Poet...Musician...Thinker...Blogger...Teacher...Husband...Father...I'm not perfect, but I try!
Thursday, October 5, 2023
October 5: "Clapp's Pond," Birthday, Nobel Prize
Friday, June 30, 2023
June 30: "How Would You Live Then?", What Ifs, Values
Sunday, July 24, 2022
July 24: In Comfort, Big Hurts and Little Hurts, Nobel Prize
The old man would have liked to keep his hand in the salt water longer but he was afraid of another sudden lurch by the fish and he stood up and braced himself and held his hand up against the sun. It was only a line burn that had cut his flesh. But it was in the working part of his hand. He knew he would need his hands before this was over and he did not like to be cut before it started.
"Now," he said, when his hand had dried, "I must eat the small tuna. I can reach him with the gaff and eat him here in comfort."
Saturday, May 22, 2021
May 20-21: My Selfishness, But Maybe, Possibility
Merton talks about his shortcomings . . .
It is true I was called to the cloister. That has been made abundantly clear. But the dispositions with which I was now preparing to enter the Franciscan novitiate were much more imperfect than I was able to realize. In choosing the Franciscans, I had followed what was apparently a perfectly legitimate attraction—an attraction which might very well have been a sign of God’s will, even though it was not quite as supernatural as I thought. I had chosen this Order because I thought I would be able to keep its Rule without difficulty, and because I was attracted by the life of teaching and writing which it would offer me, and much more by the surroundings in which I saw I would probably live. God very often accepts dispositions that are no better than these, and even some that are far worse, and turns them into a true vocation in His own time.
But with me, it was not to be so. I had to be led by a way that I could not understand, and I had to follow a path that was beyond my own choosing. God did not want anything of my natural tastes and fancies and selections until they had been more completely divorced from their old track, their old habits, and directed to Himself, by His own working. My natural choice, my own taste in selecting a mode of life, was altogether untrustworthy. And already my selfishness was asserting itself, and claiming this whole vocation for itself, by investing the future with all kinds of natural pleasures and satisfactions which would fortify and defend my ego against the troubles and worries of life in the world.
Besides, I was depending almost entirely on my own powers and on my own virtues—as if I had any!—to become a good religious, and to live up to my obligations in the monastery. God does not want that. He does not ask us to leave the world as a favor to Himself.
Ego gets in the way of everything--marriages, friendships, educations. And, as Merton points out in this passage, ego even gets in the way of God. Merton has not let go of his own aspirations and dreams. In a way, he's using God as a shield to "fortify and defend [his] ego against" the slings and arrows of the universe. He hasn't reached the point of total surrender to God's will.
I pride myself in the teaching I do for the university, the work I do for the library. I'm not exactly sure if this is ego or simply the work ethic that my parents instilled in me at a very young age. My dad was a plumber, going out on service calls at all hours of the day and night, for close to 60 years. My mom was right there beside him, doing the bookwork, paying the bills, making the dinners. They went to church every weekend, dropped an envelope in the collection plate each time. They did all this because it was the right thing to do. Not because they were trying to win a trophy or title. Thirty years from now, nobody will even remember my parents' names, except their kids and maybe their grandkids.
I often joke on this blog about winning the Pulitzer Prize for Poetry or the Nobel Prize for Literature. Writing a bestselling poetry collection (if there is such a thing). I am kidding, of course. I know that the chance of my name being spoken in the halls of the Swedish Academy is about as likely as Bigfoot knocking on my door tonight and coming inside for a nightcap. However, that doesn't stop me from engaging in a little fantasy.
Is this ego? Perhaps. I make these jokes, fully aware that there is a small, niggling voice in the back of my mind whispering, "Yes, but maybe . . ."
Bigfoot is sitting in my living room tonight, sipping a glass of blueberry wine. He's good company on late nights. His hairy presence is a reminder that belief in impossible things is half the battle. There are people out there who've devoted their lives to hunting my hominid houseguest. Make their livings off his image. He is as real as wonder and mystery to them.
I don't want to live in a world where Bigfoot doesn't roam the Pacific Northwest of the imagination. Where the Nobel Prize doesn't get awarded to a blogger. Maybe that's ego with size 54 feet, stomping through my backyard. Or maybe it's just my stubborn belief that the universe is a more interesting place with constellations of possibility in the heavens. I think that's what kept my kept my father and mother going all those years.
