Showing posts with label America's Got Talent. Show all posts
Showing posts with label America's Got Talent. Show all posts

Thursday, September 15, 2016

September 15: Puffed Clay, Rising, James Dickey, "Falling"

I am puffed clay, blown up and set down.  That I fall like Adam is not surprising:  I plunge, waft, arc, pour, and dive.  The surprise is how good the wind feels on my face as I fall.  And the other surprise is that I ever rise at all.  I rise when I receive, like grass.

Well, falling is all part of the human condition.  Has been since the time of Adam.  We all fall.  As Dillard says, we plunge, waft, arc, pour, and dive.  And then, of course, after we fall, we pick ourselves up, brush ourselves off, and rise.  That's the great thing about mistakes.  We can, hopefully, fix what we mess up.

Now, dear Constant Reader, you are probably expecting me to admit to some kind of transgression or error.  After all, I started this post with the first fall.  I will say that I didn't accomplish half the things that I was intending to do today.  I have papers to grade.  Poems to write.  Books to read.  I actually corrected two of my students' essays.  After I'm done blogging, I'm going to sit down with my journal, try to finish something I started scribbling a couple of weeks ago.

So, in a way, every day in my life is an exercise in falling.  Will I actually work on my poem?  Maybe.  Will I correct some more essays?  Depends on how tired I am.  If I fall asleep on the couch watching a rebroadcast of the finale of America's Got Talent, I always have tomorrow to try again.  That pretty much describes my life:  try, fail, and try again.

Tomorrow will pretty much be a fall day for me.  I have to go to another football game to listen to my daughter play in the pep band.  Fall.  It's going to be rainy and gross.  Fall-fall.  Whenever I go to a sporting event, I always feel like a balloon at a porcupine convention.  Fall-fall-fall.  But I will enjoy listening and watching my daughter play for the half-time show.  Rise.  My wife will be with me.  Rise.  After half-time, we will leave.  Rise-rise.  And, maybe, we'll stop and get some hot chocolate on the way home.  Rise-rise-rise.

Saint Marty may not know anything about football, but he knows a thing or two about falling and rising.

Falling

by:  James Dickey

A 29-year-old stewardess fell ... to her
death tonight when she was swept
through an emergency door that sud-
denly sprang open ... The body ...
was found ... three hours after the
accident.                                             
                              —New York Times
The states when they black out and lie there rolling    when they turn
To something transcontinental    move by    drawing moonlight out of the great
One-sided stone hung off the starboard wingtip    some sleeper next to
An engine is groaning for coffee    and there is faintly coming in
Somewhere the vast beast-whistle of space. In the galley with its racks
Of trays    she rummages for a blanket    and moves in her slim tailored
Uniform to pin it over the cry at the top of the door. As though she blew

The door down with a silent blast from her lungs    frozen    she is black
Out finding herself    with the plane nowhere and her body taken by the throat
The undying cry of the void    falling    living    beginning to be something
That no one has ever been and lived through    screaming without enough air
Still neat    lipsticked    stockinged    girdled by regulation    her hat
Still on    her arms and legs in no world    and yet spaced also strangely
With utter placid rightness on thin air    taking her time    she holds it
In many places    and now, still thousands of feet from her death she seems
To slow    she develops interest    she turns in her maneuverable body

