Thursday, December 25, 2025

December 25, 2025: Merry Christmas, Gatherings, "World War Tree: A Semi-True Ghost Story"

Merry Christmas to all my faithful disciples!

My wife and I are still on the mend from our recent bouts of illness.  I'm feeling about 90% better, and my wife is probably hitting about 75%.  (Yes, I'm pulling those numbers out of my ass.  They are certainly not based on any empirical evidence aside from the fact that neither one of us had to take a prolonged nap to survive the day.)

In the morning, my wife, son, and I attended Christmas Mass.  My wife was able to sing, although we had to make some last-minute musical substitutions.  My wife simply couldn't perform some of the pieces because of her illness.  Those high notes were just out-of-reach.  Yet, it was a beautiful worship experience, especially when my wife sang one of my favorite songs of all time--"Jesus Messiah" by Chris Tomlin.  Puts me in the weeds every time.

My daughter and her significant other came over in the afternoon, and we had lunch, opened presents, watched some Christmas movies, played some games, and then binged two of the new episodes of Stranger Things (along with probably most of the English-speaking world).  It is now almost 11:30 p.m., and I'm ready for a long winter's nap.

I've been thinking a lot about the meaning of Christmas today.  All those traditions that people hold dear.  This Christmas was nothing like past Christmases.  When I was younger and newly married, my wife and I shuttled between three and four family gatherings each December 25th.  It was exhausting and really didn't allow a whole lot of time for us to truly enjoy the holiday.  

Don't get me wrong.  I love loud, boisterous family gatherings.  In fact, loud and boisterous pretty much describes almost every family Christmas I remember.  My parents loved the chaos that accompanied our holidays.  But most of my blood relatives who truly reveled in yuletide joy have died.  (My sister, Sally, in particular, loved Christmas almost as much as she loved Diet Coke, and she REALLY loved Diet Coke.)  So, Christmas is just . . . different now.

But there will be chaos tomorrow night at my house.  It is our turn to host Christmas for my wife's family.  So, it's turkey with all the fixings, pecan pie, spiked hot chocolate and eggnog, and loudness.  It will be much more like the Christmases I remember.  My wife and I have been married 30 years, and we have been together for 35 years.  My wife's family IS my family.  They've seen me through lots of very difficult times in my life, and I'm very thankful for them.

Yes, I'm feeling a little haunted by Christmases past this year.  Last night, as I was wrapping some of my final presents, I started thinking about my mother and how much I miss her.  Spent a good 20 minutes crying while surrounded by rolls of wrapping paper, scissors, and scotch tape.  That's part of the holidays, too--yearning for lost loved ones.

Saint Marty wrote an essay for public radio this year, a little ghost story to scare up some Christmas spirit in you.



World War Tree:  A Semi-True Ghost Story

by: Martin Achatz

Barbie was dead, to begin with.  This has to be completely understood, or nothing wonderful will come of the story I’m about to relate.  Berton attended Barbie’s burial and sent a card to her only living relative—a great nephew from Frankenmuth who didn’t even come to her funeral.

 Barbie was as dead as a doornail.

 Berton knew she was dead?  Of course he did!  He’d shared an office with Barbie at Iron Town Arts for over ten years.  Together, they’d overseen jazz concerts, productions of Our Town and South Pacific, poetry readings by Billy Collins and Joy Harjo, parades for Picasso Days (Barbie’s brainchild) every July.

 Barbie had been Programmer in Chief for 40 years.  In fact, for most residents of Iron Town, Barbie was simply the “Art Lady.”

For that reason, Berton, who inherited the Programmer in Chief title, never had Barbie’s name removed from Iron Town Arts’ front door.  Year after year, there it stood in flaking gold letters:  Barbie Bradley, PIC.  Sometimes artists still left voice messages for her, seven years after her passing.  Berton never corrected them, and he never touched Barbie’s cluttered desk, leaving it as she had left it the night she died.

Berton also inherited something else from his long-dead partner in art:  the annual Tiny Timathon.  Another brainchild of Barbie (the first, as a matter of fact, in her 40-year reign), the Timathon belied its nom de plume.  Rather than an inspirational amble through a forest of decorated Christmas trees, the Timathon had morphed into what Berton privately referred to as “World War Tree.”

 Local businesses, organizations, and individuals jockeyed for the prime spots in Iron Town Arts’ art gallery, which had been rechristened the Barbie Bradley Salon.  The Jolly Gingers—a group of red-headed hair dressers—insisted on central placement in the Salon to combat institutional ginger bias.  The Moonshine Pluckers—27 amateur banjo players who tortured local assisted living facilities with bluegrass concerts—refused to be placed by the Polka Dots—13 women accordionists who all happened to be named Dorothy.  And Girl Scout Troop #2341 wanted their tree as far away from Girl Scout Troop #3409 as possible due to some longstanding feud regarding cookie territory.  It went on and on and on every year.

Yet, Berton had never seen Barbie lose her yuletide cool ever, even when the Fraternal Order of Caribou threatened to pull their financial support of the Tiny Timathon because of the inclusion of a tree by the Christmas Queens, a local posse of drag performers.  Berton had watched Waino Riintala, Exulted Ruler of the Caribou, lecture Barbie about family values for over 45 minutes.  Then Barbie folded her hands on her desk, smiled, and said sweetly, “Isn’t Miss Ginger Ale, the head of that group, your nephew, Waino?”  Barbie 1, Caribou 0.

Berton didn’t have Barbie’s patience or Christmas spirit.  His first years as Programmer in Chief, Berton tried to convince Iron Town Arts’ Board of Directors to discontinue the Tiny Timathon.  He wanted to replace it with something younger, hipper.