Saint Marty gives thanks for stargazing with Bigfoot tonight.
Monday, January 25, 2021
January 25: My Own Wisdom and Talents, Nobel Prize, Classroom Miracle
Merton contemplates his vocation as a writer . . .
In November 1938, I acquired a sudden facility for rough, raw Skeltonic verses—and that lasted about a month, and died. They were not much, but one of them took a prize which it did not deserve. But now I had many kinds of sounds ringing in my ears and they sometimes asked to get on paper. When their rhythms and tones followed Andrew Marvell, the results were best. I always liked Marvell; he did not mean as much to me as Donne or Crashaw (when Crashaw wrote well) but nevertheless there was something about his temper for which I felt a special personal attraction. His moods were more clearly my own than Crashaw’s or even Donne’s.
When I lived on Perry Street, it was hard to write poems. The lines came slow, and when it was all done, there were very few of them. They were generally rhymed iambic tetrameter, and because I was uneasy with any rhyme that sounded hackneyed, rhyming was awkward and sometimes strange.
I would get an idea, and walk around the streets, among the warehouses, towards the poultry market at the foot of Twelfth Street, and I would go out on the chicken dock trying to work out four lines of verse in my head, and sit in the sun. And after I had looked at the fireboats and the old empty barges and the other loafers and the Stevens Institute on its bluff across the river in Hoboken, I would write the poem down on a piece of scrap paper and go home and type it out.
I usually sent it at once to some magazine. How many envelopes I fed to the green mailbox at the corner of Perry Street just before you got to Seventh Avenue! And everything I put in there came back—except for the book reviews.
The more I failed, the more I was convinced that it was important for me to have my work printed in magazines like the Southern Review or Partisan Review or the New Yorker. My chief concern was now to see myself in print. It was as if I could not be quite satisfied that I was real until I could feed my ambition with these trivial glories, and my ancient selfishness was now matured and concentrated in this desire to see myself externalized in a public and printed and official self which I could admire at my ease. This was what I really believed in: reputation, success. I wanted to live in the eyes and the mouths and the minds of men. I was not so crude that I wanted to be known and admired by the whole world: there was a certain naive satisfaction in the idea of being only appreciated by a particular minority, which gave a special fascination to this urge within me. But when my mind was absorbed in all that, how could I lead a supernatural life, the life to which I was called? How could I love God, when everything I did was done not for Him but for myself, and not trusting in His aid, but relying on my own wisdom and talents?
Lax rebuked me for all this. His whole attitude about writing was purified of such stupidity, and was steeped in holiness, in charity, in disinterestedness. Characteristically he conceived the function of those who knew how to write, and who had something to say, in terms of the salvation of society. Lax’s picture of America—before which he has stood for twelve years with his hands hanging in helplessness at his sides—is the picture of a country full of people who want to be kind and pleasant and happy and love good things and serve God, but do not know how. And they do not know where to turn to find out. They are surrounded by all kinds of sources of information which only conspire to bewilder them more and more. And Lax’s vision is a vision of the day when they will turn on the radio and somebody will start telling them what they have really been wanting to hear and needing to know. They will find somebody who is capable of telling them of the love of God in language that will no longer sound hackneyed or crazy, but with authority and conviction: the conviction born of sanctity.
Merton seeks glory through his writing. Not international acclaim. He doesn't want to be popular to the masses. He wants to be admired by the intellectually elite. Readers of The New Yorker. Partisan Review. People who look down on simplicity. Who devote themselves to self-promotion instead of spiritual devotion. Merton wants to be a Nobel Prize winner, not a saint.
I understand this version of Merton. For as long as I can remember, I've been rehearsing my Nobel acceptance speech to deliver in front of the King of Sweden. Imagined being in the heart of Columbia University, taking home my Pulitzer Prize. Dreamed of going to my mailbox, finding a royalty check that will pay for a vacation to Disney World. In short, I have been just as shallow as the young Merton.
I won't say that I've outgrown these ambitions. They still haunt me, as they do any writer. Regardless of the popular stereotype of poets, we want to be read and loved. The idea that we're all Emily Dickinsons, scribbling away in our rooms, sewing our poems into little books that will never be seen by human eyes until after we're dead--well, that notion is pretty much rubbish. Writing is like holding out a hand on the playground, hoping to find a new friend. We all want to be King of the Hill, Lord of the Monkey Bars.