To watch it. She is hung high up in the overwhelming middle of things in her
Self    in low body-whistling wrapped intensely    in all her dark dance-weight
Coming down from a marvellous leap    with the delaying, dumfounding ease
Of a dream of being drawn    like endless moonlight to the harvest soil
Of a central state of one’s country    with a great gradual warmth coming
Over her    floating    finding more and more breath in what she has been using
For breath    as the levels become more human    seeing clouds placed honestly
Below her left and right    riding slowly toward them    she clasps it all
To her and can hang her hands and feet in it in peculiar ways    and
Her eyes opened wide by wind, can open her mouth as wide    wider and suck
All the heat from the cornfields    can go down on her back with a feeling
Of stupendous pillows stacked under her    and can turn    turn as to someone
In bed    smile, understood in darkness    can go away    slant    slide
Off tumbling    into the emblem of a bird with its wings half-spread
Or whirl madly on herself    in endless gymnastics in the growing warmth
Of wheatfields rising toward the harvest moon.    There is time to live
In superhuman health    seeing mortal unreachable lights far down seeing
An ultimate highway with one late priceless car probing it    arriving
In a square town    and off her starboard arm the glitter of water catches
The moon by its one shaken side    scaled, roaming silver    My God it is good
And evil    lying in one after another of all the positions for love
Making    dancing    sleeping    and now cloud wisps at her no
Raincoat    no matter    all small towns brokenly brighter from inside
Cloud    she walks over them like rain    bursts out to behold a Greyhound
Bus shooting light through its sides    it is the signal to go straight
Down like a glorious diver    then feet first    her skirt stripped beautifully
Up    her face in fear-scented cloths    her legs deliriously bare    then
Arms out    she slow-rolls over    steadies out    waits for something great
To take control of her    trembles near feathers    planes head-down
The quick movements of bird-necks turning her head    gold eyes the insight-
eyesight of owls blazing into the hencoops    a taste for chicken overwhelming
Her    the long-range vision of hawks enlarging all human lights of cars
Freight trains    looped bridges    enlarging the moon racing slowly
Through all the curves of a river    all the darks of the midwest blazing
From above. A rabbit in a bush turns white    the smothering chickens
Huddle    for over them there is still time for something to live
With the streaming half-idea of a long stoop    a hurtling    a fall
That is controlled    that plummets as it wills    turns gravity
Into a new condition, showing its other side like a moon    shining
New Powers    there is still time to live on a breath made of nothing
But the whole night    time for her to remember to arrange her skirt
Like a diagram of a bat    tightly it guides her    she has this flying-skin
Made of garments    and there are also those sky-divers on tv    sailing
In sunlight    smiling under their goggles    swapping batons back and forth
And He who jumped without a chute and was handed one by a diving
Buddy. She looks for her grinning companion    white teeth    nowhere
She is screaming    singing hymns    her thin human wings spread out
From her neat shoulders    the air beast-crooning to her    warbling
And she can no longer behold the huge partial form of the world    now
She is watching her country lose its evoked master shape    watching it lose
And gain    get back its houses and peoples    watching it bring up
Its local lights    single homes    lamps on barn roofs    if she fell
Into water she might live    like a diver    cleaving    perfect    plunge

Into another    heavy silver    unbreathable    slowing    saving
Element: there is water    there is time to perfect all the fine
Points of diving    feet together    toes pointed    hands shaped right
To insert her into water like a needle    to come out healthily dripping
And be handed a Coca-Cola    there they are    there are the waters
Of life    the moon packed and coiled in a reservoir    so let me begin
To plane across the night air of Kansas    opening my eyes superhumanly
Bright    to the damned moon    opening the natural wings of my jacket
By Don Loper    moving like a hunting owl toward the glitter of water
One cannot just fall    just tumble screaming all that time    one must use
It    she is now through with all    through all    clouds    damp    hair
Straightened    the last wisp of fog pulled apart on her face like wool revealing
New darks    new progressions of headlights along dirt roads from chaos

