Zaphod and Ford and Trillian are still trying to unravel the mysteries of Zaphod's brain . . .
The scene around them was currently plunged into gloom. Dark mists swirled round them and elephantine shapes lurked indistinctly in the shadows. The air was occasionally rent with the sounds of illusory beings murdering other illusory beings. Presumably enough people must have liked this sort of thing to make it a paying proposition.
"Ford," said Zaphod quietly.
"Yeah?"
"Just before Yooden died he came to see me."
"What? You never told me."
"No."
"What did he say? What did he come to see you about?"
"He told me about the Heart of Gold. It was his idea that I should steal it."
"His idea?"
"Yeah," said Zaphod, "and the only possible way of stealing it was to be at the launching ceremony."
Ford gaped at him in astonishment for a moment, and then roared with laughter.
"Are you telling me," he said, "that you set yourself up to become President of the Galaxy just to steal that ship?"
"That's it," said Zaphod with the sort of grin that would get most people locked away in a room with soft walls.
"But why?" said Ford. "What's so important about having it?"
"Dunno," said Zaphod. "I think if I'd consciously known what was so important about it and what I would need it for it would have showed up on the brain screening tests and I would never have passed. I think Yooden told me a lot of things that are still locked away."
"So you think you went and mucked about inside your own brain as a result of Yooden talking to you?"
"He was a hell of a talker."
"Yeah, but Zaphod, old mate, you want to look after yourself you know."
Zaphod shrugged.
"I mean, don't you have any inkling of the reasons for all this?" asked Ford.
Zaphod thought hard about this and doubts seemed to cross his mind.
"No," he said at last, "I don't seem to be letting myself into any of my secrets. Still," he added on further reflection, "I can understand that. I wouldn't trust myself further than I could spit a rat."
A moment later, the last planet in the catalog vanished from beneath them and the solid world resolved itself again.
They were sitting in a plush waiting room full of glass-top tables and design awards.
A tall Magrathean man was standing in front of them.
"The mice will see you now," he said.
Zaphod knows he can't be trusted. That's why he performed surgery on his brain, so that he could hide memories from himself and others. It's a way of protecting himself from himself, if that makes any sense. A way to erase things from his mind that may be dangerous.
Memories are sometimes gifts; other times, they're curses. There are absolutely some things in my life I would prefer to forget--failures and disappointments, moments of profound despair. Those memories only provide pain to me when they flash through my brain. They include things like the deaths of my sister and brother, my wife's struggles with mental illness and addiction.
Of course, there are also moments that, if I could, I would relive again and again. These include kneeling in the snow on Christmas Eve to propose to my wife; the day we married, and all the people who were there to celebrate with us; and the births of both of my children. These are memories I call upon on my dark days, when joy is in short supply.
Don't start hunting for your bottle of Prozac. I'm not about to lapse into a post of suicidal depression. My point is actually fairly simple. You can't have the good without the bad. How would you know joy if you don't know sorrow. That is one of the great struggles of life. Life can't exist without death. Love can't exist without heartbreak. Rest can't exist without work.
On my way to Mackinaw City this week, my kids watched the film Inside Out. I was driving, so I mostly listened to it. There comes a moment near the end of the movie where the main character--Joy--realizes that she can't exist without her friend, Sadness. Think about it. Whenever you've cried over something--a lost job or a failed school exam or whatever--you immediately afterward experience a sense of calm. You've walked through a dark forest, and you've reached the other side. At least, that's the way I think of it.
My life--everyone's lives--has been a series of encounters with both Joy and Sadness and their friends--Anger, Disgust, Worry, and Fear. That's the way things work. If we're not feeling all of these things, then we aren't really experiencing the whole gift of the universe that God gave us. One experience calls up a whole multitude of emotions.
Try it out. Step outside tonight, look up into the sky at the moon and stars. You may feel joy and loneliness together. Or sadness and awe. Maybe a little fear. That's what it means to be human. We are just a bundle of contradictions. Sometimes messy contradictions. Happiness is messy sometimes. Sadness, too. Love, in particular, can be really messy.
But I wouldn't give up any of these emotions, whether they're joy or sadness or anger or disgust or loneliness. The day you stop feeling is the day you stop living. if you're really lucky, you have someone who's willing to join you on that journey. Someone who will be there to laugh with you. Someone who will pick up the pieces when you're falling apart. Someone who will share in the messes of life.