“I’m thinking an Eggnog Dash,” Berton argued, “a 10K race with spiked eggnog stations along the route.”

“I think,” Board President Alma Henderson said, “it’s a bit premature to discuss chloroforming the Tiny Timathon.  Barbie’s only been gone two months.”

“Plus,” Dr. Bingley, another board member, cleared his throat, “people love it.  It’s a tradition.”

Berton saw the writing on the wall.  He was fighting a losing battle.  He gave it one more shot, though.  “You know, slavery was a tradition in this country until Abraham Lincoln came along.”

Alma pressed her lips together and sighed.  “Let’s table this discussion until next year.”  Alma 1, Berton 0.

And next year came and went.  And the next.  And the next.  And the next.

Seven tabled-discussion years later, Berton sat at his desk on Christmas Eve.  He was exhausted.  The Tiny Timathon had occurred two days prior, with its expected array of petty squabbles, broken ornaments, and bruised feelings.  But the straw that broke the proverbial camel’s back for Berton:  the “Hallelujah Chorus” played in four-part harmony on kazoos by Iron Town’s fifth grade chorus under the direction of Theta Creed.  Berton had gone home with a migraine, put a frozen pizza in the oven, fallen asleep, and woken to a firefighter pounding on the door of his smoke-filled apartment at 2 a.m.  Berton made his decision that night.

The programming office was adjacent to the Barbie Bradley Salon, and Berton had just strolled through the Christmas trees (57 in total this year), unplugging lights, flipping switches, sweeping up cookie crumbs and stray tinsel.  He was looking forward to his one week of vacation between Christmas Eve and New Year’s Day, his time to take a long winter’s nap devoid of trees, lights, banjos, accordions, and kazoos.  (Berton hadn’t put up a Christmas tree in his place for almost ten years.  He was simply Christmas tree-ed out.)  On January 2, he would send an email to the Board of Directors:  either the Tiny Timathon goes, or he does.

Berton sighed, logged off his computer, and turned off his desk lamp.  He noticed a strange glow creeping under the doorframe into his dark office.  Because he’d just made a sweep of the Salon, the entire building should have been black as the grave.

Berton got up, crossed to his door, and opened it.

Directly outside his office stood the Barbie Bradley Memorial Tree.  The Board of Directors purchased the tree seven Christmases before to keep Barbie’s spirit alive for the Timathon.

Berton clearly recalled tapping the toe button on Barbie’s tree that night, plunging its branches into darkness.  It was always the last thing he did before going home.

The Barbie Bradley Memorial Tree blazed before him.

Berton glanced around the gallery.  “Hello?” he called out, thinking a board member had stopped by without telling him. 

Silence.

He shook his head, trying to convince himself that he’d forgotten to turn off the lights due to CTSD (Christmas Tree Stress Disorder); he tapped the tree’s button with his toe, and the faux evergreen blinked to darkness.

Berton went back into the programming office, shutting the door behind him.

The lamp on Barbie’s cluttered desk, which hadn’t been used for seven years, was switched on, casting a moon of light onto a stack of reports.

Berton walked over to the desk, stared down at the spotlighted papers.  They were just spreadsheets of budgets several years out-of-date.  He looked around to make sure he was alone.  He was.  Shaking his head again, Berton reached down and turned off the lamp.  As he headed back to his desk, his gaze returned to the office door, and he froze.

A strange glow was creeping under the doorframe.

Berton held his breath, calculating his next move.  Grab his winter coat and run out the back entrance?  Lock the door and call the police?  Or march across the room to confront the practical joker?

Berton was not a person who indulged in flights of fancy.  Right before her last Tiny Timathon, Barbie said to him, “Christmas is a time to be haunted by love.”  Berton had laughed and said, “The Taco Bell I ate last night is the only thing that’s haunting me right now.”

He crossed the dark office and opened the door.

The Barbie Bradley Memorial Tree blazed before him.

Berton took a step back, jaw slack with surprise.  Glancing around the dark Salon, he called out, “Whoever is doing this, it’s not funny.  I’m calling the police.”  He leaned over and unplugged the tree from the outlet.  Darkness ate its branches again.

Berton slammed the door and spun around, intent on dialing 911.

The lamp on Barbie’s desk was back on, casting the same moon on the same pile of papers.  However, now sitting on top of the pile was a box no bigger than Berton’s fist.  Berton approached Barbie’s desk, fingers of dread squeezing his throat.

The box was wrapped in brown paper, and Berton could see lettering beneath a thick layer of dust.  He picked up the box and blew on it.  The dust fogged the air briefly then settled.  Berton squinted at the writing.

It was an address.  Barbie’s address. Each letter was blocky and large, as if traced onto the paper by a kindergartner.  Instead of her name, however, the sender had just written “Auntie Barbie” above the street number, in the same clumsy script.  In the lefthand corner was a name (Tim Bradley) and a Frankenmuth return address.

“The long-lost great nephew, I presume,” Berton said under his breath.

Berton paused a moment, feeling as if he was back in high school spying on girls changing in the locker room.  He tore the brown paper off the box and opened its lid.  A photograph tumbled out.

In the picture, a man about 45 years of age was sitting on Santa’s lap, his smile so large it looked like it was eating his face.  The man’s eyes were almond-shaped; his ears, small and low-set.  Berton could tell the man had Down Syndrome.  On the back of the photo, in the same block letters, was an inscription:  Timmy loves Santa!

Berton set aside the photo and reached into the box, removing a plastic Christmas tree ornament.  Someone had drawn a green triangle on the ornament and peppered the triangle with shiny gold star stickers.  On the ornament’s opposite side was another handwritten message:  Tiny Tim ♥ Auntie Barbie! 

