Showing posts with label glass of wine. Show all posts
Showing posts with label glass of wine. Show all posts

Saturday, March 8, 2025

March 8, 2025: "Armor," Fathering a Son, "Where Have You Gone?"

Most of my faithful disciples know that I am not a typical red-blooded American male.  I don't go deer hunting or fly fishing.  Couldn't change the oil in my car even if a gun was aimed at my head by a January 6th insurrectionist.  The only reason I even watched a minute of the Super Bowl this year was to see Kendrick Lamar.  I detest country music, and my definition of a relaxing day is a good book of poems and a glass of wine.

So, when I found out my second child was going to be a boy, I panicked.  I'd had eight years of fathering a girl.  I knew all about braiding hair and ballet lessons and piano lessons.  My parenting skills were limited to a specific gender.

Sharon Olds' son goes to war . . . 

Armor

by: Sharon Olds

Just about at the triple-barreled pistol
I can't go on.  I sink down
as if shot, beside the ball of its butt
larded with mother-of-pearl.  My son
leaves me on the bench, and goes on.  Hand on
hips, he gazes at a suit of armor,
blue eyes running over with silver,
looking for a slit.  He shakes his head,
hair greenish as the gold velvet
cod-skirt hanging before him in volutes
at a metal groin.  Next, I see him
facing a case of shields, fingering
the sweater over his heart, and then
for a long time I don't see him, as a mother will
lose her son in war. I sit
and think about men.  Finally the boy
comes back, sated, so fattened with gore
his eyelids bulge.  We exit under the
huge tumescent jousting irons,
their pennants a faded rose, like the mist
before his eyes.  He slips his hand
lightly in mine, and says Not one of those
suits is really safe.  But when we 
get to the wide museum steps
railed with gold like the descent from heaven,
he can't resist,
and before my eyes, down the stairs,
over and over, clutching his delicate
unprotected chest, my son
dies, and dies.


I can absolutely identify with Olds in this poem.  A museum full of weapons and suits of armor would fascinate me for a short while.  Then I'd be looking for the nearest exit.  I didn't play with toy guns as a kid.  War was not something glorious in my mind.  It terrified me.  Still does.  I was a Star Wars kid--lasers, aliens, and princesses with cinnamon-buns for hair.  

But I think I've done an alright job with my son.  He hasn't been exposed to the kinds of things most young males in the Upper Peninsula of Michigan are.  I've walked through woods with him, but the only thing we've shot are pictures of deer and interesting trees.  I've never tinkered on car engines with him, but I have shown him how the engine of a poem works (image and metaphor and meter and line).  

Yet, my son is a pretty cool sixteen-year-old.  He's sensitive and loving.  Doesn't judge anyone by gender or skin color or sexual orientation or religion.  He's getting mostly A's in school and has never once asked me to thread a worm on a hook or play football.  We don't even own a football.  My son does boy things.  Plays basketball with his friends.  Surfs porn on his phone.  Gets his heart broken by crushes.  

In short, I haven't fucked him up too much.  That's a win.  I bet there's not too many fathers who can say that their sixteen-year-old sons say "I love you" at the end of every one of their conversations.  My son does that with me.  And my response is always the same:  "I love you, too."

Saint Marty wrote a poem for tonight about another father thing he doesn't do--baseball.  It's based on the following prompt from The Daily Poet:

On this date in 1999, baseball legend Joe DiMaggio died at the age of eighty-four.  Think about that iconic line and question:  Where have you gone, Joe DiMaggio? from the Simon & Garfunkel song "Mrs. Robinson," and write a poem that addresses it.  Does Joe DiMaggio meet up with Marilyn Monroe in heaven?  Does his spirit remain alive in the threads of his New York Yankees uniform?  Let the poem explore a specific memory you have with baseball, and let Joltin' Joe wander into it.  If you're not familiar with Joe DiMaggio, do a little research and see if you can find an unusual fact about him to include in your poem.