But only 117 people have won the Nobel Prize in Literature in its 119-year history. That makes my chances of being called a Nobel Laureate pretty slim. And what are titles anyway? Do they make a person better? I would say that they just amplify who you are to begin with. If you were an asshole before winning the Nobel Prize in Literature, you will be a flaming asshole after winning. Spotlights intensify; they don't purify.
Today, I taught a composition class at the university. A group of undergraduates who looked about as engaged as parishioners in a church pew on a Sunday morning after a night at the bars. They didn't want to be there. Couldn't have cared less about what I was saying, even though I've been Poet Laureate of the Upper Peninsula for the past four years and have received the Excellence in Part-Time Faculty Teaching Award. Titles mean nothing to these kids.
I read these students a poem about nature today. About disconnecting from iPhone screens in order to reconnect with the world. Then one of my students stood up and read a journal entry he'd written about witnessing a sunrise over Lake Superior, a moment when, just as the sun entered the sky, the entire world exploded with birdsong. His hands that were holding his notebook were shaking. I could tell that what he was sharing was important to him. Earth-shattering. And it was electric.
For me, that is the greatest gift of being a writer. Those raw instances of truth. This student was baring his soul to everyone in that room. It was real and important and holy.
Saint Marty gives thanks being a witness to that classroom miracle. It was better than any Nobel Prize ceremony.
Thursday, July 9, 2020
July 9: My Heart Ready to Explode, My Daughter, "Arias"
Of course the whole family was there on the dock. But the change as devastating. With my heart ready to explode with immature emotions I suddenly found myself surrounded by all the cheerful and peaceful and comfortable solicitudes of home. Everybody wanted to talk. Their voices were full of questions and information. They took me for a drive on Long Island and showed me where Mrs. Hearst lived and everything. But I only hung my head out of the window of the car and watched the green trees go swirling by, and wished that I were dead.
I would not tell anybody what was the matter with me, and this reticence was the beginning of a kind of estrangement between us. From that time on no one could be sure what I was doing or thinking. I would go to New York and I would not come home for meals and I would not tell anyone where I had been.
I'm sure we've all been here at some point or other in our lives--a feeling of utter devastation and abandonment because we've lost what we thought were the loves of our lives. So, what to do with that? Well, teenagers turn inward, withdraw from all who care about them. They rebel. Disappear, physically and/or emotionally. What Merton describes here is so familiar to me that I could almost have written this passage myself.
It is difficult trying to find your path after someone you care about deeply flits away, a hungry hummingbird looking for better nectar. It's a little like being in a strange countryside without a map or cell phone or road signs. You just don't know which way to go, and the night is moonless, starless.
I've been in this place many times. I suffer from vertigo occasionally, and the experience is very similar. Not being able to find stable ground. But I have had one anchor through most of these moments: my daughter. She has kept me going during some pretty difficult days. She's beautiful, graceful, and empathetic. She cares about everything and everyone deeply.
Around my birthday last year, I was experiencing one of these moments of emotional vertigo. Feeling very lost. At sea. My daughter was in the middle of her first semester of college, majoring in pre-med, working her first job. She was making new friends, engaging in new activities. It was her first taste of independence, and she was loving it.
But, she also knew that I was struggling. I try to keep my problems separate from my daughter. She's had to deal with a lot in her 19 years, and I've been really conscious about letting her be a kid and do kid things. I don't want her to look back on her childhood and teenage years with melancholy, like Thomas Merton.
A couple weeks past my birthday, I came home from work, and my daughter handed me a wrapped present. She'd pre-ordered it many weeks prior, and she couldn't wait for me to unwrap it. I sat down, read the card she had chosen. That made me cry. And then I opened the present. It was a copy of Sharon Olds' newest collection of poems, Arias. It had just been released. That made me cry even more. She knew I wanted the book, but that I didn't want to spend the money on it because we were struggling financially. So, she took some of her work money and bought it for me.
I was speaking to sister-in-law last week about my daughter, and I said, "I don't know what I did to deserve a kid like her."