Berton stood holding the ornament in his palm.  Understanding flushed his cheeks and forehead.  “Tiny Timathon,” he whispered.  He heard, or thought he heard, Barbie’s words again, softly, like snow falling in the night:  Christmas is a time to be haunted by love.

Berton looked back at his office door. 

The strange glow was again creeping under the doorframe.

Berton carried the ornament across the room to the door and opened it.

The Barbie Bradley Memorial Tree blazed before him.  It was still unplugged, but all the lightbulbs in its branches were glowing like winter constellations.

Berton walked to the tree and hung Timmy’s ornament on it.  He stood there unmoving.  One by one, all the trees in the Salon blinked on until the entire room looked like it was on fire.

Berton watched all this happen calmly, as if he was waiting for a traffic signal to change.  When the final tree came to life, Berton nodded his head almost imperceptibly.  He opened his lips to speak, but then closed them again without saying a word, as if he didn’t want to break the spell.

Finally, he took a deep, deep breath.  “I surrender,” he said.  “God bless us, everyone.”


Tuesday, December 23, 2025

December 23, 2025: “The Protestor,” Illness, “Winter Solstice Haiku”

Merry Christmas Eve eve!

Yes, it is the day before the day before.  It was my intention, once my vacation started, to blog every night.  However, my son decided to bring a particularly nasty bug home from school last Friday, so my entire household has been battling fevers, coughs, runny noses, and exhaustion.  Today is the first day I have felt almost human since Saturday morning.

It was also my intention to do all kinds of Christmas prep over the weekend.  Wrapping presents.  Baking cookies.  Working on my Christmas poem.  Filling out our Christmas cards.  That all went out the window, too.  I am now on my fourth day of illness, and all I have to show for it is a pecan pie and a stack of Christmas cards that went into the mail yesterday. 

Since I’ve had a lot of time to just lay on my couch, I’ve been reflecting a lot on ghosts of Christmas.  People who are no longer a part of my life, by death or design.  I think this time of year lends itself to this kind of nostalgia.  The Christmases of today simply can’t hold a candle to the Christmases of our childhoods, when Dad and Mom and Grandmas and Grandpas made sure we got everything we wanted from Santa.

Sharon Olds gets nostalgic about a person she once knew . . . 

The Protestor

by: Sharon Olds

     (for Bob Stein)

We were driving north, through the snow, you said
you had turned twenty-one during Vietnam, you were
1-A.  The road curved
and curved back, the branches laden,
you said you had decided not to go
to Canada.  Which meant you’d decided to
go to jail, a slender guy of
twenty-one, which meant you’d decided to be
raped rather than to kill, if it was their 
life or your ass, it was your ass.
We drove in silence, such soft snow
so heavy borne-down.  That was when I’d come to
know I loved the land of my birth—
when the men had to leave, they could never come back,
I looked and loved every American
needle on every American tree, I thought
my soul was in it.  But if I were taken and
used, taken and used, I think
my soul would die, I think I’d be easily broken,
the work of my life over.  And you’d said,
This is the word of my life, to say,
with my body itself, You fuckers you cannot
tell me who to kill.  As if there were a
spirit free of the body, safe from it.
After a while, you talked about your family,
not starting as I had, with
husbands and kids, leavening everyone else out—
you started with your grandparents 
and worked your way back, away from yourself,
deeper and deeper into Europe, into
the Middle East, the holy book
buried sometimes in the garden, sometimes
swallowed and carried in the ark of the body itself.


Yes, people shuttle in and out of our lives all the time.  My life has been blessed with loving parents and siblings.  Friends who care deeply, feel deeply.  Over the last few days, as I’ve slept and hallucinated with cold medicine and ibuprofen, I have thought quite a bit about my mother, in particular.  This Christmas season, I will be playing or singing at six church services in the next five days.  My mother is the reason I’m a church organist.  She’s the one who made me take piano lessons for twelve years straight, and she’s also the one who volunteered my keyboard talents to our parish priest over 40 years ago.  The rest, as they say, is history.

So, my mom is haunting me this Christmas, as are all the memories of Christmases past.  Nothing can ever stay the same, except in a photograph or video.  Even poems don’t stay the same.  A poem that I read five years ago (maybe about a mother’s death) has a completely different meaning for me tonight.  I had wonderful Christmases as a kid.  A living room floor literally overtaken with presents.  Tupperware upon Tupperware filled with cookies.  Baked ham and rolls.  I was really lucky.

Those days are long gone now, and I have to accept that.  My business is now making those same kind of treasured memories for my kids.  I want my daughter and son to look back with joy and longing at Christmases with my wife and I.  I think we’re accomplishing that.  Earlier this evening, my daughter phoned me from the road (she’s on her way home with her significant other).  We talked for over 40 minutes, and it was all about all our family traditions, from pumpkin puff pancakes to watching Emmet Otter’s Jug-Band Christmas.  

So, I am on the mend, although, when I’m done typing this post, I’m going to go lie on the couch and stay there, probably for the rest of the night.  Tomorrow, it’s gift wrapping, house cleaning, ham baking, and music practicing.  (By the way, I got up this morning at 5:30 a.m. to work on my Christmas poem.  Three hours later, it was drafted and done.). Tomorrow night?  Two church services.  

Tonight, however, I’m just happy that I’m feeling slightly better, and I’m looking forward to some good family time over the next few days.

Saint Marty wrote a poem for the Winter Solstice.  He was just too damn sick to post it.  It’s based (very loosely) on the following prompt from The Daily Poet:

In celebration of the winter solstice, write a poem that begins 96% of the universe is made up of the dark and unknown . . .  Your poem might posit what is the other 4% made of or perhaps share (with specific images) why you enjoy (or don’t enjoy) winter.

