Showing posts with label job of a poet. Show all posts
Showing posts with label job of a poet. Show all posts

Sunday, April 13, 2025

April 13, 2025: “The Language of the Brag,” Job of a Poet, "Old Glory”

Sometimes the job of a poet is to speak truths that other people don’t want to hear or are afraid to voice.  That’s why poets in Russia were shipped off to gulags—because they refused to be silent in the face of injustice and genocide.  It would be very easy to simply write about pretty trees or pretty snowstorms or pretty sunsets over churches.

Some jobs are simply harder and more dangerous than others.

Sharon Olds brags about the hard job of giving birth . . . 

The Language of the Brag

by: Sharon Olds

I have wanted excellence in the knife-throw,
I have wanted to use my exceptionally strong and accurate arms
and my straight posture and quick electric muscles
to achieve something at the center of a crowd,
the blade piercing the bark deep,
the haft slowly and heavily vibrating like the cock.

I have wanted some epic use for my excellent body,
some heroism, some American achievement
beyond the ordinary for my extraordinary self,
magnetic and tensile, I have stood by the sandlot
and watched the boys play.

I have wanted courage, I have thought about fire
and the crossing of waterfalls, I have dragged around

my belly big with cowardice and safely,
stool charcoal from iron pills,
huge breasts leaking colostrum,
legs swelling, hands swelling,
face swelling and reddening, hair
falling out, inner sex
stabbed again and again with terrible pain like a knife.
I have lain down. 

I have lain down and sweated and shaken
and passed blood and shit and water and
slowly alone in the centre of a circle I have
passed the new person out
and they have lifted the new person free of the act
and wiped the new person free of that
language of blood like praise all over the body.

I have done what you wanted to do, Walt Whitman,
Allen Ginsberg, I have done this thing,
I and the other women this exceptional
act with the exceptional heroic body,
this giving birth, this glistening verb,
and I am putting my proud American boast
right here with the others.



Sharon Olds has a lot to brag about.  I’ve watched my wife give birth twice—once naturally and once by Caesarean section.  Having a baby is, to put it bluntly, fucking hard work.  Painful.  Bloody.  Terrifying.  Beautiful.  All of those things.  And women have been performing this labor since Homo sapiens first appeared on the scene about 300,000 years ago, longer if you count the time we were in full 2001: A Space Odyssey Dawn of Man mode.

Yet, for reasons I don’t understand, men have been running things for a very long time, fucking up this planet and its inhabitants.  (Climate change, table for one.)  I, for one, would be very comfortable if the world was run by women.  Men are just too preoccupied with power and wealth and violence.  In all of the jobs I’ve ever had, my direct supervisors were all women, and I never felt demeaned or taken advantage of.  Quite the contrary.  These women have always treated me with respect and kindness.  

Don’t get wrong.  I don’t think ALL men are lazy misogynists.  In fact, most guys I know respect and value the women in their lives, just like me.  I’ve never been accused of being lazy.  I’m a hard worker.  If I find myself simply sitting on the couch at 9 p.m., not doing anything, I experience a strain of guilt usually reserved for the Catholic confessional.  I don’t like wasting time, ever.  If I’m awake and fairly cogent, I try to get something accomplished, whether it’s grading papers, writing a poem, and typing a blog post.

This afternoon, I performed at a poetry reading.  Now, lots of people don’t think reading poetry in front of a group is work.  I mean, all I’m doing is making a few jokes, telling a few stories, and reciting a few poems.  However, most poets I know are introverts.  Interacting with people can be exhausting for normal individuals.  For introverts, it’s debilitating.  (I’m an introvert, despite teaching college composition and hosting library events all the time.). 

But I’ve grown accustomed to the hard work of not being an introvert, and I’m a pretty content individual.

Saint Marty wrote a poem for this evening about being a hard worker in the land of the free (for now), based on the following prompt from The Daily Poet:

In honor of Seamus Heaney’s birthday (b. 1939), write a poem about your native land, providing historical details without being overtly political.  Instead, focus on personal details about, for instance, what your parents and/or grandparents did for a living.  Be present in your poem, and don’t shy away from unlikely (“ordinary”) poetic subjects, such as digging in the dirt, farming, baking, or cleaning the house.

