Showing posts with label NEA Big Read grant. Show all posts
Showing posts with label NEA Big Read grant. Show all posts

Tuesday, January 28, 2025

January 28, 2025: "My Father Snoring," Art, "Convergence (a Pollock)"

It has been a long day full of not-so-welcome news.  I need something to make me chuckle a little bit.

This poem from Sharon Olds, while very serious, makes me laugh.  I shared a room with a brother who snored like a chainsaw . . . 

My Father Snoring

by: Sharon Olds

Deep in the night, I would hear it through the wall—
my father snoring, the great, dark
clotted mucus rising in his nose and
falling, like coils of seaweed a wave
brings in and takes back. The clogged roar
filled the house. Even down in the kitchen,
in the drawers, the knives and forks hummed with that
distant throbbing. But in my room
next to theirs, it was so loud
I could feel myself inside his body,
lifted on the knotted rope of his life
and lowered again, into the narrow
dark well, its amber walls
slick around my torso, the smell of bourbon
rich as sputum. He lay like a felled
beast all night and sounded his thick
buried stoppered call, like a cry for
help. And no one ever came:
there were none of his kind around there anywhere.



So, this afternoon at the library, I received an email from Arts Midwest, an organization that oversees, among other things, National Endowment for the Arts Big Read grants.  Ostensibly, the email said that all federal grants (including those from the NEA) have been put on "pause" until they are reviewed.

That means that drawing down funds from the $16,600 NEA Big Read grant that I was awarded for the library has been (temporarily, I hope) suspended until further notice.  

Now, the NEA Big Read will go on in March.  At the beginning of the year, fearing that something like this was coming down the pipeline, I drew down funds from the NEA to pay for a good portion of the scheduled events.  However, I will still be lacking around $5,000 of the promised grant until the "review" is completed.  (The library is currently working on a game plan to ensure the Big Read will happen in full.)

Art is essential to a free-thinking society.  Take away art and all that's left is propaganda.  And maybe Adam Sandler movies.

I'm not going to get all political here.  All I want to say is that we are living in dangerous times in the United States.  If you're a citizen of the United States, write your representatives in Congress, raise your voice, don't be silenced.  

Saint Marty wrote a Pollock tonight, based on the following prompt from The Daily Poet:

Today is the birthday of painter Jackson Pollock.  Pollock was well-known for his drip paintings, where he would splash many colors of paint onto large canvases he had placed on the floor.  Write a poem inspired by this style of painting or by the wild style of a Pollock painting.  Maybe dribble words across the page or splatter one color throughout your poem.  Or write an ekphrastic poem (an ekphrastic poem describes, comments on, and/or dramatizes a work or works of visual art) about one of his paintings or a unique image you see in it.

NOTE (from playground.poetry.blog):  

The Pollok is a rather obscure and fairly eccentric poetry form invented by poet and art critic John Yau to pay tribute to the American abstract expressionist painter Jackson Pollock.  It is a fourteen-line poem with the rather unusual requirement that the first line must be a quotation by the artist.  The remaining thirteen lines consist strictly of words from Pollock's quote, the idea being to splatter words repeatedly on the page like he famously did with paint on his canvases . . . Interestingly, another one of the rules of writing a pollock is to break the rules any time you feel like it (much like Pollock did with his painting).  So it is more than permissible to substitute one of your favorite quotes by someone else for the Pollock quotation . . .

Convergence (a Pollock)

by: Martin Achatz

Each age finds its own technique.
Each technique finds age,
finds each its own
age.  Age each age,
technique each technique,
own each its.
Own age.  Own finds.
Own each technique.
Its, its, its, its own.
Age technique, tech each age.
Ow age!  Ech age!
In age find sage.
Teach ache.  Teach tech.
Fin.  Town.  Fin.  Age.  Fin.


Monday, January 22, 2024

January 22: "Creative Writing," Grant, John Green

Billy Collins teaches . . . 

Creative Writing

by:  Billy Collins

When I told a student
not to use single quotation marks
around lines of dialogue,

he told me that all our words
are already inside the quotation marks
that God placed around Creation.



I don't often get to teach creative writing at the university.  The administration saves "fun" classes like that for tenured faculty and grad students.  (Yes, you read that right:  grad students.)  So, I don't get to have interesting conversations like this one.  (By the way, the student in the poem is sort of correct, because, in Genesis, God speaks everything into being:  "Let there be . . . "  So, if you're a literalist, we're all just living words straight out of God's mouth.)

Today, for me, God said, "Let there be an NEA grant."  And, because I always follow God's commandments, that's what I did--worked on a grant.  All . . . day . . . long . . .

My mind and body are a little exhausted tonight.  I made a lot of headway on the grant, though, but it's not done yet.  As I worked on it, I kept thinking to myself, This is a waste of time.  You're not going to get this grant.  

When I first started working for the library, I naively agreed to write a $20,000 NEA Big Read grant.  It was so much work, and, when I finally submitted it, I thought that I had wasted 60 days of my life.  Four months later, I received an email from Arts Midwest with the following word in its memo line:  "Congratulations."  

A year later, I submitted another NEA Big Read grant.  This time, however, I actually believed I was a shoe-in for a two-peat.  Four months later, I received an email with the words "Case Number:  00031617" in its memo line.  Translation:  "Sorry, Charlie."

So, I'm batting 500 when it comes to grant writing, and the whole process has become an exercise in self torture.  By around 4 p.m. today, I was feeling more than a little defeated.  So, I went for a walk around the library to clear my head.  And that's when it happened.

As I was standing in the Circulation Department, my friend, Melissa, introduced me to a friend of hers, and I lost my mind.  It was John Green.  THE John Green.  John Green of Turtles All the Way Down and Paper Towns and Looking for Alaska and An Abundance of Katherines.  Oh, also the John Green of The Fault In Our Stars.

I'm not ashamed to admit that I went a little fanboy all over him.  It was a pretty amazing moment.  For people who think that working in a library is not exciting, let me list a few other people whom I've met as part of my job:  Les Standiford, Natasha Trethewey, Joy Harjo, Diane Seuss, and Alex Gino.  That's two U. S. Poets Laureate, the author of The Man Who Invented Christmas, a Pulitzer Prize-winning poet, and a bestselling YA writer.  

And now John Green.

I've been riding that wave since this afternoon, and I'll probably be riding it for the rest of the week.  Long enough to get me through the submission of the NEA grant.

Saint Marty has had a pretty good day after a pretty crappy weekend.