singing voices.”  Theta marched up and down in front of the children, waving sheet music in their faces.  “Remember who’s going to be out there.  It’s going to be mommy and daddy and grandma and grandpa and brother and sister.  A whole church-full of people are going to be here to listen and watch you sing and read.  They’re not here for their health.  So sing nicely.”  Theta glared at her charges.  “And smile.”
            I waited and watched for the usual array of mishaps, calamities, and setbacks.  First came little Tony Dickens’s disappearance into the room behind the organ pipes, and the two-hour search that resulted.  Then there was sweet Mary Agnes’s refusal to once again be relegated to the angel choir when she was obviously Mary material.  And, of course, there was the whole messy business of explaining how God was Jesus’ father when Mary was married to Joseph.
            I witnessed all of these things and saw the days of December slowly climb into the double digits.  Nothing completely shocking happened (unless you count Jay-Jay Feebler wetting his pants in front of the altar).  No major casualties.  No lawsuits.  No unexpected wrinkles, until . . .
            “I just want to try something a little different!”  Hector Hicks fairly glowed with Yule-tide joy.
            Father George eyed him uncertainly.  “I’m not sure, uh . . .”  He looked at Theta’s tight-lipped expression, and then at me.  “It would seem more, uh, uh . . . Appropriate to uh, uh . . .”  He looked at Theta again.  “Once the children remove their costumes, I don’t—“
            “Something special, Father George.”  Hector smiled.
            “I don’t seem to be . . .”  Father George floundered.
            Theta’s foot began to tap.
            “Perhaps—“ I began.
            “Mr. Hicks,” Theta geared up.  “I really don’t know if—“
            “I only wish to underscore the true meaning of Christmas, Miss Creed.”  Hector saw Theta’s cheeks flush.  “Uh, just as you do every year with all of your under-appreciated work.”
            “Well, I—“  Theta’s eyes narrowed suspiciously.
            “You do such a beautiful job every time.”  Hector took her hand.  “And all out of the goodness of your heart.”
            Theta smiled.  “Yes.”  She removed her hand from his hand.  “Yes, well, we all want to show the children what Christmas is all about.”
            “You have such a natural rapport with them, too.”  Hector shrugged.  “I don’t know how you do it.  For me, you’re enough to inspire any Christmas.”
            And then I heard it.  It was a sound frighteningly foreign, like a rusty hasp being pried open.  Theta Creed giggled.
            “What was your idea, Mr. Hicks?”  She linked arms with Hector and led him away.
            On Christmas Eve, I sat on the organ bench, the music for “Joy to the World” spread out before me, waiting for Theta’s signal to play the final song.
            The entire program had come off with relatively few hitches.  Parents had delivered their children on time.  The wise men had tripped only once during their entrance, causing a slight domino effect through the shepherds.  Mary didn’t drop the baby Jesus as she carried him to the manger.  The angels had remembered to remove the gum from their mouths.  Joseph even managed to put his arm around Mary.  And now, everyone waited for Theta’s signal.
            But Theta didn’t signal.
            Reggie Feebler, Jay-Jay’s brother, fidgeted with his bath/shepherd’s robe.  Pauline Paisely straightened her coat-hanger wings.  Jeremy Janice, one of the three kings, traded his gold for his brother Justin’s frankincense.
            But Theta didn’t signal.
            Someone in the first pew coughed.  A kneeler banged to the floor.  Arms throughout the congregation waved in the air as jackets were pulled on.
            But Theta didn’t signal.  She simply stood before the children at the head of the church, holding her music in front of her, smiling strangely.
            Father George looked at me.  I shrugged.
            The door at the rear of the church opened.
            All heads turned.
            Santa Claus stepped in.
            He stood unmoving for a few seconds, meeting everyone’s gaze, and then slowly began walking up the center aisle.  The buckles of his boots chinged in the silence.
            The children’s choir was going into paroxysms of whispering and pointing.  Jay-Jay Feebler had his arm tucked between his legs and was doing a jig.  The kings had abandoned their precious, glittery gifts.  And the angels were crowding the shepherds.
            I looked at Father George.  Father George shrugged.
            Santa didn’t stop in front of the children when he reached the altar.  Quietly, he crossed to the manger scene displayed by the side entrance.  He knelt before the crib, folded his mittened hands, and bowed his whiskered head.
            Mary and Joseph stopped elbowing.  The angels stopped pushing.  The shepherds stopped whispering.  The wise men stopped poking.  Jay-Jay stopped jigging.
            Everyone watched Santa.
            After almost half a minute, Santa stood.  He looked at the children.  He looked at Theta.  He looked at me.  Then he looked at Father George, and he nodded.
            Father George nodded back.
            Santa left by the side entrance.
            Theta never gave the signal.  She closed her music folder and tucked it under her arm.  She straightened her jacket, reached down, and sniffed the corsage pinned to her lapel.  She walked over to the organ.
            “Merry Christmas, Martin,” Theta said and smiled.  Then she quietly left by the side entrance.
            I stared after her.  After a few moments, parents began to come up and collect their children.  Wings disappeared under winter coats; halos, under stocking caps.  Hugs and handshakes were exchanged.  But the church remained as silent as snow.
            I turned off the organ and began packing my music up.
            “Who was that?”
            I looked up into the face if Dr. Bingly.
            “Who was that?”  Dr. Bingly repeated, hooking a thumb toward the manger.
            I shrugged and smiled.  “Santa Claus.”  I picked up my music.  “Make sure Matt comes out for the choir next year, doc.”  I began walking away.  “He’s sure to have a shot at Joseph.”



