Showing posts with label Amadeus. Show all posts
Showing posts with label Amadeus. Show all posts

Wednesday, March 6, 2024

March 6: "D Major," Key Signatures, Driver's Education

Billy Collins with music theory . . .

D Major

by:  Billy Collins

A favorite
key signature
of pals

featuring, 
as it does,
two sharps.



I studied music theory for a long time.  Over ten years of piano lessons, plus a couple more years of organ lessons.  I know all about which key signatures are most friendly (C, D, F, G, B-flat), which ones are foreign spies sent to kill you (C# Major anyone?). 

It's a little psychological.  I'm pretty good with key signatures that have a lot of flats.  However, the more hashtags I see on a piece of music, the less likely I am to play it.  My mind sort of fucks with me--bubbling with panic and nerves.  No matter how many hours I've practiced, I will mess up any piece of music above E Major (four sharps).

I'm reminded of a scene from the movie Amadeus.  Mozart is being addressed by Emperor Joseph II after a performance of one of Mozart's operas.  Joseph looks at Mozart and says, "My dear young man, don't take it too hard.  Your work is ingenious.  It's quality work.  And there are simply too many notes, that's all."

I've literally looked at a new song or prelude of interlude and said aloud, "Ingenious.  Quality work.  There are simply too many sharps."

Of course, you can't go through life avoiding all the sharps you encounter.  If I did that, I wouldn't have so many college degrees.  Or work at a library.  Or write poetry.  Or play the pipe organ at five different churches.  Or have a blog.  Or be married.  Or have kids.

The key signature for life is C# Major.  Sometimes B Major, if you're lucky.  Either you practice and rehearse until you get it right, or you lock your front door and ignore the world completely.  For me, even though I'm an introvert and would have no problem turning into Howard Hughes, I have to play the sheet music that's on the stand in front of me, no matter how many sharps or flats it contains.

Here is what I've learned after all these years:  the more often you play a complex piece of music, the easier it becomes.  Practice does indeed make perfect.  Well, maybe not perfect.  More like practice makes not humiliating or dangerous.

I tried this analogy on my son this afternoon.  He's facing his first day behind the wheel in his driver's education class.  He was n-e-r-v-o-u-s.  However, he didn't appreciate my extended musical analogy.  I believe what he said to me was, "Can you please stop talking?"  I stopped.

Here's the thing about music:  it's beautiful, regardless of the numbers of sharps or flats.  It can lift you up.  Keep you grounded.  Inspire you.  Make you sad.  Just like life.

Saint Marty hopes his son has a C Major kind of day--no sharps, no flats, no red lights, no detours.  




Wednesday, January 11, 2017

January 11: Soundtrack of My Life, Track K. Smith, "The Universe: Original Motion Picture Soundtrack"

I always wonder what the soundtrack of my life would be.  My early life would probably be dominated by the Star Wars theme by John Williams.  Luke Skywalker and R2D2.  Later, the 1980s, the soundtrack would be be Risky Business and Amadeus, a mixture of rock and Mozart. 

In the 1990s, I became a church organist.  "How Great Thou Art."  "Amazing Grace."  Got married in 1995.  Became a father in 2000.  Dora the ExplorerSpongeBob SquarePants.  And now?  We're back to Star Wars.

Saint Marty has come full circle.

The Universe:  Original Motion Picture Soundtrack

by:  Tracy K. Smith

The first track still almost swings.  High hat and snare, even
A few bars or sax the stratosphere will singe-out soon enough.

Synthesized strings.  Then something like cellophane
Breaking in as if snagged to a shoe.  Crinkle and drag.  White noise,

Black noise.  What must be voices bob up, then drop, like metal shavings
In molasses.  So much for us.  So much for the flags we bored

Into planets dry as chalk, for the tin cans we filled with fire
And rode like cowboys into all we tried to tame.  Listen:

The dark we've only ever imagined now audible, thrumming,
Marbled with static like gristly meat.  A chorus of engines churns.

Silence taunts a dare.  Everything that disappears
Disappears as if returning somewhere.