Saint Marty has made some really lovely messes these past few days in Mackinaw City.
Poet...Musician...Thinker...Blogger...Teacher...Husband...Father...I'm not perfect, but I try!
Showing posts with label Inside Out. Show all posts
Showing posts with label Inside Out. Show all posts
Thursday, August 8, 2019
Friday, March 1, 2019
March 1: Bottom Fell Out, Swallowed by a Whale, Inside Out
Arthur and Ford, aboard the Vogon ship, are about to jump to hyperspace . . .
The noise stopped.
Arthur discovered to his embarrassment that he was lying curled up in a small ball on the floor with his arms wrapped round his head. He smiled weakly.
"Charming man," he said. "I wish I had a daughter so I could forbid her to marry one . . ."
"You wouldn't need to," said Ford. "They've got as much sex appeal as a road accident. No, don't move," he added as Arthur began to uncurl himself, "you'd better be prepared for the jump into hyperspace. It's unpleasantly like being drunk."
"What's so unpleasant about being drunk?"
"You ask a glass of water."
Arthur thought about this.
"Ford," he said.
"Yeah?"
"What's this fish doing in my ear?"
"It's translating for you. It's a Babel fish. Look it up in the book if you like."
He tossed over The Hitchhiker's Guide to the Galaxy and then curled himself up into a fetal ball to prepare himself for the jump.
At that moment the bottom fell out of Arthur's mind.
His eyes turned inside out. His feet began to leak out of the top of his head.
The room folded flat around him, spun around, shifted out of existence and left him sliding into his own navel.
They were passing through hyperspace.
Yes, that little description of hyperspace sort of describes my entire week. Started out with a blizzard that nearly buried my entire house. Ends tonight with me, sitting in my kitchen, feeling like the bottom has fallen out of my mind and everything that I've known for the past 20 or so years has shifted out of existence.
No, I'm not going to go all Sylvia Plath or Vincent van Gogh on you. You will not need to increase your dosage of antidepressants or sit under a light therapy lamp for hours after reading this post. Rather, I just want to meditate on how unreal the last five or so days have been. Like something from a van Gogh painting or a Plath poem.
This afternoon, I sat in my new office at the hospital, the door closed and locked. I was surrounded by remnants of my old office, including my Employee of the Month picture, which I nailed onto the wall behind my desk. I listened to my online Christmas radio station and assembled patient charts. All stuff I would have done last week, as well. Except that I felt like I'd been swallowed by a whale or something.
Like in the movie Pinocchio where Geppetto and Pinocchio and Jiminy Cricket are sitting on the deck of a boat in the belly of Monstro. Everything is sort of normal and sort of isn't. There's the boat and the wooden mast and the windows and a lamp. But look up, and all you see is a heaven of whale ribs and stomach. It isn't quite right.
Until I somehow find my footing in my new space (which will only last for about six weeks), I am going to continue to float around on my little boat, waiting to be coughed up onto some foreign shore. (Yes, I am now mixing narratives. I am no longer Geppetto or Pinocchio. I am Jonah, on my way to the shores of some distant Nineveh. Stick with me.)
That is the extent of my wisdom this evening. Everything is inside out, upside down. I've made the jump to hyperspace, and I'm not enjoying it right now. I'm on a voyage, but something much larger (and fishier) is doing the navigating by the green auroras of winter.
Saint Marty isn't much for sea food.
The noise stopped.
Arthur discovered to his embarrassment that he was lying curled up in a small ball on the floor with his arms wrapped round his head. He smiled weakly.
"Charming man," he said. "I wish I had a daughter so I could forbid her to marry one . . ."
"You wouldn't need to," said Ford. "They've got as much sex appeal as a road accident. No, don't move," he added as Arthur began to uncurl himself, "you'd better be prepared for the jump into hyperspace. It's unpleasantly like being drunk."
"What's so unpleasant about being drunk?"
"You ask a glass of water."
Arthur thought about this.
"Ford," he said.
"Yeah?"
"What's this fish doing in my ear?"
"It's translating for you. It's a Babel fish. Look it up in the book if you like."
He tossed over The Hitchhiker's Guide to the Galaxy and then curled himself up into a fetal ball to prepare himself for the jump.
At that moment the bottom fell out of Arthur's mind.
His eyes turned inside out. His feet began to leak out of the top of his head.
The room folded flat around him, spun around, shifted out of existence and left him sliding into his own navel.
