by: Frank Bidart
Each grinding flattened American vowel smashed to
centerlessness, his glee that whatever long ago mutilated his
mouth, he has mastered to mutilate
you: the Joker's voice, so unlike
the bruised, withheld, wounded voice of Ennis Del Mar.
Once I have the voice
that's
the line
and at
the end
of the line
is a hook
and attached
to that
is the soul.
_________________________
Frank Bidart won the Pulitzer Prize for Poetry a couple days ago for his collection Half-Light: Collected Poems 1965 - 2016. I have always admired Bidart's work, although I have not always fully understood it. But you don't have to completely understand a poem to fall under its spell. That's what I would say Bidart does with his poems: he casts spells, gives voice to the voiceless (as he does for Heath Ledger above).
Tonight, I celebrate Frank Bidart is all his confoundingness. Yes, I made up that word to describe his poems. It's a good word. A word, I think, Bidart would appreciate. He is amazing and beautiful, the way a complex math problem is amazing and beautiful, with all it's variables and logarithms and sines.
Saint Marty minored in math, in case you didn't know.
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