Where Have You Gone?

by: Martin Achatz

Some say your life passes
before your eyes when you
die, like a Macey's Thanksgiving
parade.  Maybe he saw himself
as a balloon the size of the Empire
State Building, a baseball bat
as long as an aircraft carrier
in his hands.  Perhaps a float
rolled by, on it the Rockettes
with cups of coffee balanced 
on their heads kicked from
Central Park West to Herald Square.
Five hundred bagpipers in kilts
played "Take Me out to the Ball Game"
as the Mormon Tabernacle Choir
sang along.  Simon & Garfunkel
reunited in his honor, crooning 
about Mrs. Robinson while above
Yankee Stadium fireworks flowered
for 56 minutes straight.  At the end,
not Santa Claus in a sleigh.  No.
It was her, all her, always, as rose
petals blizzarded from the heavens,
she in her strapless pink gown, long
white gloves, riding in a convertible,
her platinum hair blinding in November
sunlight, waving, lip syncing "I Wanna
Be Loved By You" to him, only him,
always, as he wound up and swung
for the fences one last time.



Monday, August 8, 2016

August 8: A Creek Life, Not Fond of People, Neanderthal Brain

Summer:  I go down to the creek again, and lead a creek life.  I watch and stalk.

Dillard is stalking creatures in the summer heat.  Birds.  Fish.  Muskrats.  She goes to Tinker Creek and stares into the water for flashes of silver.  She gazes into trees and watches for flashes of feather.  She stands on the shores of the creek and waits for wet fur to emerge.  That's summer at Tinker Creek.  A carnival of creatures.  And Dillard, chasing after said creatures like Eskimos hunting caribou.

I am done with grading.  My final grades have been submitted.  I have a few more weeks of summer left.  Unlike Dillard, I will not be traipsing off into the forest, looking for skunks or rabbits or wild blueberries.  I will be reading.  Watching the Rio Olympics.  Getting ready for fall semester teaching.  But not tonight.

Tonight, I am going to be antisocial.  There are some nights where I am not very fond of people.  Tonight is one of those nights.  I would rather lose a limb than make small talk.  Maybe it's part of some inactive neanderthal part of my brain that, for some reason, stirs into life at certain moments.  When I'm like this, I'm snappy and short, and I make everyone around me snappy and short.

I find that silence is best when I'm like this.  If I open my mouth, I say things that piss people off.  My wife, in particular.  She just snapped at me.  Maybe Dillard has it right.  Summer is the time for a creek life.  Being by yourself.  Animals that shy away from me.  The only sound, my breathing.  Maybe cicadas or a breeze or a distant train whistle.  No people to irritate or to irritate me.

Saint Marty is not going to stalk anything except silence.  And maybe a glass of wine to celebrate the end of the semester.


Monday, May 2, 2016

May 2: Glass of Wine, Poet of the Week, Nick Flynn, "Bag of Mice"

 I found Nick Flynn this evening on a website that had a title like 10 of the Most Bad-Ass Contemporary American Poets.  I was curious, so I clicked.  And I have to agree:  Nick Flynn is pretty bad-ass.

Therefore, Nick Flynn is the Poet of the Week.

I'm still not feeling 100 percent tonight.  I took some Motrin when I got home, and then I took a nap.  A nice, long nap.  When I got up, I had rebounded about 70 percent, whether it was the sleep or the medication.  I have more energy right now than I've had all day long.

Nick Flynn's poem for today is stunning, full of dark beauty.  It's one of those poems that makes me want to pick up my pen and write.  And, now, I have some time to do just that.  My only problem is this stupid illness, whatever it is.

Saint Marty hopes to write about a bag of mice soon, maybe after a glass of wine.  Or two.

 Bag of Mice

by:  Nick Flynn

I dreamt your suicide note
was scrawled in pencil on a brown paperbag,
& in the bag were six baby mice. The bag
opened into darkness,
smoldering
from the top down. The mice,
huddled at the bottom, scurried the bag
across a shorn field. I stood over it
& as the burning reached each carbon letter
of what you'd written
your voice released into the night
like a song, & the mice
grew wilder.