The Hand of God

by:  Martin Achatz

A coming-of-winter day,
The air, half-rain, half-snow.
A neighbor stretches on a ladder,
Strings a curtain of icicle lights
From his eaves.  Rain has already washed
The shadows of maple leaves
From the sidewalk, the way shadows
Washed into dark puddles in Hiroshima
The first rain after the bomb,
Rinsing lovers off bedroom walls,
Children off school sidewalks,
A priest off church nave marble.

This mid-November, war is in the air,
In the dark, low clouds, in the news
Broadcasts of body counts in Iraq.
Predictions for snow tomorrow.
Tonight, I will carry my daughter
To bed, say prayers with her,
Sing her a lullaby.  She curls
Her small fingers around my thumb,
Holds on, leads me into the darkness,
Saying, “Don’t worry, daddy.”



Tuesday, April 18, 2017

April 18: Amber of this Moment, New Chapbook, Current Amber

There were two peepholes inside the airlock--with yellow eyes pressed to them.  There was a speaker on the wall.  The Tralfamadorians had no voice boxes.  They communicated telepathically.  They were able to talk to Billy by means of a computer and a sort of electric organ which made every Earthling speech sound.

"Welcome aboard, Mr. Pilgrim," said the loudspeaker.  "Any questions?"

Billy licked his lips, thought a while, inquired at last:  "Why me?"

"That is a very Earthling question to ask, Mr. Pilgrim.  Why you?  Why us for that matter?  Why anything?  Because the moment simply is.  Have you ever seen bugs, trapped in amber?"

"Yes."  Billy, in fact, had a paperweight in his office which was a blob of polished amber with three ladybugs embedded in it.

"Well, here we are, Mr. Pilgrim, trapped in the amber of this moment.  There is no why."

Billy has just been abducted by aliens.  He knew it was going to happen.  He's been unstuck in time for quite a few pages already.  He's simply a ladybug trapped in some Tralfamadorian amber.  Of course, Billy wants to know why he was chosen.  I would want to know why, too.  Of course, the Tralfamadorian answer to that question is frustratingly unhelpful:  there really is no answer.  No purpose.  Billy just happened to be in the moment.

I just spent a couple hours responding to e-mails, creating publicity for my poetry reading on Thursday evening.  It will be my first solo event as Poet Laureate of the U. P.  I have no idea how many people are going to show up.  It could be anywhere from five to 25 or 30.  (I'm getting closer to five.)  I'm going to be reading from the manuscript of a chapbook I just put together.  Depending on how the reading goes, I may be ready to send it out to some publishers or contests.

So, here I sit in my university office.  I can hear people talking in the hallway, doors opening and closing.  I have my door closed and lights off.  I don't really want anybody to know that I am here.  I want to stay in this little amber moment.  It's peaceful.  I feel like I've accomplished quite a bit.  Not feeling guilty about anything--ungraded papers, unfinished lesson plans.  I'm content.  That doesn't happen very often in my life.

My night is not going to stay this tranquil.  In about twenty minutes, I have to pick my daughter up from her dance class.  Then, drive home.  Schoolwork.  Grading.  Reading.  More grading.  Sleep.  It doesn't sound very exciting, and I can guarantee that I will not go to bed fulfilled and content.  Don't see that in my future amber.

However, I am happy in my current amber.  A little tired, but happy.  I'll take that.

Saint Marty is thankful for finished work.


Friday, March 24, 2017

March 24: Dragon's Teeth, Revising a Poem, Glaringly Obvious

Billy found the afternoon stingingly exciting.  There was so much to see--dragon's teeth, killing machines, corpses with bare feet that were blue and ivory.  So it goes.