I've known my sister-in-law for most of her life. She's the baby sister I never had. I'm still struggling with those feelings I was having around my birthday. My sister-in-law knows this. She said to me, "I do. All the love, compassion, and genuine respect for others has boiled over into this additional human. Too much goodness in one man. There needed to be an additional human to continue it."
I said, "She makes me feel like I've succeeded in something. She's my Nobel Prize."
"Exactly!!!" my sister-in-law said.
I carry Arias with me everywhere. To work and school. It's my reminder, when I'm feeling very alone, that I've done something right in my life. And that I am loved.
And for that miracle, Saint Marty gives thanks.
Saturday, September 30, 2017
September 30: Halfway Point, Saeed Jones, "The Blue Dress"
That thought is a little sobering. I've been thinking about the things I have done and the things I still want to do in the time I have left. I have had, for the most part, a really good life. Loving but crazy family. Beautiful wife and kids. I've done theater. Taught thousands of kids about writing and literature. I'm a published writer. Poetry and essays and fiction. And I have fantastic friends.
Don't get me wrong. I've had my struggles and dark times. Still do. And there are things I still want to do. I want to publish more books. Want to travel to Rome and England. Want to go back to New York to see some plays. Want ONE job that allows me to write and teach and write some more. Want to win the Pulitzer Prize and Nobel Prize. Want to see Donald Trump impeached or resign.
Yes, as I approach Saint Marty's Day this year, I'm feeling a little nostalgia, for my childhood and mother and babies and President Obama. I miss the hope I had in my youth, when I thought I could own the world. I now know that I can't own the world. But I can try to make the world a little bit better.
That's something Saint Marty can do with his remaining years.
The Blue Dress
by: Saeed Jones
Her blue dress is a silk train is a river
is water seeps into the cobblestone streets of my sleep, is still
raining
is monsoon brocade, is winter stars stitched into puddles
is good-bye in a flooded, antique room, is good-bye in a room of
crystal bowls
and crystal cups, is the ring-ting-ring of water dripping from the
mouths
of crystal bowls and crystal cups, is the Mississippi River is a
hallway, is leaks
like tears from windowsills of a drowned house, is windows open
to waterfalls
is a bed is a small boat is a ship, is a current come to carry me in its
arms
through the streets, is me floating in her dress through the streets
is only the moon sees me floating through the streets, is me in a
blue dress
out to sea, is my mother is a moon out to sea.
Tuesday, January 17, 2017
January 17: Famous Writer, Langston Hughes, "Dream Deferred"
And what have I attained? I'm a writer. Not quite famous. No bestsellers or Pulitzer Prizes to my credit. I'm a professor. Not quite distinguished. I've been nominated a few times for Poet Laureate of the Upper Peninsula. That doesn't make me a diplomat.
One of my favorite films is It's a Wonderful Life. It's about a man who had big dreams. A man who sees those dreams deferred in the service family and friends. He makes sacrifices, and those sacrifices are what give his life meaning.
Saint Marty may not be William Faulkner or Ernest Hemingway, but, as George Bailey learned, no man is a failure who has friends.
Dream Deferred
by: Langston Hughes
What happens to a dream deferred?
Does it dry up
Like a raisin in the sun?
Or fester like a sore--
And then run?
Does it stink like rotten meat?
Or crust and sugar over--
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?
Sunday, October 30, 2016
October 30: Wife's Birthday, Carving Pumpkins, Classic Saint Marty
Right now, I'm watching a movie with my daughter. Kolchak: The Night Stalker. She's loving it. Of course, she knows that it is one of my favorite television films and series. Perhaps she's indulging me a little bit.
By the way, Bob Dylan has finally indulged the Permanent Secretary of the Swedish Academy. He called her, and they spoke for 15 minutes. Told her that he was "speechless" over the news of the award. So, Dylan will be taking a trip to Sweden this December.
And I will be sneaking Milky Ways from my son's Halloween candy tomorrow night.
Today's Classic Saint Marty first aired four years ago. So much has changed. So much is still the same.
October 30, 2012: At This Time, Rolling Year, All Soul's Day
"At this time of the rolling year," the spectre said, "I suffer most. Why did I walk through crowds of fellow beings with eyes turned down, and never raise them to that blessed Star which led the Wise Men to a poor abode! Were there no poor homes to which its light would have conducted me?"