I'm in it for the money, too

Friday, January 8, 2016

Janaury 8: Deepest Stars, State of Dread, Kim Addonizio, "Wine Tasting"

I walked home in a shivering daze, up hill and down.  Later I lay open-mouthed in bed, my arms flung wide at my sides to steady the whirling darkness.  At this latitude I'm spinning 836 miles an hour round the earth's axis; I often fancy I feel my sweeping fall as a breakneck arc like the dive of dolphins, and the hollow rushing of wind raises hair on my neck and the side of my face.  In orbit around the sun I'm moving 64,800 miles and hour.  The solar system as a whole, like a merry-go-round unhinged, spins, bobs, and blinks at the speed of 43,200 miles an hour along a course set east of Hercules.  Someone has piped, and we are dancing a tarantella until the sweat pours.  I open my eyes and I see dark, muscled forms curl out of water, with flapping gills and flattened eyes.  I close my eyes and I see stars, deep stars giving way to deeper stars, deeper stars bowing to deepest stars at the crown of a infinite cone.

Annie Dillard is talking about darkness, what she can or can't see once light is gone from the world.  With her eyes open, she sees creatures leaping from Tinker Creek, sleek and muscled.  With her eyes closed, she sees stars swirling in the Milky Way, feels herself rocketing through the galaxy, the universe, the night.

It is almost 11 p.m.  I'm waiting for my wife to get home from work.  I'm sitting, trying to finish this post as quickly as I can.  I'm tired.  I spent most of the day shoveling thick, wet snow and running errands.  Unlike Dillard, I don't sense the speed of the planets and stars at night.  The darkness holds nothing for me except the promise of sleep and the approach of a new day.

I am in an end-of-vacation state of dread.  In a few days, I will have to resume the responsibilities of my life again.  Medical office.  University.  Spending the majority of my days away from home, from my family.  It's strange how so much of my life is about movement and pace.  In the medical office, I'm judged by how fast I work, how much I can accomplish in eight or nine hours.  At the university, I'm judged by how I perform in the classroom--the efficiency of my teaching and grading and rule-following.

Yet, my favorite time of my day comes at its end, when darkness takes over.  That's when I come home.  Shut and lock my front door.  My life slows down when the stars are spinning overhead.  I can sit, talk to my son and daughter and wife.  Or read a book.  Or watch TV.  It's quiet, calm.  I may be moving 64,800 miles an hour around the sun, 43,200 miles an hour through the universe, but the couch in my living room is soft, warm, and inertly solid.  Unmoving.

Saint Marty isn't ready to give up his seat on the couch yet, unless he's pouring himself a glass of wine.

Wine Tasting

by:  Kim Addonizio

I think I detect cracked leather.
I’m pretty sure I smell the cherries
from a Shirley Temple my father bought me

in 1959, in a bar in Orlando, Florida,
and the chlorine from my mother’s bathing cap.
And last winter’s kisses, like salt on black ice,

like the moon slung away from the earth.
When Li Po drank wine, the moon dove
in the river, and he staggered after.

Probably he tasted laughter.
When my friend Susan drinks
she cries because she’s Irish

and childless. I’d like to taste,
one more time, the rain that arrived
one afternoon and fell just short

of where I stood, so I leaned my face in,
alive in both worlds at once,
knowing it would end and not caring.

Saturday, December 13, 2014

December 13: The End of a Long Day, Birthday Party, Hilaire Belloc, "Lines for a Christmas Card," New Cartoon

"Perhaps," [Charlotte] said, wearily.  "But I feel like the end of a long day."  Clinging upside down to the ceiling, she settled down for a nap, leaving Wilbur very much worried.

Charlotte is nearing the end in the above passage.  She has only a few days left to live.  Her job of saving Wilbur's life is almost complete.  She is weary, fading.

I'm fading tonight, but not because I've just spun a web or made an egg sac.  I'm fading because I am exhausted.  Last week's activities are catching up with me.  Of course, the glass of wine I just drank isn't helping, either.

It's been a busy day.  We had a birthday party for my daughter this afternoon.  It was for my wife's side of the family.  It was a lovely, low-key celebration.  We sat around, eating cake and ice cream, telling stories and laughing.  And then I went to my parents' house and put up Christmas decorations.  Oh, I also played the organ for a Saturday evening Mass.  I got back home a little after 8 p.m., turned on the TV, and promptly dozed off on the couch for about an hour.

I feel a little refreshed now.  A little.  I'm totally ready for bed.

But first I owe you a Christmas poem and a new cartoon.

Saint Marty always makes good on his obligations.

Lines for a Christmas Card

by:  Hilaire Belloc

May all my enemies go to hell,
Noel, Noel, Noel, Noel

Confessions of Saint Marty



 































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