Showing posts with label Norman Dubie. Show all posts
Showing posts with label Norman Dubie. Show all posts

Wednesday, December 6, 2017

December 6: Saint Nicholas Day, Norman Dubie, "The Czar's Last Christmas Letter: A Barn in the Urals"

Happy Saint Nicholas Day!

On this feast of Saint Nicholas, I think I have done the impossible.  I found a Christmas poem by none other than Norman Dubie.  And I have fallen in love with this poem.  It's one of those poems that make me want to give up writing poetry.  It's that good.

I have to teach this evening.  Student presentations.  It's the last regular week of class.  Next week, final exams.  I have so much grading to do right now.  I'm feeling a little overwhelmed.  This semester started off very slowly, but I feel like I'm in a full on sprint now.

That's why I love Norman Dubie's poem today.  It makes me slow down.  Take a breath.

Saint Marty needs that right now.

The Czar's Last Christmas Letter:  A Barn in the Urals

by:  Norman Dubie

You were never told, Mother, how old Illya was drunk
That last holiday, for five days and nights

He stumbled through Petersburg forming
A choir of mutes, he dressed them in pink ascension gowns

And, then, sold Father's Tirietz stallion so to rent
A hall for his Christmas recital: the audience

Was rowdy but Illya in his black robes turned on them
And gave them that look of his; the hall fell silent

And violently he threw his hair to the side and up
Went the baton, the recital ended exactly one hour

Later when Illya suddenly turned and bowed
And his mutes bowed, and what applause and hollering

Followed.
All of his cronies were there!

Illya told us later that he thought the voices
Of mutes combine in a sound

Like wind passing through big, winter pines.
Mother, if for no other reason I regret the war

With Japan for, you must now be told,
It took the servant, Illya, from us. It was confirmed.

He would sit on the rocks by the water and with his stiletto
Open clams and pop the raw meats into his mouth

And drool and laugh at us children.
We hear guns often, now, down near the village.

Don't think me a coward, Mother, but it is comfortable
Now that I am no longer Czar. I can take pleasure

From just a cup of clear water. I hear Illya's choir often.
I teach the children about decreasing fractions, that is

A lesson best taught by the father.
Alexandra conducts the French and singing lessons.

Mother, we are again a physical couple.
I brush out her hair for her at night.

She thinks that we'll be rowing outside Geneva
By the spring. I hope she won't be disappointed.

Yesterday morning while bread was frying
In one corner, she in another washed all of her legs

Right in front of the children. I think
We became sad at her beauty. She has a purple bruise

On an ankle.
Like Illya I made her chew on mint.

Our Christmas will be in this excellent barn.
The guards flirt with your granddaughters and I see...

I see nothing wrong with it. Your little one, who is
Now a woman, made one soldier pose for her, she did

Him in charcoal, but as a bold nude. He was
Such an obvious virgin about it; he was wonderful!

Today, that same young man found us an enormous azure
And pearl samovar.  Once, he called me Great Father

And got confused.
He refused to let me touch him.

I know they keep your letters from us. But, Mother,
The day they finally put them in my hands

I'll know that possessing them I am condemned
And possibly even my wife, and my children.

We will drink mint tea this evening.
Will each of us be increased by death?

With fractions as the bottom integer gets bigger, Mother, it
Represents less. That's the feeling I have about

This letter. I am at your request, The Czar.
And I am Nicholas.

Monday, May 19, 2014

May 19: A Cool Thing, Poetry Editor, "Web" Dip

So, a really cool thing happened to me last night.  I went with a friend to a bonfire.  This bonfire was hosted by the managing editor of Passages North, the university's literary magazine.  It was a wonderful night of s'mores and chips and Milky Way candy bars.  Lots of grad students and creative writing teachers in attendance.

As I was eating my first of several Milky Ways, Jen, the managing editor/host (and a sweet, wonderful person to boot), said, "So, Marty, would you be my poetry editor?"

The current poetry editor for PN (and another great friend) is retiring.  I knew that was happening.  I've been the senior poetry editor at the magazine for the last three years.  It's been a great time.  I've had a hand in publishing a lot of great poetry, including work by Donald Hall and Norman Dubie.

I was humbled and thrilled by Jen's offer, and I accepted it.  Of course.  I'm not an idiot.  In the fall, I will officially be the Poetry Editor of Passages North.  I guess my title right now would be Poetry Editor-elect.  Or something like that.

My question for the Good Book of E. B. White this evening is:

Will I be a good Poetry Editor of PN?

And the answer from Charlotte is:

"Special announcement!" said the loud speaker in a pompous voice.  "The management of the Fair takes great pleasure in presenting Mr. Homer L. Zuckerman and his famous pig.  The truck bearing this extraordinary animal is now approaching the infield.  Kindly stand back and give the truck room to proceed!  In a few moments the pig will be unloaded in the special judging ring in front of the grandstand, where a special award will be made.  Will the crowd please make way and let the truck pass.  Thank you."

Well, there you have it.  If a pig can get a special award, Saint Marty can surely hold his own as Poetry Editor.  Even if Charlotte's not around to help with the proofreading.

Seal of Approval

Friday, January 18, 2013

January 18: Norman Dubie, "You"

I'm tired, but I want to give you a poem on this P.O.E.T.S. Day.

This poem is by Norman Dubie, who is absolutely brilliant.  He's the kind of poet that makes me want to give up poetry because I will never approach his level of skill and music and truth.

Yes, Saint Marty is jealous.  Surprise, surprise.

You

The sunlight passes through the window into the room
Where you are sewing a button to your blouse:  outside
Water in the fountain rises
Toward a cloud.  This plume of water is lighter
Now, for white shares of itself are falling back
Toward the ground.
This water does succeed, like us,
In nearing a perfect exhaustion,
Which is its origin.  The water

Succeeds in leaving the ground but
It fails at its desire to reach a cloud.  It pauses,
Falling back into its blue trough; of course,
Another climb is inevitable, and this loud, falling
Water is a figure for love, not loss, and

Still heavy with its desire to be the cloud.

Plus, he looks like Walt Whitman...