Winter Solstice Haiku

by: Martin Achatz

snow and wind all day
rabbit tracks in the backyard
winter syllables

moon trapped in branches
pine needles stitch the heavens
embroidered solstice

coughing at midnight
my eyes water with fever
my body blizzards

angel tree topper
face coffee brown like Jesus
ICE storm tomorrow



Friday, December 19, 2025

December 19, 2025: "Where Will Love Go?", Long Weeks, "Reincarnation"

I am writing this post the end of a long couple weeks--after final teaching and grading, last holiday events at the library, and the terrible murders of Rob Reiner and his wife last weekend in California.  In short, I'm exhausted with life and the world, and Christmas is fast approaching.  

Today, in particular, was very challenging for me in many ways that aren't interesting enough to discuss here.  But, when I got home this evening, I went into my office and ate dinner alone because I was not fit to be around other people.  I withdrew so I didn't say or do something that would hurt my wife or son.  On top of all that, I've been thinking a lot about my friend, Helen, who always lifted my spirits when I was in a state of ennui such as this.  I miss her joy and love.

Sharon Olds meditates on the conservations of love . . . 

Where Will Love Go?

by: Sharon Olds

Where will love go?  When my father
died, and my love could no longer shine
on the oily, drink-contused slopes of his skin,
then my love for him lived inside me,
and lived wherever the fog they made of him
coiled like a spirit.  And when I die
my love for him will live in my vapor
and live in my children, some of it
still rubbed into the grain of the desk my father left me
and the oxblood pores of the leather chair which he
sat in, in a stupor, when I was a child, and then
gave me passionately after his death--our
souls seem locked in it, together,
two alloys in a metal, and we're there
in the black and chrome workings of his forty-pound
1932 Underwood,
the trapezes stilled inside it on the desk
in the front of the chair.  Even when the children
have died, our love will live in their children
and still be here in the arm of the chair,
locked in it, like the secret structure of matter,

but what if we ruin everything,
the earth burning like a human body,
storms of soot wreathing it
in permanent winter?  Where will love go?
Will the smoke be made of animal love,
will the clouds of roasted ice, circling
the globe, be all that is left of love,
will the sphere of cold, turning ash,
seen by no one, heard by no one,
hold all
our love?  Then love
is powerless and means nothing.




The ending of that poem is pretty bleak.  Right now, at the end of 2025, there is a climate crisis.  Most of the rest of the world is trying to save this planet from humankind's greed, sloth, and stupidity.  Yet, in my home country, the people currently in charge are hell-bent on drilling and AIing and mining and Facebooking and manufacturing the world into oblivion.  Love does not enter the equation, and that mean that there is a love crisis on top of the global climate crisis.  (Proof of a the love crisis:  ICE raids, mass shootings, unaffordable healthcare.)

It's difficult not to be a cynical Scrooge this holiday season with all of that going on.  Yet, over the next couple weeks, I will endeavor to buoy my yuletide spirits in any way that I can--cookies, chocolates, It's a Wonderful Life, rereading my favorite Christmas book of all time (Mr. Ives' Christmas by Oscar Hijuelos), which never ceases to restore my faith in humanity.

I'm hoping my difficult mood this evening is simply a fluke, brought on by the stress of last-minute work responsibilities and a severe lack of sleep.  (I think, over the last week or so, I've been averaging about four to five hours of slumber a night.)  Tomorrow, I will wake, finish up my last library chores for the year, and throw myself into Christmas overdrive--addressing cards, wrapping presents, planning menus, watching Charlie Brown learn what Christmas is all about from Linus.  and reading some Mary Oliver poems.

'Tis the season, as my part of the globe tips away from darkness, to embrace the return of light and, hopefully, love and goodness.  A love crisis is easily reversed--just don't behave like an asshole.

Saint Marty wrote a poem for this evening about faith and belief, based on the following prompt from The Daily Poet:

Are you for or against getaway weekends in Vegas?  Do you believe wolves should be reintroduced in the western US?  What's your idea of a perfect day?  Write a credo poem that shares the core beliefs that guide your actions.

Reincarnation

by: Martin Achatz

I used to believe I was Flannery O'Connor,
practiced walking with crutches, spoke
with a thick Southern accent, ate grits
for breakfast, lunch, and dinner, tried
to talk my parents into raising peafowl
in our backyard so we could watch
them shiver their feathers into stained
glass.  When I turned 24, I waited for
red butterflies to appear on my cheeks
and forehead, for my hair to thin,
fall out in clumps.  More than anything, 
though, I kept an eye out for a hitchhiker
who looked a lot like Kevin Spacey to shoot
me in the chest every day of my life, 
just to keep me honest and good. 



Friday, December 12, 2025

December 12, 2025: “You Kindly,” Abtraction, “Democracy”

We all deal with abstractions daily.

In the morning, I say “I love you” to my wife when I drop her off at work.  During the day, there will be moments of joy or sorrow or anger or wonder or disappointment or freedom—all abstractions for states of mind and heart.  And, at night, right before he goes to bed, my 17-year-old son says “I love you” to me, and he stands there, waits for me to say “I love you back to him.”  

Abstractions haunt us.

Sharon Olds writes about sex . . . 