And night    a gradual warming    a new-made, inevitable world of one’s own
Country    a great stone of light in its waiting waters    hold    hold out
For water: who knows when what correct young woman must take up her body
And fly    and head for the moon-crazed inner eye of midwest imprisoned
Water    stored up for her for years    the arms of her jacket slipping
Air up her sleeves to go    all over her? What final things can be said
Of one who starts her sheerly in her body in the high middle of night
Air    to track down water like a rabbit where it lies like life itself
Off to the right in Kansas? She goes toward    the blazing-bare lake
Her skirts neat    her hands and face warmed more and more by the air
Rising from pastures of beans    and under her    under chenille bedspreads
The farm girls are feeling the goddess in them struggle and rise brooding
On the scratch-shining posts of the bed    dreaming of female signs
Of the moon    male blood like iron    of what is really said by the moan
Of airliners passing over them at dead of midwest midnight    passing
Over brush fires    burning out in silence on little hills    and will wake
To see the woman they should be    struggling on the rooftree to become
Stars: for her the ground is closer    water is nearer    she passes
It    then banks    turns    her sleeves fluttering differently as she rolls
Out to face the east, where the sun shall come up from wheatfields she must
Do something with water    fly to it    fall in it    drink it    rise
From it    but there is none left upon earth    the clouds have drunk it back
The plants have sucked it down    there are standing toward her only
The common fields of death    she comes back from flying to falling
Returns to a powerful cry    the silent scream with which she blew down
The coupled door of the airliner    nearly    nearly losing hold
Of what she has done    remembers    remembers the shape at the heart
Of cloud    fashionably swirling    remembers she still has time to die
Beyond explanation. Let her now take off her hat in summer air the contour
Of cornfields    and have enough time to kick off her one remaining
Shoe with the toes    of the other foot    to unhook her stockings
With calm fingers, noting how fatally easy it is to undress in midair
Near death    when the body will assume without effort any position
Except the one that will sustain it    enable it to rise    live
Not die    nine farms hover close    widen    eight of them separate, leaving
One in the middle    then the fields of that farm do the same    there is no
Way to back off    from her chosen ground    but she sheds the jacket
With its silver sad impotent wings    sheds the bat’s guiding tailpiece
Of her skirt    the lightning-charged clinging of her blouse    the intimate
Inner flying-garment of her slip in which she rides like the holy ghost
Of a virgin    sheds the long windsocks of her stockings    absurd
Brassiere    then feels the girdle required by regulations squirming
Off her: no longer monobuttocked    she feels the girdle flutter    shake
In her hand    and float    upward    her clothes rising off her ascending
Into cloud    and fights away from her head the last sharp dangerous shoe
Like a dumb bird    and now will drop in    soon    now will drop

In like this    the greatest thing that ever came to Kansas    down from all
Heights    all levels of American breath    layered in the lungs from the frail
Chill of space to the loam where extinction slumbers in corn tassels thickly
And breathes like rich farmers counting: will come along them after
Her last superhuman act    the last slow careful passing of her hands
All over her unharmed body    desired by every sleeper in his dream:
Boys finding for the first time their loins filled with heart’s blood
Widowed farmers whose hands float under light covers to find themselves
Arisen at sunrise    the splendid position of blood unearthly drawn
Toward clouds    all feel something    pass over them as she passes
Her palms over her long legs    her small breasts    and deeply between
Her thighs    her hair shot loose from all pins    streaming in the wind
Of her body    let her come openly    trying at the last second to land
On her back    This is it    this
                                                          All those who find her impressed
In the soft loam    gone down    driven well into the image of her body
The furrows for miles flowing in upon her where she lies very deep
In her mortal outline    in the earth as it is in cloud    can tell nothing
But that she is there    inexplicable    unquestionable    and remember
That something broke in them as well    and began to live and die more
When they walked for no reason into their fields to where the whole earth
Caught her    interrupted her maiden flight    told her how to lie she cannot
Turn    go away    cannot move    cannot slide off it and assume another
Position    no sky-diver with any grin could save her    hold her in his arms
Plummet with her    unfold above her his wedding silks    she can no longer
Mark the rain with whirling women that take the place of a dead wife
Or the goddess in Norwegian farm girls    or all the back-breaking whores
Of Wichita. All the known air above her is not giving up quite one
Breath    it is all gone    and yet not dead    not anywhere else
Quite    lying still in the field on her back    sensing the smells
Of incessant growth try to lift her    a little sight left in the corner
Of one eye    fading    seeing something wave    lies believing
That she could have made it    at the best part of her brief goddess
State    to water    gone in headfirst    come out smiling    invulnerable
Girl in a bathing-suit ad    but she is lying like a sunbather at the last
Of moonlight    half-buried in her impact on the earth    not far
From a railroad trestle    a water tank    she could see if she could
Raise her head from her modest hole    with her clothes beginning
To come down all over Kansas    into bushes    on the dewy sixth green
Of a golf course    one shoe    her girdle coming down fantastically
On a clothesline, where it belongs    her blouse on a lightning rod:

Lies in the fields    in this field    on her broken back as though on
A cloud she cannot drop through    while farmers sleepwalk without
Their women from houses    a walk like falling toward the far waters
Of life    in moonlight    toward the dreamed eternal meaning of their farms
Toward the flowering of the harvest in their hands    that tragic cost
Feels herself go    go toward    go outward    breathes at last fully
Not    and tries    less    once    tries    tries    ah, god—


Tuesday, July 12, 2016

July 12: Chloroplast, I'm Hungry, Ghosts

You are a cholorplast moving in water heaved one hundred feet above ground.  Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium . . . You are evolution; you have only begun to make trees.  You are God--are you tired? finished?

