"So--" said Billy gropingly, "I suppose that the idea of preventing war on Earth is stupid, too."
"Of course."
"But you do have a peaceful planet here."
"Today we do. On other days we have wars as horrible as any you've ever seen or read about. There isn't anything we can do about them, so we simply don't look at them. We ignore them. We spend eternity looking at pleasant moments--like today at the zoo. Isn't this a nice moment?"
"Yes."
"That's one thing Earthlings might learn to do, if they tried hard enough. Ignore the awful times and concentrate on the good ones."
"Um," said Billy Pilgrim.
Shorty after he went to sleep that night, Billy traveled in time to another moment which was quite nice, his wedding night with the former Valencia Merble. He had been out of the veterans' hospital for six months. He was all well. He had graduated from the Ilium School of Optometry--third in his class of forty-seven.
Now he was in bed with Valencia in a delightful studio apartment which was built on the end of a wharf on Cape Ann, Massachusetts. Across the water were the lights of Gloucester. Billy was on top of Valencia, making love to her. One result of this act would be the birth of Robert Pilgrim, who would become a problem in high school, but who would then straighten out as a member of the famous Green Berets.
Valencia wasn't a time-traveler, but she did have a lively imagination. While Billy was making love to her, she imagined that she was a famous woman in history. She was being Queen Elizabeth the First of England, and Billy was supposedly Christopher Columbus.
Did Columbus and Queen Elizabeth the First ever meet? I'm not sure, but that's beside the point. The Tralfamadorian solution to things like war and genocide is simply not to focus on them. Instead, they focus on good things, like days at the zoo or, in Billy's case, the conception of his first child with his new bride, Valencia. Good moments, that will make everything alright.
I'm not sure I agree with this advice. However, I do believe that dwelling on some past tragedy is not very healthy. I have a had a lot of bad things happen in my life, as has everybody reading this post, I'm sure. If I went around all day thinking about the death of my sister or my wife's mental illness or the election of Donald Trump, I wouldn't be able to function. I would curl up on my bed, under the covers, in a fetal position, and just not live.
Ignoring traumas from the past isn't a good practice, either. That creates issues like depression, PTSD, and other forms of mental illness. No, bad things must be dealt with, through talk therapy and group therapy and medical therapy and chocolate. That's the only way to overcome bad shit. I'm speaking from experience.
Tonight, however, I am going to have a good moment, one that Tralfamadorians would probably return to in times of war. My book club is meeting tonight at my house. This month's book is Margaret Atwood's The Handmaid's Tale. When I'm done typing my posts, I'm going to cut up some cheese for a little tray. Then, I'll set the tables with dishes and cups, because Book Club is really just an excuse to eat.
It will be a lovely moment with lovely people whom I love. Is there enough love in that sentence? It will be a good night, filled with laughter and conversation. No war. No end of the universe. Just cheese and crackers and brownie trifle. As the characters in The Handmaid's Tale say, "Praise be."
Saint Marty is thankful tonight for good friends.
Poet...Musician...Thinker...Blogger...Teacher...Husband...Father...I'm not perfect, but I try!
Showing posts with label fetal position. Show all posts
Showing posts with label fetal position. Show all posts
Thursday, June 29, 2017
Tuesday, January 3, 2017
January 3: Climaxes and Thrills, Big Ideas, Plans for 2017
As a trafficker in climaxes and thrills and characterization and wonderful dialogue and suspense and confrontations, I had outlined the Dresden story many times. The best outline I ever made, or anyway the prettiest one, was on the back of a roll of wallpaper.
I used my daughter's crayons, a different color for each main character. One end of the wallpaper was the beginning of the story, and the other end was the end, and then there was all that middle part, which was the middle. And the blue line met the red line and then the yellow line, and the yellow line stopped because the character represented by the yellow line was dead. And so on. The destruction of Dresden was represented by a vertical band of orange cross-hatching, and all the lines that were still alive passed through it, came out the other side.
Vonnegut spends a lot of time at the beginning of Slaughterhouse Five discussing the difficulties he's encountered writing a book about his war experiences. He stops and starts, drunk calls war buddies and old girlfriends, and tries to map out a path from word number one to "The End." This struggle goes on for years.
I'm very much like Vonnegut when it comes to writing. I have big ideas, but I'm not sure how to implement them. Over the years, I've said that I'm working on a book about Catholic saints (still in progress); a collection of poems based on headlines from the Weekly World News (abandoned--somebody else had the same idea and beat me to publication); a collection of poems based on the Star Wars universe (on hold--can't let this one go just yet); a young adult series of books about Dante's nine circles of hell (plotted out and saved for later); and, most recently, a collection of Bigfoot poems (moving ahead).