You Kindly

by: Sharon Olds

Because I felt too weak to move
you kindly moved for me, kneeling
and turning, until you could take my breast-tip in the
socket of your lips, and my womb went down
on itself, drew sharply over and over
to its tightest shape, the way, when newborns
nurse, the fist of the uterus
with each, milk, tug, powerfully
shuts.  I saw your hand, near me, your
daily hand, your thumbnail,
the quiet hairs on your fingers—to see your
hand its ordinary self, when your mouth at my
breast was drawing sweet gashes of come
up from my womb made black fork-flashes of a
celibate’s lust shoot through me.  And I couldn’t
lift my head, and you swiveled, and came down
close to me, delicate blunt
touch of your hard penis in long
caresses down my face, species
happiness, calm which gleams
with fearless anguished desire.  It found
my pouring mouth, the3 back of my throat,
and the bright wall which opens.  It seemed to
take us hours to move the blonde
creatures so their gods could be fitted to each other,
and then, at last, home, root
in the earth, wing in the air.  As it finished,
it seemed my sex was a grey flower
the color of the brain, smooth and glistening,
a complex calla or iris which you
we’re creating with the errless digit
of your sex.  But then, as it finished again,
one could not speak of a blossom, or the blossom
was stripped away, as if, until
that moment, the cunt had been clothed, still,
in the thinnest garment, and now was bare
or more than bare, silver wet-suit of
matter itself gone, nothing
there but the paradise fall.  And then
more, that cannot be told—may be,
but cannot be, things that did not
have to do with me, as if some
wires crossed, and history
or war, or the witches possessed, or the end
of life where happening in me, or I was
in a borrowed body, I knew
what I could not know, did-was-done-to
what I cannot do-be-done-to, so when
we returned, I cried, afraid for a moment
I was dead, and had got my wish to come back,
once, and sleep with you, on a summer
afternoon, in an empty house
where no one could hear us.
I lowered the salt breasts of my eyes
to your mouth, and you sucked,
then I looked at your face, at its absence of unkindness,
its giving that absence off as a matter
I cannot name, I was seeing not you
but something that lives between us, that can live
only between us.  I stroked back the hair in
pond and sex rivulets
from your forehead, gently, raked it back
along your scalp,
I did not think of my father’s hair
in death, those oiled paths, I lay
along your length and did not think how he
did not love me, how he trained me not to be loved.



Olds is dealing with a lot of big abstractions in this poem—love and sex and sadness and passion.  Most poets and writers will tell you that they write in order to know what they think.  That’s what Olds is doing here, capturing this very intimate moment between herself and her significant other, deciphering its meaning for herself and her readers..  

The abstractions that has been haunting me this week is grief.  On Tuesday, I received an email from a good friend, telling me that his wife (and good friend to my family, as well) had transitioned from this life.  She had been struggling for about three years with rheumatoid arthritis which caused a very rare respiratory condition.  The news of her death, while not completely unexpected, still cast a pall over the rest of the week for me.  

No matter what I type here, I will never be able to communicate what a light she was in the world.  On occasion, my wife and I had dinner and drinks with these friends.  The thing that always struck me about our meetups was that my friend’s wife never complained or spoke about her health issues.  In fact, more than anything else, she just seemed annoyed by the physical limitations of her illness.  Yet, in my mind, she always remained vibrant and engaged and full of joy.  I’m sure she had her dark moments during the last year or so, but she still enjoyed a glass of wine, sweet potato fries, and good conversation.

That’s how I’ll always remember her—laughing, loving life, cherishing friends and family.  I grieve that I will no longer be able to see her smile, hear her laugh.  And I grieve for my friend, who is simply one of the best people I’ve ever had the privilege to know.

That’s my abstraction for tonight—loss and sadness.  

Saint Marty wrote a poem for tonight, based on the following prompt from December 8 in The Daily Poet:

Begin a poem “Dear Time” or “Dear Eternity” but instead of continuing in the realm of abstraction, make your letter specific and concrete.  Perhaps you are unhappy with these concepts.  Voice your opposition!  If you get stuck, include one or more of the following words in your letter:  skin, geography, regret, tugboat, pudding, fibrous, pumice.

Democracy

by: Martin Achatz

This December, I festoon my front porch
     with white lights.
Down the street, my neighbor’s front porch
     blazes red, green, blue, gold.

I had lunch with a friend today:
     a burger, hold the pickles and mustard.
My friend’s burger dripped mustard,
     extra pickles littered his plate.

I watch a snowstorm approach on radar
     like unwanted relatives at Christmas.
A poet friend waxes her skis, puts them
     in her car for tomorrow morning’s glide.

My wife sleeps on her side, breath
     easy as sunlight.
My friends wife chews each bite of air
     as if it’s her last.

Tonight, my backyard is a blank
     sheet of Foolscap.  
By dawn, rabbits will have scribbled
     haiku on it all the way to the alley.



Sunday, December 7, 2025

December 7, 2025: “The Spouses Waking Up in the Hotel Mirror,” Almost Migraine, “Writing Life of Charles Dickens”

Being a poet and blogger is sort of like constantly looking at yourself and your life in a mirror, but not in an egotistical way.  You look to understand and interpret, maybe to find something beautiful.

I’ve been a writer my whole life.  I have a box of old diaries and journals under a bed.  They go all the way back to the fifth or sixth grade.  It was at that time that I decided I wanted to record my thoughts and feelings and experiences.  Gabriel Garcia Marquez has a short story about a family who finds an angel in the backyard; they tie the angel up and charge people money to see him.  I first read that story when I was in ten or eleven, right around the time I started my career as a diarist.  (By the way, I’ve never had the courage to go back and reread those old notebooks.  I’m afraid of what I’ll find out about myself.)

Sharon Olds spends some time gazing at herself in a mirror . . . 