They were passing through hyperspace.
Yes, that little description of hyperspace sort of describes my entire week. Started out with a blizzard that nearly buried my entire house. Ends tonight with me, sitting in my kitchen, feeling like the bottom has fallen out of my mind and everything that I've known for the past 20 or so years has shifted out of existence.
No, I'm not going to go all Sylvia Plath or Vincent van Gogh on you. You will not need to increase your dosage of antidepressants or sit under a light therapy lamp for hours after reading this post. Rather, I just want to meditate on how unreal the last five or so days have been. Like something from a van Gogh painting or a Plath poem.
This afternoon, I sat in my new office at the hospital, the door closed and locked. I was surrounded by remnants of my old office, including my Employee of the Month picture, which I nailed onto the wall behind my desk. I listened to my online Christmas radio station and assembled patient charts. All stuff I would have done last week, as well. Except that I felt like I'd been swallowed by a whale or something.
Like in the movie Pinocchio where Geppetto and Pinocchio and Jiminy Cricket are sitting on the deck of a boat in the belly of Monstro. Everything is sort of normal and sort of isn't. There's the boat and the wooden mast and the windows and a lamp. But look up, and all you see is a heaven of whale ribs and stomach. It isn't quite right.
Until I somehow find my footing in my new space (which will only last for about six weeks), I am going to continue to float around on my little boat, waiting to be coughed up onto some foreign shore. (Yes, I am now mixing narratives. I am no longer Geppetto or Pinocchio. I am Jonah, on my way to the shores of some distant Nineveh. Stick with me.)
That is the extent of my wisdom this evening. Everything is inside out, upside down. I've made the jump to hyperspace, and I'm not enjoying it right now. I'm on a voyage, but something much larger (and fishier) is doing the navigating by the green auroras of winter.
Saint Marty isn't much for sea food.
Monday, June 29, 2015
June 29: "Inside Out," "Ives" Dip, Poet of the Week, Patricia Lockwood, "He Marries the Stuffed-Owl Exhibit at the Indiana Welcome Center"
So, I just got home from seeing Pixar's Inside Out with my kids. I found it incredibly moving. Watching it, with my 14-year-old daughter sitting next to me, I couldn't help but think about the birthday parties we used to throw for her, with her friends all hopped up on Airheads and Twizzlers. Or her first ballet recital, in her purple tutu, leading her classmates around and telling them where to stand. Or her first day of kindergarten when she ditched me at her classroom door and never looked back. If you can't tell by now, I sort of wept like a baby during this movie.
The movie also had me thinking a lot about my sister, who's still in the hospital. I was sitting in my parents' dining room this evening, looking at my sister's high school graduation picture hanging on the wall. She looks so happy and hopeful. There's a lot of Joy in control, very little Sadness.
My sisters last MRI showed spots in her brain. The neurologist isn't sure what they are yet. Then there's her strange eye movements. Tonight, my other sister told me that the doctors think that may indicate neuroblastoma, a childhood cancer that only affects like one in ten million adults. Or something like that. They're going to do another MRI of her lungs. I guess they think that there may be cancer there, too. To sum up: the doctors really don't know what the hell is going on. They just have many very frightening theories.
I'm not sure what the future holds for my daughter or my sister. In the movie Inside Out, the character Joy learns that Sadness is an important part of life. Every joyful memory is shaded by sandess, and every sad memory is shaded by joy. Joy and Sadness can't exist without each other. That's the message of tonight's post, compliments of Pixar animation.
The burning question on my mind tonight is:
Is my sister going to be healthy and whole again?
And the answer from the pages of Ives is:
Ives always liked it over there, as it reminded him of happy times when he and his father used to visit Dominguez' house in Staten Island . . .
Okay, there's a little joy in that answer. I'll take that and ignore sadness. For tonight.
Patricia Lockwood is the Poet of the Week. Her book--Motherland Fatherland Homelandsexuals--was one of my favorite poetry collections of 2014. Tonight's poem is all about unconditional love. Weird unconditional love, but still love.
Everybody can use a little unconditional love, including Saint Marty.