It's sort of what we all do at the beginning of a new year. Vow to lose weight. Exercise more. Clean out the attic. Learn how to oil paint. Write a book. Big ideas. Big plans. And then reality takes hold. Work resumes. School functions and dance recitals and birthday parties. Throw into that mix unexpected events like car problems, health issues, deaths, Trump presidencies. The locomotive of the new year quickly goes off the rails.
So, I have plans for 2017, but I am not going to broadcast them to the world. That way, if I fail, I don't have to offer explanations. I'll just curl up in the fetal position on December 31, 2017, suck my thumb, and mutter over and over, "I'll do it next year, I'll do it next year, next year, next year."
Who knows what 2017 has in store for me and my family? There will be great happinesses and great challenges. I'm sure about that. I may be named Poet Laureate of the U. P. I may not. I may get a promotion at work. I may not. My daughter may become captain of her high school quiz bowl team. She may not. My son may start eating fruits and vegetables. He may not. My wife may make the bed when she gets up in the morning. She may not. It's a new year. Anything is possible.
However, I will make clear one small goal for myself this year. Daily, I am going to name one thing for which I am grateful. Starting now.
This morning, Saint Marty is grateful for his sister who gave him an iPhone for Christmas. He's grateful for her generous and loving spirit.
| Me and my iPhone |
Wednesday, April 16, 2014
April 16: Secret Visitor, Publication, Rejection
In spring 1909, Elwyn drew upon his experiences with the secret visitor in his bedroom and wrote a poem, "To a Mouse." The budding author, not yet ten years old, bravely sent the poem to Woman's Home Companion. To his astonishment and delight, they accepted it for publication--and even awarded him a prize for it.
E. B. White published his first poem in a national magazine when he was nine-years-old. Nine. He won his first writing prize when he was nine-years-old. Nine. That's pretty impressive. I could be snarky and say that the standards for acceptance must have been fairly low. I could be even snarkier and say that it was only Woman's Home Companion, which sounds like the equivalent of Good Housekeeping. But I'm not going to stoop to such levels. The thing that sticks out in this whole discussion is that little Elwyn became a nationally published author when he was only four years out of kindergarten.
I didn't publish my first poem in a well-known journal until I was in graduate school. That would put me about, oh, almost 17 or 18 years behind E. B. White. Not that I'm competing. I'm not. Really. I can't wait to find out when White published his first book. He was probably all of twelve or thirteen. A late bloomer.
I used to be really lucky. For a while, every poem I sent out received an acceptance. It was kind of crazy. I submitted my first book of poems to one publisher. One. And it was accepted. Like I said, crazy. Of course, that streak ended quite a while ago. In the past few years, I haven't been very successful in the acceptance department. One or two poems, here and there.
That comes with the territory if you're a poet. I had a student once ask me for the most important advice I'd give to any aspiring writer. My answer: "Get used to rejection. A lot of it." Poetry is an ego-bruising endeavor.
Thank God I've developed such a thick skin.
Now, if you'll excuse Saint Marty, he's going to curl into a fetal position and suck his thumb for a while.
E. B. White published his first poem in a national magazine when he was nine-years-old. Nine. He won his first writing prize when he was nine-years-old. Nine. That's pretty impressive. I could be snarky and say that the standards for acceptance must have been fairly low. I could be even snarkier and say that it was only Woman's Home Companion, which sounds like the equivalent of Good Housekeeping. But I'm not going to stoop to such levels. The thing that sticks out in this whole discussion is that little Elwyn became a nationally published author when he was only four years out of kindergarten.
I didn't publish my first poem in a well-known journal until I was in graduate school. That would put me about, oh, almost 17 or 18 years behind E. B. White. Not that I'm competing. I'm not. Really. I can't wait to find out when White published his first book. He was probably all of twelve or thirteen. A late bloomer.
I used to be really lucky. For a while, every poem I sent out received an acceptance. It was kind of crazy. I submitted my first book of poems to one publisher. One. And it was accepted. Like I said, crazy. Of course, that streak ended quite a while ago. In the past few years, I haven't been very successful in the acceptance department. One or two poems, here and there.
That comes with the territory if you're a poet. I had a student once ask me for the most important advice I'd give to any aspiring writer. My answer: "Get used to rejection. A lot of it." Poetry is an ego-bruising endeavor.
Thank God I've developed such a thick skin.
Now, if you'll excuse Saint Marty, he's going to curl into a fetal position and suck his thumb for a while.
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| Get used to feeling like this... |
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