Bobbing up-and-down, up-and-down, Billy beamed lovingly at a bright lavender farmhouse that had been spattered with machine-gun bullets.  Standing in its cockeyed doorway was a German colonel.  With him was his unpainted whore.

Billy crashed into Weary's shoulder, and Weary cried out sobbingly.  "Walk right!  Walk right!"

They were climbing a gentle rise now.  When they reached the top, they weren't in Luxembourg any more.  They were in Germany.

Billy still on his way to Dresden.  All around him, reminders of war.  Corpses.  Tanks.  Guns.  Building riddled with bullet holes.  German officers.  And, of course, the other P.O.W.s, marching along, terrified and in pain.  Sounds like the typical day of a contingent college professor to me.

It has been a long week, and I'm glad it has come to an end.  I don't have much planned for the next couple of days, except grading.  Lots of grading.  If I'm lucky, I'll work on revising a poem from my new manuscript.  Well, actually, the manuscript is a few years old.  I just took it out the other day, reread it.  The experience was, at turns, painful and wonderful.  It's glaringly obvious which poems need work.

My goal, by the end of the weekend, is to have at least two of the poems revised.  That will leave 44 to go.  I am determined, by the beginning of June, to have a book to send out to publishers.  It will be a difficult process, sort of like marching to Germany in clogs.  But, really, writing is rewriting, and that's my task.

So, tonight, Saint Marty is grateful for a red pen.


Wednesday, July 9, 2014

July 9: Hard Work, Keeping at It, Confidence

Andy also found that his spirit was calmed by hard work.  He gravitated to the college newspaper, the Cornell Daily Sun.  One of only two dailies published by an American university--and also Ithaca's only morning paper--its eight pages even carried national and international news, complete with an Associated Press feed that came in every night via the telephone line.  It seemed sophisticated.  Andy's long-running connection with the paper raised his status until by his last year he walked across campus with unprecedented confidence...

The "Andy" in the above paragraph is E. B. White.  When White entered Cornell, he was given that nickname by his fellow students, and he embraced his new identity with relish.  Gone was the shy, sickly young boy.  Instead, "Andy" White was smart, talented, and full of confidence.


Sometimes I have that swagger and confidence, too.  I believe that I'm a good writer.  Talented, even.  Other times, I suffer from incredibly low self-esteem.  My poems seem derivative, sentimental.  I dwell on my failures instead of my successes.  Writing is a difficult avocation.  It sort of depends on acceptance.  Yet, more often than not, a writer receives rejection instead.

But you keep at it.  Keep sending out manuscripts to publishers.  Keep entering writing contests.  Keep sitting down with a pen and paper.  Keep writing.  Confidence comes with experience.  I know good writing.  I know when I write something good.  However, getting published is 25% talent and good writing.  The other 75% is simply luck.  Stephen King's wife rescued a manuscript from the garbage and forced him to finish it.  The manuscript turned out to be Carrie.  Luck.

At the moment, my confidence is at a low ebb.  Despite that fact, tomorrow night, I will submit more poems for publication.  Keeping at it.  That's the whole game.

Saint Marty is rolling the dice.

C'mon, daddy needs a publisher

Saturday, August 11, 2012

August 11: Marley Was Dead, Starting Over, New Cartoon

Marley was dead:  to begin with.  There is no doubt whatever about that.  The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner.  Scrooge signed it:  and Scrooge's name was good upon 'Change, for anything he chose, to put his hand to.  Old Marley was dead as a door-nail.

Well, I have gone back to the beginning.  The paragraph above, as you are probably aware, is the first paragraph of the novel.  It sets up many of the novel's main elements:  death, money, a hint of something a little paranormal (insisting that Old Marley is dead promises that he will eventually make a personal appearance).  Generally, ghost stories involve some kind of retribution or judgement.  A living person learns something, and the world that has been out-of-balance becomes balanced once more.

I am returning to the beginning this morning.  After learning last night that my book of poems did not win the poetry competition, I need to rethink, reevaluate, and resubmit.  Like Marley's ghost, that book keeps coming back to me, shaking its chains and moaning, "I'm not done yet.  Not yet.  Not yet."  I have to come up with another plan to put that manuscript to rest, short of cremation, which I have contemplated.

My current plan, as of 10:11 a.m., Saturday, August 11, 2012, is to talk to some of my poet friends and get some leads on publishers and university presses.  Then, I will submit my book again.  I'm not done yet.  I still have hope for Marley yet.

Saint Marty is finished wallowing.  He needs to get busy exorcising some ghosts, putting his world back into balance.

Confessions of Saint Marty