The Spouses Waking Up in the Hotel Mirror

by: Sharon Olds

The man looked like himself, only more so,
his face lucent, his silence profound as if
inevitable, but the woman looked
like a different species from an hour before,
a sandhill crane or a heron, her eyes
skinned back, she looked insane with happiness.
After he got up, I looked at her,
lying on her back in the bed.
Her ribs and breasts and clavicles had
the molded look of a gladiator’s
torso-armor, formal bulge of the 
pectoral, forged nipple, her deltoid
heron-elongated,
I couldn’t get her provenance
but the pelvic bone was wildly curled,
wrung.  I could see she was a skeleton
in there, that hair on her body buoyant
though the woman was stopped completely, stilled as if
paralyzed.  I looked at her face,
bloom-darkened, it was a steady face,
I saw she was very good at staring
and could make up her mind to stare at me
until I would look away first.
I saw her bowled, suffused forehead,
her bony cheeks and jaws, I saw she could
watch her own house burn
without moving a muscle, I saw she could light
the pyre.  She looked very much like her father, that
capillary-rich face, and very
much like her mother, the curlicues
at the corners of the features.  She was very male
and very female.
very hermaphroditical,
I could see her in a temple, tying someone up
or being tied up or being made nothing
or making someone nothing,
I saw she was full of cruelty
and full of kindness, brimming with it—
I had known but not known this, that she was human,
she had it all inside her, all of it.
She saw me seeing that, she liked that I saw it.
A full life—I saw her living it,
and then I saw her think of someone who
ignores her rather as her father ignored her,
and the clear, intransigent white of her eyes
went murky grey, the sections of her face pulled
away from each other like the continents
before they tore apart, long before they drifted.
I saw that she had been beaten, I saw her
looking away like a begging dog,
I averted my eyes, and turned my head
as the beloved came back, and came over to her
and came down to me, I looked into his iris
like looking at a rainstorm by moonrise, or a still
winter lake, just as its cleavages
take, or into crystal, when crystal
is forming, wet as nectar or milk
or semen, the first skein from a boy’s heart.



Looking at yourself closely can be an unpleasant experience.  Olds sees the woman in the mirror not as a reflection of herself.  Rather, she’s able to step outside of her body and appraise herself honestly, without flinching, each hair and scar and blemish mapping her skin like roads and rivers.  The spouse in the poem ignores these imperfections.  He comes to her at the end, his irises looking like “a rainstorm by moonrise, or a still winter lake . . .”  To put it another way, he sees her true self.

So, now it’s my turn to look at myself in the mirror today.  I played keyboard for two church services this morning.  Then I attended the annual Tuba Christmas concert, live-streaming it for the library.  (If you’ve never read heard 30 tubas and euphoniums in one enclosed space playing Christmas carols, you don’t know what you’re missing.  Or maybe you do.)  Then, some shopping.  (I purchased two really ugly Christmas sweaters for myself.)  Finally, dinner (grilled turkey and cheese sandwiches with chicken noodle soup) and a Zoom poetry workshop (the best part of my day).

My whole weekend was like that—one thing after another thing after another thing.  I haven’t really had a whole lot of downtime.  When I got home from Tuba Christmas and shopping, I sat down on the couch to relax for a few minutes.  I turned on the TV, and suddenly my head started pounding and my vision blurred.  My first thought:  I’m having a stroke.  My second thought:  at least I won’t have to grade my students’ final papers.

I lay back on the couch and closed my eyes.  I could feel the room spinning behind my lids.  In the past, I have suffered from bouts of vertigo.  Only once have I experienced a migraine.  After about a half hour, I opened my eyes and got up to help my wife do the dinner dishes and pans.  I could still feel a dull throb in the back of my head, but the world wasn’t merry-go-rounding anymore.  My vision was clear.  

I think I was on the verge of a migraine.  So, I had an almost migraine, I guess.  When I described my symptoms to my wife, she said, “It was a migraine.  You’ve been so stressed.”

My wife was my mirror tonight.  After she made that comment, I thought about the last couple weeks—Thanksgiving, a blizzard, Christmas trees, grading, programs.  Plus all the normal holiday hubbub.  And 30 tubas and euphoniums.  She was right.  Stress + Tuba Christmas = Almost Migraine.

I’m doing better now.  The poetry workshop was the highlight of the weekend.  A couple hours writing with some really good friends was just the medicine I needed.  I’m not quite ready for a new week, but I’m not cemented to a couch with a pillow over my face to block out the light.

Saint Marty wrote a poem for tonight, based on the following prompt from The Daily Poet:

Write a poem in the form of a to-do list, preferably a to-do list of a famous literary figure.  What would Henry David Thoreau have on his to-do list?  How about Gustav Flaubert?  Perhaps Emily Dickinson’s to-do list would include practicing her scales, writing a letter, baking a ginger cake, ironing her white dress, identifying wildflowers, witnessing a funeral, and quarreling with her sisters or brother.  You will likely need to spend some time to get the order of your list just right, saving the best for last.  Your poem may be humorous or grave/poignant.

Writing Life of Charles Dickens

by: Martin Achatz

Writing 
is like
a long midnight walk

through London streets
when even pickpockets
have gone to bed
in some dark alley

Elizabeth Tower caped
in fog and frost
lost
save for the chimes
quarter past, half past,
quarter to it, the hour
itself—Ga-dooong!

pens lined above
a sheet of Foolscap
well filled with ink
black as a grave

a cup
of strong tea
steeped black
served with a lemon
wedge and biscuit
hawthorn
currant
oolong

a child’s cry 
for water 
after a nightmare,
to douse 
fear blazing 
in his chest

a sunrise
so dazzling
it hurts
to even 
step outside



Saturday, December 6, 2025

December 6, 2025: “Cool Breeze,” Missing in Action, “Saturday Afternoon Poetry Reading by MFA Students”

Yes, I have been missing in action for quite some time.  I have no good excuse, aside from exhaustion and shortening days.  Around this time last year, I was sliding into a deep depression that lasted quite a few months.  So I have been keeping pretty close watch on my state of mind and mood.