Old Glory

by: Martin Achatz

My dad flew the flag every day
of his life, unfurled it like a prayer
every morning, folded, brought it
inside every evening when darkness
turned red, white, and blue into
oxblood, parchment, and midnight.
He grew up on a farm before moving
to Detroit, and I imagine him
doing chores in the barn, pitching
hay, shoveling manure, picking
corn off stalks under punishing
July and August sun, his face
and arms burning to umber,
almost the same hue as the soil
in the Upper Peninsula mining town
where I cut my teeth as a kid,
blasts from the Tilden rattling
dishes, windows daily, hematite
fogs sometimes turning each breath
into bloody bites of air.  I didn’t
follow my father’s boot tracks,
traded wrench and copper pipe
for fountain pen and journal,
the hard work of water heaters,
sewers, furnaces for the hard
work of syllables, lines, stanzas.
My dad and I didn’t see
eye-to-eye on a lot of things,
but, Jesus, he broke his back for us.
Every morning, after raising
Old Glory, he climbed behind
the wheel of his work truck,
disappeared into the bright light 
of a new day as the colors slapped
and chewed the sky to pieces.



Saturday, September 9, 2023

September 9: "Spring," Wordlessness, Searching for Meaning

Mary Oliver reflects on the bear in all of us . . .

Spring

by:  Mary Oliver

Somewhere
     a black bear
          has just risen from sleep
               and is staring

down the mountain.
     All night
           in the brisk and shallow restlessness
               of early spring

I think of her,
     her four black fists
          flicking the gravel,
               her tongue

like a red fire
     touching the grass,
          the cold water.
               There is only one question;

how to love the world.
     I think of her
          rising
               like a black and leafy ledge

to sharpen her claws against
     the silence
          of the trees.
               Whatever else

my life is
     with its poems
          and its music
               and its glass cities,

it is also this dazzling darkness
     coming 
          down the mountain,
               breathing and tasting;

all day I think of her--
     her white teeth,
          her wordlessness,
               her perfect love.



Oliver loves the world.  Her poems are psalms to waves and birds and foxes and bears.  To read a poem by her is like taking a walk in the forest, a drink from Blackwater Pond, a flight into a sky choked with blue.  Oliver's love is filled with language and music and words.

Unlike the bear, whose love is wordless and dark and full of teeth.

As a poet, I depend on words.  Words help me sort out the world and my place in it.  When I'm confused or sad or joyful or angry, I assign words to what I'm feeling, create images and lines that put order into the chaos of life.  That's the job of a poet--to search for meaning in meaninglessness, light in darkness, and darkness in light.  

That bear, with her silent claws and red fire tongue and leafy ledge body, is the epitome of artless, ravenous, dark, wild love.  A love that doesn't mediate the world with words or music.  The bear wakes in the spring, hungry to taste the green glory all around her.

Human beings spend too much energy searching for the meaning of life, the universe, and everything.  According to Douglas Adams, the answer to that question is 42.  According to Facebook, the answer is to post pictures of your dinner or children or significant other or a sunset to prove how blessed your life is.  According to Mary Oliver, the answer is the dazzling darkness of the bear coming down from the mountain in spring amazement.

Every once in a while, I experience something that fills me like a puddle in a rainstorm.  I'll feel the impulse to take out my phone to snap a photo to post on Facebook or Instagram.  Or dig out my pen and journal to write a poem.  Or go home and write a blog post about it.  Instead of just standing there, letting myself drown in the moment.

This morning, after dropping my wife off at work, I drove to Lake Superior to watch the sunrise.  It was a glorious, clear morning, and the sun climbed into the heavens like an orange turtle.  Yes, I stopped.  Yes, I took a picture.  And, yes, when I got home, I jotted some lines down in my journal.

Mostly, however, Saint Marty allowed himself to be the bear, standing on the shore of the lake, lapping up the light with his thirsty ursine eyes after a long, dark winter's nap.