I know I have used this passage before, but on this first episode of "Saint of the Week," it is particularly apt to touch upon Marley's penance as a ghost. Marley wanders the world, seeing all the suffering and anguish he could have helped alleviate while he was living. It is a terrible eternal punishment, to be in a constant state of regret and mourning.
On November 2, the Catholic Church celebrates All Souls' Day. On this day, people on this planet can offer prayers and alms for those who have died who are "being purified in the sufferings of purgatory." By offering these sacrifices, we can help the Marleys of the afterlife pass through the pearly gates and enter heaven. Now, whether you believe in Purgatory and punishment or not, most Christian churches at this time celebrate those who have died in the past year. In Mexico, it's a national holiday. Dia de los Muertos. That's the day where everybody dresses like skeletons and makes sugar skulls and goes to visit grandma and grandpa at the cemetery, usually bringing them food and drinks. It's sort of like Halloween, except the trick-or-treaters are dead.
No matter what tradition you celebrate, the end of October and the first days of November are reserved for remembrance, for reflection on those you have lost. It can be a solemn time, or it can be a time of celebration. It depends on the culture and traditions.
So, whether you're eating Milky Ways or sugar skulls, or lighting votive candles, I wish you a peaceful All Souls' Day.
Saint Marty will end with a traditional Catholic prayer for this time: Eternal rest grant to them, O Lord, and let perpetual light shine upon them. May they rest in peace. Amen, Marley, amen.
| My son's jack-o'-lantern |
| My daughter's jack-o'-lantern |
Friday, October 21, 2016
October 21: Air of Menace, A Hundred Conversations, Misphonia
Dillard has a bad feeling, as if some wall of water is about to roll over her. She's talking about rains and floods, uprooted trees and washed-out bridges. While I don't think she's a superstitious person, Dillard is looking around her, seeing all these signs of impending disaster. Broken bottles. Snakes. Rumors of rabid forest creatures.
I have had a trying day. Eight hours of calling patients. Over a hundred conversations. My voice is tired, my brain is tired, and my tolerance is tired. When I left work, I found myself disliking people. A lot. Not because of the people I spoke to. Because of the number of people I spoke to.
When I feel like this, everybody irritates me. Right now, my sister is irritating the shit out of me because she's talking so loud. Hell's Kitchen is on the TV, and Gordon Ramsay's voice is making my skin crawl. I want to slap people who are chewing or swallowing too loudly. (In case you're wondering, I do suffer from misphonia, where certain noises trigger irrational anger responses.)
So, there is an air of menace about me this evening. Invisible bees buzzing around my head. I have to force myself not to speak, because, if I open my mouth, I will probably yell, scream, or swear for no good reason. I would look like a crazy person, which I might be.
I think that Bob Dylan suffers from misphonia, as well. That's why he hasn't said anything about his Nobel Prize. Either that or he just doesn't give a flying fig, which, again, irritates the shit out of me.
Maybe Saint Marty should just go to bed.
Monday, October 17, 2016
October 17: It's Raining, Wisconsin Dells, Nobel Prize
Dillard is talking about floods and rain. The power of Nature to redefine the landscape with water. She has seen Tinker Creek revised by summer storms--trees uprooted, banks washed away, and bridges damaged.
Just got back from the Wisconsin Dells a little over an hour ago. The drive was fairly uneventful, but, as we got closer to home, it started to rain. It's still raining and thundering and lightning. We got soaked unloading the car. There weren't any trees down, but the wind was pretty strong. My Clinton-Kaine yard sign was taking a beating, but so were the Trump-Pence signs down the street.
Tomorrow, I return to my normal life. At work by 6 a.m. Teaching until 9:30 p.m. In between, grading papers and midterm exams. Plus, I have to prepare for my poetry reading on Thursday. It's always difficult settling back into routine after several days of non-routine. Sort of like Bob Dylan giving a concert after winning the Nobel Prize last Thursday morning. (He performed a concert that night, and so far he has not responded to the news at all.)
So, unless massive floodwaters wash away his car tonight, Saint Marty will be back at it, making the world a better place, one comma splice at a time.