A lot has happened since my last post.  Just a quick recap:  I got a new car—another Subaru Impreza (an offer from the dealership I couldn’t pass on); Thanksgiving came and went with a raging blizzard that lasted about three days (and about 26 inches); my daughter turned 25 yesterday (hard to believe she’s that old and I haven’t aged at all); and the holiday season is upon us (theme for our front porch this year—A Bigfoot Christmas).

Perhaps the reason I tend to get a little (or a lot) blue this time of year is nostalgia—the sentimental longing for a period, place, or person with wistfully happy associations.  Of course, there’s no way of reclaiming the past, unless you’re Marty McFly or Bill and Ted.  

Sharon Olds gets nostalgic for an old lover . . . 

Cool Breeze

by: Sharon Olds

You talked to me a lot about your kid sister,
Rebecca, a.k.a. Reebabecka,
and you knew me as my sister’s kid sister,
fourteen, and a late bloomer, and homely,
you talked to me about your family,
and your dream of cutting an LP,
and the Juniors and Sophomores you were in love with, or who
were in love with you, or who maybe you had slept with—
they were White, as I was, but you called me Miss Shary
Cobb, Miss Cool Breeze Herself.
You didn’t mind I was in love with you,
you were Senior Class President.
And you would dance with me, astronomer
who pointed out to me the star
bright of the cervix, when we danced it became
exact to me, far inside me
in the night sky.  And you would park with me,
you would draw my hand gently across you, you had
mercy on me, and on yourself.  When you would
slide your hand up under my sweater,
my mouth would open, but I’d stop you, and you would
say, rather fondly, Protecting your sacred
virginity?  And I would say Yes,
I could always tell you the truth.
When the White cops broke up the dance in your neighborhood,
your friends worked to get us out the back
unseen, if the cops saw us together
they would hurt someone.  We crouched behind a hedge,
and I began to understand
you were less safe than me.  Squatting 
and whispering, I understood, as if 
the bending of our bodies was teaching me, 
that everyone was against you—the ones I had called
everyone, the White men
and the White women, the grown-ups, the. blind
and deaf.  And when you died, your LP cut,
and you had married the beauty from your neighborhood,
when you went off the coast road with your White
lover, into the wind off the ocean,
your Jag end over end, catching fire—
I knew that my hands were not free of your
blood, brother—Reebabecka’s brother.


Perhaps I’m reading too much into Olds’ poem, but I do feel a certain sense of nostalgia—the speaker yearning for Reebabecka’s brother and all that he meant.  Sex and race and class and mortality all rolled into one.  Olds, in some way, holds herself responsible for high school lover’s death (“my hands were not free of your / blood”).  

Today at the library, I hosted a reading of MFA poetry students from the local university.  There were about six of them.  All so young and full of hope.  I remember being like them when I was in graduate school—thinking I was going to get a job as a full-time professor, publish a few books, win the Pulitzer Prize, and be set for life.  That’s where they all are right now.  Ready to take on a world that isn’t always that nice to poets.

I found myself getting a little wistful as I sat listening to these grad students share their work.  At the end of my MFA program, my wife had just given birth to our daughter, and I thought I had the world in my hands.  Anything seemed possible.

Then everything came crashing down.  My wife started suffering from serious depressions (she cut her arms and breasts with scissors, leaving scars) and was eventually diagnosed with bipolar disorder.  A year or so after that, she fell into a cycle of sexual addiction that almost ended our marriage several times.

In short, I really don’t feel nostalgic for all of that shit.  I wouldn’t want to go back to that period in my life for anything.  Except for this:  holding my infant daughter in my arms as she drifted off to sleep, or braiding her long hair after she took her baths.  I miss being everything to my kids—protector, friend, chauffeur, sage, comedian.  There was a time I walked on water as far as my son and daughter were concerned.

My daughter is in medical school now.  My son will be graduating high school this spring.  He’s already talking about moving out.  The future is bright for both of them.  Me?  I have more years behind now me than I have ahead of me.  That makes me a little sad.  (Just a little.  Don’t worry.)

I know I’m very blessed.  My kids are healthy and smart.  My wife has a job she loves, and she’s been doing well with her mental health and addiction issues.  We are more a team than we’ve ever been.  Blessing after blessing after blessing.

Ten years from now, I’m probably going to be nostalgic about tonight.

Saint Marty wrote a poem for today, based on the following prompt from The Daily Poet:

Try writing some haiku that resist being about apple blossoms, insects, or frogs.  Instead use the 5/7/5 syllables in a series of three-line poems that deal with subjects such as bad hair, infectious diseases, or people who’ve never heard of Rumi.

Saturday Afternoon Reading by MFA Poetry Students

by: Martin Achatz

they read earnestly 
shaping words into creatures
feral as blizzards

I sit in the back
listen as they free their tongues
birds, birds, everywhere

they are all so young
ferment full, ripe as apples
I eat and drink them

when I was their age
I swam in Superior
naked, skin on fire

I’m an old sonnet
iambic, without couplet
don’t volta me yet



Sunday, November 16, 2025

November 16, 2025: “1954,” Tragedy and Loss, “All Breath”

It is the end of a long weekend.

I spent yesterday in Calumet, Michigan, leading a writing workshop, attending a catered dinner, doing a poetry reading.  I left home at around 7:30 a.m., finally got back around 11:30 p.m.  I’ve been in recovery mode today.