Dillard writes a series of passages like this one.  You are God.  You are a man.  You are a starling.  You are a sculptor.  You are a choloroplast.  It's all about creation and transformation and evolution.  One thing turning into something else.  Dillard is fascinated by this process.

I am not feeling very creative tonight.  I just spent three hours typing up lecture notes on 2001:  A Space Odyssey for my online film class.  Tomorrow night, it's Toy Story.  Then a quiz and a discussion forum to post.  I suppose there's a modicum of creativity in all that work.  But, it's not about transformation.  It's about translating what's in my head into something coherent and understandable.  Not inspiring, but informative.

My wife is working tonight, so I'm on my own with my kids.  My daughter is self-sufficient; she stays in her room and talks to her friends on her phone and plays video games.  My son, on the other hand, requires a little more effort.  He's going to try anything and everything to stay up as late as he can.  It'll start with "I'm hungry."  Then "I want to play with Connor."  Then "I want to watch Pokemon."  My son is infinitely creative when it comes to avoiding bedtime.

It will be a good night.  I will give in a little.  Let him watch America's Got Talent for a while.  Maybe eat some cheese cubes and crackers.  It's summer.  Eighty degrees at eight o'clock at night.  The sun won't go down until after ten.  I remember what it was like to be his age, out of school, full of energy and imagination.  I wanted to dig up dinosaurs in the backyard.  Communicate with visitors from outer space.  See ghosts flying across the moon.  Write books with beautiful pictures.  I remember that feeling that I could be anything.
.Even a saint.  All it takes is imagination, creation, transformation, and evolution.


Tuesday, June 14, 2016

June 14: Weary Heads, Girls and Sex, Getting Older

But it gets harder.  The courage of children and beasts is a function of innocence  We let our bodies go the way of our fears.  A teen-aged boy, king of the world, will spend weeks in front of a mirror perfecting some difficult trick with a lighter, a muscle, a tennis ball, a coin. Why do we lose interest in physical mastery?  If I feel like turning cartwheels--and I do--why don't I learns to turn cartwheels, instead of regretting that I never learned as a child?  We could all be aerialists like squirrels, divers like seals; we could be purely patient, perfectly fleet, walking on our hands even, if our living stature required it.  We can't even sit straight, or support our weary heads.

Dillard is talking about getting old.  When we're young, we worry about physical mastery.  That's why, in high school, the athletes are the kings and queens of the school, for better or worse.  We live in a world that prizes extraordinary feats of the body.  That's why we get so excited about events like the World Cup, Super Bowl, and the Olympics.  However, when we get old, our priorities shift.  By ten o'clock, most adults with jobs and family are ready for bed.

When I was a young guy, I was pretty normal.  All I thought about was girls and sex.  I wasn't much of an athlete.  I ran on the cross country team for one year in high school.  I wasn't great.  Didn't break any records.  Didn't place in any race.  I don't even know what I did with the JV letter I earned.  But I was determined to be the best I could be.  It just so happens that the best I could be was mediocre.

As I've gotten older, I have continued to run.  I've gotten slower and thicker.  Given the choice between sex or a nap, I would have a difficult time making a decision.  As Dillard says, my living stature does not require me to be able to outrun things.  I do not live in a place populated by packs of wolves, killer bears, or dinosaurs.  Therefore, speed is not a requirement in my life.

This afternoon, I ran one mile and then played in a swimming pool with my son for a couple of hours.  By the time I got dressed after swimming, I was b-e-a-t.  Beat.  I had a hard time keeping my eyes open.  Right now, at 9:50 p.m., at the end of America's Got Talent, I am beyond beat.  And it's only Tuesday.  I'm in for a long week.

So, I am not Usain Bolt or Michael Phelps.  No world records will by broken by this wannabe saint.  I am old, getting older.  I still run.  Swim.  Every once in a great while, I may go for a bike ride.  I don't dance, unless I have had several drinks.  In short, I am a normal middle-aged man.

Perhaps I should try to master something physical.  Something that tests my agility or speed or strength.  Something amazing.

Saint Marty will have to sleep on it.  It's after ten o'clock, after all. 