He Marries the Stuffed Owl Exhibit
at the Indiana Welcome Center
by: Patricia Lockwood
He marries her mites and the wires in her wings,
he marries her yellow eyes and black centers,
he marries her near-total head turn, he marries
the curse of each of her claws, he marries
the information plaque, he marries the owl
that she loved in life and the last thought of him
in the thick of her mind
just one inch away from the bullet, there
he marries the moths
who make holes in the owl, who have eaten the owl
almost all away, he marries the branch of the tree
that she grips, he marries the real-looking moss
and dead leaves, he marries the smell of must
that surrounds her, he marries the strong blue
stares of children, he marries nasty smudges
of their noses on the glass, he marries the camera
that points at the owl to make sure no one steals her,
so the camera won't object when he breaks the glass
while reciting some vows that he wrote himself,
he screams OWL instead of I'LL and then ALWAYS
LOVE HER, he screams HAVE AND TO HOLD
and takes hold of the owl and wrenches the owl
away from her branch
and he covers her in kisses and the owl
thinks, "More moths," and at the final hungry kiss,
"That must have been the last big bite, there is no more
of me left to eat and thank God," when he marries
the stuffing out of the owl and hoots as the owl flies out
under his arm, they elope into the darkness of Indiana,
Indiana he screams is their new life and WELCOME.
They live in a tree together now, and the children of
Welcome to Indiana say who even more than usual,
and the children of Welcome to Indiana they wonder
where they belong. Not in Indiana, they say to themselves,
the state of all-consuming love, we cannot belong in Indiana
as night falls and the moths appear one by one, hungry.
The movie also had me thinking a lot about my sister, who's still in the hospital. I was sitting in my parents' dining room this evening, looking at my sister's high school graduation picture hanging on the wall. She looks so happy and hopeful. There's a lot of Joy in control, very little Sadness.
My sisters last MRI showed spots in her brain. The neurologist isn't sure what they are yet. Then there's her strange eye movements. Tonight, my other sister told me that the doctors think that may indicate neuroblastoma, a childhood cancer that only affects like one in ten million adults. Or something like that. They're going to do another MRI of her lungs. I guess they think that there may be cancer there, too. To sum up: the doctors really don't know what the hell is going on. They just have many very frightening theories.
I'm not sure what the future holds for my daughter or my sister. In the movie Inside Out, the character Joy learns that Sadness is an important part of life. Every joyful memory is shaded by sandess, and every sad memory is shaded by joy. Joy and Sadness can't exist without each other. That's the message of tonight's post, compliments of Pixar animation.
The burning question on my mind tonight is:
Is my sister going to be healthy and whole again?
And the answer from the pages of Ives is:
Ives always liked it over there, as it reminded him of happy times when he and his father used to visit Dominguez' house in Staten Island . . .
Okay, there's a little joy in that answer. I'll take that and ignore sadness. For tonight.
Patricia Lockwood is the Poet of the Week. Her book--Motherland Fatherland Homelandsexuals--was one of my favorite poetry collections of 2014. Tonight's poem is all about unconditional love. Weird unconditional love, but still love.
Everybody can use a little unconditional love, including Saint Marty.
He Marries the Stuffed Owl Exhibit
at the Indiana Welcome Center
by: Patricia Lockwood
He marries her mites and the wires in her wings,
he marries her yellow eyes and black centers,
he marries her near-total head turn, he marries
the curse of each of her claws, he marries
the information plaque, he marries the owl
that she loved in life and the last thought of him
in the thick of her mind
just one inch away from the bullet, there
he marries the moths
who make holes in the owl, who have eaten the owl
almost all away, he marries the branch of the tree
that she grips, he marries the real-looking moss
and dead leaves, he marries the smell of must
that surrounds her, he marries the strong blue
stares of children, he marries nasty smudges
of their noses on the glass, he marries the camera
that points at the owl to make sure no one steals her,
so the camera won't object when he breaks the glass
while reciting some vows that he wrote himself,
he screams OWL instead of I'LL and then ALWAYS
LOVE HER, he screams HAVE AND TO HOLD
and takes hold of the owl and wrenches the owl
away from her branch
and he covers her in kisses and the owl
thinks, "More moths," and at the final hungry kiss,
"That must have been the last big bite, there is no more
of me left to eat and thank God," when he marries
the stuffing out of the owl and hoots as the owl flies out
under his arm, they elope into the darkness of Indiana,
Indiana he screams is their new life and WELCOME.
They live in a tree together now, and the children of
Welcome to Indiana say who even more than usual,
and the children of Welcome to Indiana they wonder
where they belong. Not in Indiana, they say to themselves,
the state of all-consuming love, we cannot belong in Indiana
as night falls and the moths appear one by one, hungry.
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