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| The Swedish Academy is still blowin' in the wind . . . |
Friday, October 7, 2016
October 7: Touch-and-Go, Same Orbit, Nobel Prize, October 13
Dillard is talking about the frustratingly constant fact that the world is not constant. It is malleable. Mutable. Constantly in motion, in a state of change or (dare I say it?) evolution. Floods happen. Forest fires and earthquakes. Species come into being. Species are snuffed out like candles. Human beings sometimes have a hand in it, and sometimes it's Nature.
If you have been reading this blog for any length of time, you already know that I'm not a great fan of change. I eat the same breakfast every morning. An egg. The same lunch. Chicken sandwich, apple juice. My days are pretty structured. I work the same hours. Teach the same hours. Get home at pretty much the same time every day. If Nature is an instrument of change, I am an instrument of stubborn constancy. I am a redwood. A mountain. The moon. Always there, in the same place, following the same orbit.
Yesterday, I wrote about the Nobel Prize in Literature. How, early in the morning on October 13, my name will be announced in the Grand Hall of the Swedish Academy. The Nobel Prize has been announced in the first weeks of October since the beginning of the twentieth century, with the exception of the years during World War II, when no prizes were awarded. Thus, the Nobel Prize in Literature is a fairly constant thing, as well.
Next Thursday morning, I will get up at my normal time (4:45 a.m.). I will shower, get dressed, eat breakfast. Then I will drive to work. When I get to work, I will fire up my desktop computer. I do these things every Thursday. And then, I will sit and wait for a phone call. You see, just minutes before the Permanent Secretary of the Swedish Academy announces the recipient of the Nobel Prize, she phones the selected writer to congratulate him or her. When the phone rings at my desk next Thursday, I will pick it up and have a conversation with someone in Stockholm.
That's the way things always happen on the day the Nobel Prize is announced. Always. That's another constant. And Saint Marty is not about to fly in the face of tradition, although he may take the rest of the day from work after he wins.
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| Neruda's Nobel diploma . . . He got the call in October |
Wednesday, June 15, 2016
June 15: Willy Wonka, Adonis, "The Beginning of Speech"
I've published a book of poems. I've been the poetry editor of a national literary journal. I've been nominated for the Pushcart Prize a couple of times. No Pulitzer. No Nobel. Yet. I suppose, if I could say something to my younger self, it would be, "Watch out for skunks!" (I have had a couple very close encounters with skunks that have cost me a good pair of running shoes and an expensive book bag.)
Saint Marty is still dreaming.
The Beginning of Speech
by: Adonis
Tuesday, September 22, 2015
September 22: Gold Watch, Promotion, Tomas Transtromer, "Kyrie," Adventures of Stickman
Ives retires. After many years at an advertising agency, he is given his gold watch and plaque, thanking him for his decades of faithful service. Ives started out at the bottom and worked his way up, drawing by drawing, account by account, promotion after promotion. He is respected and beloved by all of his colleagues and coworkers..
Tomorrow afternoon, I am meeting with the head of the English Department to discuss a promotion. For the past 17 years, I have held the rank of Contingent Assistant Professor. I want (and think I deserve) the title of Contingent Professor, which is a jump of two ranks. After almost 20 years of teaching and a few thousand students, I am hoping that my boss will support my decision.
I am not a person who feels comfortable tooting his own horn. It's just not something at which I excel. In my posts, I may sound incredibly confident and self-assured. I'm not. I've said it before, and I will probably say it with my dying breath: I think that I could have done better. I could have been a better son. A better brother. Better husband and father. A better teacher and writer. Basically, I could have been a better person every day of my life.
That doesn't mean that I'm Rasputin or Donald Trump. That means that I've made mistakes, and I acknowledge them. That doesn't mean I don't deserve that promotion (or a Pulitzer Prize or a MacArthur Genius Grant). It means that I'm human, with tons of flaws.
Contingent Professor Saint Marty. Sounds pretty good.
By the way, Tomas Transtromer isn't perfect, either, although he has a Nobel Prize hanging on his wall.
Kyrie
by; Tomas Transtromer
Sometimes my life opened its eyes in the dark.
A feeling as if crowds drew through the street
in blindness and anxiety on the way towards a miracle,
while I invisibly remain standing.
As the child falls asleep in terror
listening to the heart's heavy tread.
Slowly, slowly until morning puts its rays in the locks
and the doors of darkness open.