Tuesday, August 4, 2015

August 4: Felix the Cat, "Jaws" Tee, Sharon Olds, "Wonder," Adventures of Stickman


Later, because it was Christmas, Ives had somehow felt compelled to leave the nice watch he'd bought his son in the room, instead of returning it to the store,  He put it in his top drawer, as if his boy would come in anytime now to claim it.  That drawer was stuffed with school paraphernalia, prayer cards, baseball cards, playing cards, a Felix the Cat comic that Ives had illustrated himself, years before.  And pamphlets, a dozen of them, from different seminaries, clipped together, one of them with the sun's rays extending outward in the shape of a cross, the title:  In God's Service.  On a shelf Robert had a edition of the World Book Encyclopedia, which he had bought when he was ten with his own money; an Oxford Book of Saints, his marker left on the page describing Saint Francis of Assisi.  A row of books on sciences, a picture book of pretty flowers from Celeste.  A paperback novel called Invasion of the Star Creatures and a book on ancient Egypt.  He saw that in a row on the inside cover his son had drawn three symbols:  that of an ankh, chrismon, and crucifix, one leading to the next.  In a bag he found a copy of Fanny Hill, which had one of his son's firend's names in the margin, certain pages marked off.  It made him laugh.  Then on Robert's desk, where each night he had worked by lamplight on his schoolwork--what "good" youngsters do--he found an edition of A Christmas Carol, which Annie had given him, opened to one of the middle chapters.

Ives is surrounded by reminders of his son.  The Christmas following Robert's death, Ives goes into Robert's room and catalogs his son's belongings--his books and cards, scribbled notes.  It's almost as if Robert is going to walk through the door, sit down, pick up his copy of A Christmas Carol, and start reading where he left off.  Robert's story is incomplete, and Ives wants him to return to finish it.

Greetings from Munising, Michigan, on the shores of Lake Superior.  Actually, I'm in a hotel in Wetmore, which is a couple of miles beyond Munising.  It has been a fairly pleasant day, discounting a disappointing lunch and messed-up hotel reservations.  My kids spent several hours at a swimming pool with a water slide, and I got to watch America's Got Talent. 

As I sit on my bed typing this post, I'm wearing one of my favorite tee shirts, with the classic logo for the movie Jaws on it.  For years, I'd wanted this shirt.  Every time I hit Old Navy, I'd scour the vintage tee shirt racks looking for it without success.  Then, one year, I found it--in my six-year-old son's size.  We bought it for him, and he wore it all the time.

One day, my son and my sister (the one who is currently a patient at the University of Michigan hospital) handed me a package.  Inside was a vintage Jaws tee.  My sister ordered it from Amazon.  Every time I wear it, I think of her.  I think of how my son loves my sister, and vice versa.  They probably planned my tee shirt surprise for over a week.

Like Ives, I feel like my sister's story isn't complete.  She's supposed to come to my daughter's high school graduation, show up for my son's school Christmas programs.  This morning, my son saw me wearing my Jaws shirt, and he said, "Me and Aunt Sally bought that for you."

"Yes," I said.  "You sure did."

My son touched the shirt and said, "I miss Aunt Sally."

I nodded and said, "Me, too, buddy."

I'm still hoping that my sister, by some miracle, beats this cancer.  Still hoping that she's around to see my son graduate high school and my daughter go to college.

Saint Marty isn't on vacation from hope.

Wonder

by:  Sharon Olds

When she calls to tell me my father is dying
today or tomorrow, I walk down the hall
and feel that my mouth has fallen open
and my eyes are staring.  The planet of his head
swam above my crib, I did not understand it.
He lay, behind bevelled-glass doors, beside
the cut crystal decanter, its future
shards in upright bound sheaves.
He sat by his pool, not meeting our eyes,
his irises made of some boiled-down, viscous
satiny matter, undiscovered.
When he sickened, he began to turn to us,
when he sank down, he shined.  I lowered my
mouth to the glistening tureen of his face
and he titled himself toward me, a dazzling
meteor dropping down into the crib,
and now he is going to die.  I walk down the
hall face to face with it
as if it were a great heat.
I feel like one of the shepherd children
when the star came down onto the roof.
But I am used to it, I stand in familiar
astonishment.  If I had dared to imagine
trading I might have wished to trade
places with anyone raised on love,
but how would anyone raised on love
bear this death?


