On Tower-hill, as you go down to the London docks, you may have seen a
crippled beggar (or kedger, as the sailors say) holding a painted board
before him, representing the tragic scene in which he lost his leg.
There are three whales and three boats; and one of the boats (presumed
to contain the missing leg in all its original integrity) is being
crunched by the jaws of the foremost whale. Any time these ten years,
they tell me, has that man held up that picture, and exhibited that
stump to an incredulous world. But the time of his justification has now
come. His three whales are as good whales as were ever published in
Wapping, at any rate; and his stump as unquestionable a stump as any you
will find in the western clearings. But, though for ever mounted on
that stump, never a stump-speech does the poor whaleman make; but, with
downcast eyes, stands ruefully contemplating his own amputation.
Throughout
the Pacific, and also in Nantucket, and New Bedford, and Sag Harbor,
you will come across lively sketches of whales and whaling-scenes,
graven by the fishermen themselves on Sperm Whale-teeth, or ladies'
busks wrought out of the Right Whale-bone, and other like skrimshander
articles, as the whalemen call the numerous little ingenious
contrivances they elaborately carve out of the rough material, in their
hours of ocean leisure. Some of them have little boxes of
dentistical-looking implements, specially intended for the
skrimshandering business. But, in general, they toil with their
jack-knives alone; and, with that almost omnipotent tool of the sailor,
they will turn you out anything you please, in the way of a mariner's
fancy.
Long exile from Christendom and civilization inevitably
restores a man to that condition in which God placed him, i.e. what is
called savagery. Your true whale-hunter is as much a savage as an
Iroquois. I myself am a savage, owning no allegiance but to the King of
the Cannibals; and ready at any moment to rebel against him.
Now,
one of the peculiar characteristics of the savage in his domestic hours,
is his wonderful patience of industry. An ancient Hawaiian war-club or
spear-paddle, in its full multiplicity and elaboration of carving, is as
great a trophy of human perseverance as a Latin lexicon. For, with but a
bit of broken sea-shell or a shark's tooth, that miraculous intricacy
of wooden net-work has been achieved; and it has cost steady years of
steady application.
As with the Hawaiian savage, so with the white
sailor-savage. With the same marvellous patience, and with the same
single shark's tooth, of his one poor jack-knife, he will carve you a
bit of bone sculpture, not quite as workmanlike, but as close packed in
its maziness of design, as the Greek savage, Achilles's shield; and full
of barbaric spirit and suggestiveness, as the prints of that fine Dutch
savage, Albert Durer.
Wooden whales, or whales cut in profile out
of the small dark slabs of the noble South Sea war-wood, are frequently
met with in the forecastles of American whalers. Some of them are done
with much accuracy.
At some old gable-roofed country houses you
will see brass whales hung by the tail for knockers to the road-side
door. When the porter is sleepy, the anvil-headed whale would be best.
But these knocking whales are seldom remarkable as faithful essays. On
the spires of some old-fashioned churches you will see sheet-iron whales
placed there for weathercocks; but they are so elevated, and besides
that are to all intents and purposes so labelled with "Hands off!" you
cannot examine them closely enough to decide upon their merit.
In
bony, ribby regions of the earth, where at the base of high broken
cliffs masses of rock lie strewn in fantastic groupings upon the plain,
you will often discover images as of the petrified forms of the
Leviathan partly merged in grass, which of a windy day breaks against
them in a surf of green surges.
Then, again, in mountainous
countries where the traveller is continually girdled by amphitheatrical
heights; here and there from some lucky point of view you will catch
passing glimpses of the profiles of whales defined along the undulating
ridges. But you must be a thorough whaleman, to see these sights; and
not only that, but if you wish to return to such a sight again, you must
be sure and take the exact intersecting latitude and longitude of your
first stand-point, else so chance-like are such observations of the
hills, that your precise, previous stand-point would require a laborious
re-discovery; like the Soloma islands, which still remain incognita,
though once high-ruffled Mendanna trod them and old Figuera chronicled
them.
Nor when expandingly lifted by your subject, can you fail to
trace out great whales in the starry heavens, and boats in pursuit of
them; as when long filled with thoughts of war the Eastern nations saw
armies locked in battle among the clouds. Thus at the North have I
chased Leviathan round and round the Pole with the revolutions of the
bright points that first defined him to me. And beneath the effulgent
Antarctic skies I have boarded the Argo-Navis, and joined the chase
against the starry Cetus far beyond the utmost stretch of Hydrus and the
Flying Fish.
With a frigate's anchors for my bridle-bitts and
fasces of harpoons for spurs, would I could mount that whale and leap
the topmost skies, to see whether the fabled heavens with all their
countless tents really lie encamped beyond my mortal sight!
Melville is still obsessing about depictions of the whale. This time, it's about bone carvings. Scrimshaw. Of course, the small figures bear little resemblance to reality. That seems to be the overriding theme of the last few chapters. Humans' artistic failures. In the end, even the stars and constellations fall short.
I have little time to reflect this evening on this passage from Melville. It is Friday evening of dance recital weekend. For the last five days, life has been a series of rehearsals. School is officially over for my kids. Summer vacation is knocking on the door. The last one for my daughter. She is officially a high school senior now. Lots of changes on the horizon.
My daughter is too wrapped up in dance at the moment to fully understand this fact. She went to a bonfire last night with her boyfriend, celebrating the last day of classes. Stayed up until one o'clock in the morning. Slept most of the day. Got up two hours before she had to be at her dance studio this evening. This past week, when I tried to talk to her about her plans for the summer, I was witness to a full teenage girl meltdown, complete with tears.
I guess I'm sort of like Ishmael in this chapter--looking at hard reality versus staring up into the stars, hunting for sea monsters. I think it has to do with teaching at the university. I deal with starry-eyed freshmen all the time. Kids who have never had adult responsibilities in their lives. They get a little drunk on freedom and lack of parental supervision.
I know that my daughter has a good head on her shoulders. And by that I mean that she's not chasing comets and asteroids. She thinks about everything, all the time. In fact, she's a lot like me. She OVER thinks everything. All the time. She probably knows what she's going to do next week, next month, and next year. Heck, she's probably already decided which college she wants to attend. She just hasn't shared the information with me yet.
The goal this weekend: get through rehearsals and recital with as little drama as possible. Then we can worry about summer employment or volunteering or Bible camp or dance lessons.
Saint Marty is thankful this evening for the alcohol he will be consuming later.
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