Adventures of STICKMAN
Wednesday, April 10, 2013
April 10: Big Glass Cases, Change, the Future
...Certain things they should stay the way they are. You ought to be able to stick them in one of those big glass cases and just leave them alone. I know that's impossible, but it's too bad anyway. Anyway, I kept thinking about all that while I walked.
I love this passage because it captures one of my greatest fears/worries: change. Basically, Holden has as much a problem with change as I do. The only constant in his life has been change. He's seen his younger brother die. His older brother moved to California. He's been expelled from at least three schools that I can recall. He's tired of change. That's why he likes museums so much. Everything is in big glass cases, and nothing changes.
Most people know I'm not a fan of change. In fact, I would rank change right up there with root canal and colonoscopy. It's a matter of comfort. If life is calm and happy, why rock the boat by doing something stupid like taking up sky diving or switching jobs? I could refine my position on change a little bit: I welcome change if I am its catalyst. If I sell my house and get a bigger house, I'd be fine because it's my choice. If I'm offered a full-time position at the university, I'd say, "Where do I sign?" These are things I've want. Things I've actively pursued.
This morning, I went for a walk with a friend of mine who is a nurse. We started talking about the recent take-over of our hospital by a large healthcare system. The outpatient surgery center where we work is now owned by a national corporation. And that national corporation is making big changes. It's going to take our little family of coworkers and transform it into a huge outpatient surgical facility. In a couple of years, we're not even going recognize each other, let alone where we work. Big changes.
As we were walking, I could feel my stomach tensing into a hornet's nest. Even the thought of change has a physical reaction in my body. By the end, I had a headache and a serious case of diarrhea.
I know that, like shit, change happens. There's no way to avoid it. The future is one big black question mark, and it gives me hives. Of course, my hope is to have a full-time teaching position at the university before construction is complete on the new surgery center. That's my hope.
Saint Marty keeps that hope in a big glass case in his Museum of Things to Come, right next to his Pulitzer Prize for poetry and Nobel Prize for Literature.
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| I would not pay to get into this place |
Thursday, December 22, 2011
December 22: Never Thinks of Himself
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| The original Bert and Ernie |
Ernie Bishop, the cab driver played by Frank Faylen, says this prayer at the beginning of It's A Wonderful Life. It's one of several prayers that start the film. The whole town of Bedford Falls, all of the people George Bailey has helped, is praying for George, who has reached the brink of suicide. Ernie's prayer pretty much sums up George's character. Selfless. Generous. Loving. He gives and gives, without any thought of himself.
I'd like to say I'm exactly like George Bailey. That I always think of others. That I'm never jealous of other people's successes. That I would take the last dollar in my pocket and give it to a Salvation Army bell ringer. However, I am not George. If you're one of my loyal disciples, you already know: I can be petty, angry, envious, small, stingy, cheap, vindictive. You name it.
Everyone should be more like George, and everyone should have a George in their lives. In the last few days, I've been pretty focused on my problems. It's the time of year when generosity of spirit and wallet are expected. All I can say about myself is that my spirit is willing, but my wallet is weak. That's what gets me into trouble. I would love to buy my sister the laptop computer she has on her Christmas wish list. She's getting a calendar. I'd love to give my daughter the cell phone she wants. She's getting some clothes I got at a clothing resale (and maybe a board game, if it's not too expensive).
If I were a better person, and a better Christian, I wouldn't worry so much about money. I would put my faith in God, trust that the money for the car loan or the mortgage or the gas bill will be available when I need it. Instead, I'm worrying about the $350 I wasted on trying to get my mortgage refinanced. My faith isn't strong enough to let go of my worries. I have too many control issues. I don't even like to change what I eat for breakfast.
Of course, George isn't perfect, either. He gets into a little trouble. Not because he's cheap or vindictive or petty. No, George's problem is that he doesn't recognize the treasures of his life. He's blind to all the goodness of his friends and family. Clarence helps him with this myopia. By the end of the film, George doesn't care whether he's in prison or the hospital or Buckingham Palace. As long as he's surrounded by the people he loves.
I guess being a good George isn't about being perfect. It's about being the best friend/husband/father I can be. That's what Ernie's talking about in his conversation with God. That's why God sends Clarence to help George out.
Now, if only Clarence had a spare Nobel Prize in his pocket for Saint Marty.

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