Adventures of STICKMAN


Monday, June 30, 2014

June 30: Pizza and Guilty Pleasures

My daughter, wife and I are watching American Ninja Warrior and eating pizza.  It's sort of our thing.  We started doing it about three years ago.  I used to hate this TV show, but it has grown on me.  Like some rabid fungus.  I think the pizza won me over.

Tomorrow night, it's America's Got Talent.  No pizza.

Those are my summer guilty pleasures.  Well, also kettle corn and barbecued bratwurst.  Those are my summer guilty pleasures.  And banana cream pie.  Those are my summer guilty pleasures.  And...

Oh, hell, Saint Marty has a lot of guilty pleasures.

Guilty, as charged

Monday, April 28, 2014

April 28: Procrastination Post

I need to get back to grading.  My brain knows this.  However, the rest of my being hasn't caught up to my grey matter yet.  As the saying goes, the spirit is willing, but the grading sucks.  Or something like that.

So every word I type is just my effort to avoid the next stack of final exams.  Yes, I am procrastinating.  I had a double major in college:  English and Procrastination.  I even did graduate work in Procrastination.  I never finished the degree, though.  I kept putting it off.

On a serious note, I'm hungry for a peanut butter and M&M sandwich.  I've been thinking about it all afternoon.  That may sound disgusting to some of you, but, after a long day of essay questions on Brokeback Mountain, I'd kill for a loaf of bread, some Jif, a pound of M&Ms, and a knife.

OK, I really am stalling.

By the way, I think America's Got Talent is starting up pretty soon.  And it looks like it's going to rain.  And my niece is graduating from college this weekend.  And almost all the snow has melted in my front yard.  And my son bit another kid on the playground on Friday.  And...and...and...

And Saint Marty has to get back to work.

This looks pretty good, too

Tuesday, September 17, 2013

September 17: Done, Done, and Done

I wrote my first post.  Done.

I packed my daughter for her seventh grade class trip.  Done.

I put together my son's lunch for school.  Done.

I watched the finals of America's Got Talent.  Almost done.

I picked out my outfit for work tomorrow.  Done.

All Saint Marty has left to do is write his second post.  Done.

I done it

Wednesday, June 12, 2013

June 12: To Run or Not to Run

That is the question.  It's a beautiful day in the Upper Peninsula of Michigan.  We haven't had too many beautiful days so far this summer.  The question is whether or not I'm going to go for a run again tonight.

I've run every day since Sunday.  No really long distances.  A couple of miles at the most.  However, I'm tired today.  Really tired.  I'm still recuperating from dance recital weekend, I think.  Plus, I stayed up way too late last night watching America's Got Talent.  I am totally  beat.  So lacing on my running shoes when I get home is not sounding very appealing.

Perhaps I'll take the night off.  I'll be a potato, sit on the couch, and channel surf.  OK, that's not really my style.  Maybe I'll be a yam, climb into bed, and read a book.  Nope, that's not doing it for me either.  Perhaps I'll simply force myself to run, give my son his bath, put him to bed, and then collapse from exhaustion on the floor.

Ding, ding, ding!  We have a winner.

Throw in a hot shower and making a quiche, and that describes Saint Marty's night.

I know how he feels...

Sunday, August 7, 2011

August 7: Most Exciting Sunday Ever, "America's Got Talent," New Cartoon

Okay, today wasn't the most exciting Sunday ever, but I had to get your attention.  As Sundays go, today was pretty much par for the course.  Worship in the morning.  Lunch.  My son's nap.  Dinner at my parents' house.  However, if I had titled this post "Normal Sunday," I may not have passed the glance test.  (That's the test where my post pops up on your screen, and you look at it and think, "What's this lame crap?")

The most exciting thing I will be doing tonight is watching a rerun of America's Got Talent.  It's the episode I missed on Tuesday night.  I saw the results show, so I know which acts get kicked off, but I still want to see the performances.  I may even buy a bag of Combos to celebrate being on vacation this week.

I do have a new cartoon for today.  It was inspired by one of my favorite Christmas specials ever--A Charlie Brown Christmas.  I hope you enjoy it.

Saint Marty says, "Good grief!"

Confessions of Saint Marty