Merton realizes he was spiritually dead . . .
I was never particularly drawn to the Varsity show: but they had a piano in their room, and the room was almost always empty, so I used to go in there and play furious jazz, after the manner I had taught myself—a manner which offended every ear but my own. It was a way of letting off steam—a form of athletics if you like. I have ruined more than one piano by this method.
The place where I was busiest was the Jester office. Nobody really worked there, they just congregated about noontime and beat violently with the palms of their hands on the big empty filing cabinets, making a thunderous sound that echoed up and down the corridor, and was sometimes answered from the Review office across the hall. There I usually came and drew forth from the bulging leather bag of books that I carried, copy and drawings which I put into the editor’s hand. The editor that year was Herb Jacobson, and he printed all my worst cartoons very large in the most prominent parts of the magazine.
I thought I had something to be proud of when I became art-editor of Jester at the end of that year. Robert Lax was to be editor and Ralph Toledano managing editor, and we got along well together. The next year Jester was well put together because of Toledano and well written because of Lax and sometimes popular with the masses because of me. When it was really funny, it was not popular at all. The only really funny issues were mostly the work of Lax and Bob Gibney, the fruit of ideas that came to them at four o’clock in the morning in their room on the top floor of Furnald Hall.
The chief advantage of Jester was that it paid most of our bills for tuition. We were happy about it all, and wandered around the campus with little golden crowns dangling on our watch chains. Indeed, that was the only reason why I had a watch chain. I did not have a watch.
I have barely begun the list of all the things that occupied me in those days. For example, I gave my name to Miss Wegener at the appointments office. Miss Wegener was—and I hope she still is—a kind of a genius. She sat all day long behind her desk in that small, neat office in the Alumni house. No matter how many people she had talked to, she always looked unruffled and at peace. Every time you went to see her, one or two phone calls would come in, and she would make a note on a little pad of paper. In summer she never seemed to be worried by the hot weather. And she always smiled at you with a smile that was at the same time efficient and kind, pleasant and yet a little impersonal. She was another one who had a vocation and was living up to it!
One of the best jobs she ever got for me was that of guide and interpreter on the observation roof of the R.C.A. building, Rockefeller Center. It was an easy job. So easy in fact that it was boring. You simply had to stand there and talk to the people who came pouring out of the elevator with all their questions. And for this you got twenty-seven and a half dollars a week, which was very good pay in 1936. I also worked in another office in Radio City, for some people who handled publicity for all the manufacturers of Paper Cups and Containers. For them I did cartoons that said you would surely get trench mouth if you ever drank out of an ordinary glass. For each cartoon I was paid six dollars. It made me feel like an executive, to go walking in and out of the doors of the R.C.A. building with my pockets full of money. Miss Wegener would also send me off on the subway with little slips of paper with the addresses of apartments where I would interview rich Jewish ladies about tutoring their children in Latin, which meant that I got two or two and a half dollars an hour for sitting with them and doing their homework.
I also handed in my name for the Cross Country team. The fact that the coach was not sorry to get me is sufficient indication of one reason why we were the worst college Cross Country team in the East that year. And so, in my afternoons, I would run around and around South Field on the cinder path. And when winter came, I would go round and round the board track until I had blisters all over the soles of my feet and was so lame I could hardly walk. Occasionally I would go up to Van Cortlandt Park and run along the sandy and rocky paths through the woods. When we raced any other college, I was never absolutely the last one home—there were always two or three other Columbia men behind me. I was one of those who never came in until the crowd had lost interest and had begun to disperse. Perhaps I would have been more of a success as a long-distance runner if I had gone into training, and given up smoking and drinking, and kept regular hours.
But no. Three or four nights a week my fraternity brothers and I would go flying down in the black and roaring subway to 52nd Street, where we would crawl around the tiny, noisy, and expensive nightclubs that had flowered on the sites of the old speakeasies in the cellars of those dirty brownstone houses. There we would sit, for hours, packed in those dark rooms, shoulder to shoulder with a lot of surly strangers and their girls, while the whole place rocked and surged with storms of jazz. There was no room to dance. We just huddled there between the blue walls, shoulder to shoulder and elbow to elbow, crouching and deafened and taciturn. If you moved your arm to get your drink you nearly knocked the next man off his stool. And the waiters fought their way back and forth through the sea of unfriendly heads, taking away the money of all the people.
It was not that we got drunk. No, it was this strange business of sitting in a room full of people and drinking without much speech, and letting yourself be deafened by the jazz that throbbed through the whole sea of bodies binding them all together in a kind of fluid medium. It was a strange, animal travesty of mysticism, sitting in those booming rooms, with the noise pouring through you, and the rhythm lumping and throbbing in the marrow of your bones. You couldn’t call any of that, per se, a mortal sin. We just sat there, that was all. If we got hangovers the next day, it was more because of the smoking and nervous exhaustion than anything else.
How often, after a night of this, I missed all the trains home to Long Island and went and slept on a couch somewhere, at the Fraternity House, or in the apartment of somebody I knew around town. What was worst of all was going home on the subway, on the chance that one might catch a bus at Flushing! There is nothing so dismal as the Flushing bus station, in the grey, silent hour just before the coming of dawn. There were always at least one or two of those same characters whose prototypes I had seen dead in the morgue. And perhaps there would be a pair of drunken soldiers trying to get back to Fort Totten. Among all these I stood, weary and ready to fall, lighting the fortieth or fiftieth cigarette of the day—the one that took the last shreds of lining off my throat.
The thing that depressed me most of all was the shame and despair that invaded my whole nature when the sun came up, and all the laborers were going to work: men healthy and awake and quiet, with their eyes clear, and some rational purpose before them. This humiliation and sense of my own misery and of the fruitlessness of what I had done was the nearest I could get to contrition. It was the reaction of nature. It proved nothing except that I was still, at least, morally alive: or rather that I had still some faint capacity for moral life in me. The term “morally alive” might obscure the fact that I was spiritually dead. I had been that long since!
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