On my way to Calumet, I received a text message from my sister-in-law.  (Really, she’s like my little sister.  I’ve known her since she was since she was 11 or 12.  We’ve always had a close bond.)  She wanted to let me know that her mother-in-law, Ann—a lovely, courageous woman who’s been battling cancer for several years—died early Saturday morning.

It was news I’d been expecting, but it still caught me off guard.

Sharon Olds writes about a tragedy . . . 

1954

by: Sharon Olds

Then dirt scared me, because of the dirt
he had put on her face. And her training bra
scared me—the newspapers, morning and evening,
kept saying it, training bra,
as if the cups of it had been calling
the breasts up, he buried her in it,
perhaps he had never bothered to take it
off, and they found her underpants
in a garbage can. And I feared the word
eczema, like my acne and like
the X in the paper which marked her body,
as if he had killed her for not being flawless.
I feared his name, Burton Abbott,
the first name that was a last name,
as if he were not someone specific.
It was nothing one could learn from his face.
His face was dull and ordinary,
it took away what I’d thought I could count on
about evil. He looked thin and lonely,
it was horrifying, he looked almost humble.
I felt awe that dirt was so impersonal,
and pity for the training bra,
pity and terror of eczema.
And I could not sit on my mother’s electric
blanket anymore, I began to have 
a fear of electricity—
the good people, the parents, were going
to fry him to death. This was what
his parents had been telling us:
Burton Abbott, Burton Abbott,
death to the person, death to the home planet.
The worst thing would have been to think 
of her, of what it had been to be her, 
alive, to be walked, alive, into that cabin,
to look into those eyes, and see the human.



It’s a terrible poem about an unspeakable act—the murder of a young woman.  But Olds, as always, goes underneath the unspeakable to find the speakable, the human.  She imagines what the victim went through at the end, staring into the eyes of her killer.

I think, in the face of tragedy and loss, we lose sight of the human.  Instead, we mythologize and canonize.  It happens all the time, and it’s natural, especially when it involves a loved one.  We lose sight of the whole person and focus, instead, on that person’s best qualities.  Again, as I said, it’s a natural part of the grieving process.

Ann was an incredibly loving, giving person.  In all the time I knew her, I never saw her without a smile on her face, even when she was facing her health crises.  She had a ready laugh and an even readier heart.  Love was her guiding force, always.  My family was graced by her and her husband’s generous spirits more times than I can count.

I write these things not to mythologize, as so often is the case when a person is taken at too young an age.  I write these things simply because they are true.  The world is a little dimmer tonight without Ann in it, and my heart breaks for her family, who I consider my family, too.

In honor of Ann, hug the people you cherish tonight.  Tell them how much they mean to you.  Don’t wait until it’s too late.  Ann never did.

Saint Marty wrote a poem for tonight.  It’s about the sustaining power of breath, and it’s based on the following prompt from The Daily Poet:

In an abecedarian poem, every line begins with A, B, C, D, etc.  Write a mini-abecedarian poem where each word in the poem is in alphabetical order.  For example, the first line of a mini-abecedarian poem could be:  Another big cactus dies entertainingly.  Forget giving.  Help invent .  . or Autumn birds can desire eggs from groceries . . .  See if you can write an entire poem this way.  Don’t worry too much about making sense, just see what new images or lines you can invent.

All Breath

by: Martin Achatz

All breath comes down easily,
falls, goes hushed into juniper,
knobcone, locust, makes nobody
opine past questions, read sunspots
to understand various worries, 
xenial yatter, zealotry.



Tuesday, November 11, 2025

November 11, 2025: “For and Against Knowledge,” Veterans Day, “Uncle Shorty Never Talked About Pearl Harbor”

We are surrounded by heroes every day.

There’s the kid who goes to school every day, despite the bully who shoves him to the pavement at recess.

There’s the father who works three jobs every day to make sure his family has food and warm winter jackets and a place to call home.

There’s the teacher who stands in front of her students every day because she believes in the future.

And there’s the homeless college student who sleeps in his car in a Walmart parking lot every night and never misses a single class.

All of these people are heroes in my book.

Sharon Olds writes about a lost hero . . . 

For and Against Knowledge

(for Christa MacAuliffe)

by: Sharon Olds

What happened to her? As long as it was she,
what did she see? Strapped in,
tilted back, so her back was toward
the planet she was leaving, feeling the Gs
press her with their enormous palm, did she
weep with excitement in the roar, and in
the lens of a tear glimpse for an instant
a disc of fire? If she were our daughter,
would I think about it, how she had died, was she
torn apart, was she burned—the way
I have wondered about the first seconds
of our girl’s life, when she was a cell a
cell had just entered, she hung in me
a ball of grey liquid, without nerves,
without eyes or memory, it was
she, I love her. So I want to slow it
down, and take each millisecond
up, take her, at each point,
in my mind’s arms—the first, final
shock hit, as if God touched
a thumb to her brain and it went out, like a mercy killing,
and then, when it was no longer she,
the flames came—as we burned my father
when he had left himself. Then the massive bloom un-
buckled and jumped, she was vaporized back
down to the level of the cell. And the spirit—
I have never understood the spirit,
all I know is the shape it takes,
the wavering flame of flesh. Those
who know about the spirit may tell you
where she is, and why. What I want
to do is find every cell,
slip it out of the fishes’ mouths,
ash in the tree, soot in our eyes
where she enters our lives, I want to play it
backwards, burning jigsaw puzzle
of flesh, suck in its million stars
to meet, in the sky, boiling metal
fly back
together, and cool.
Pull that rocket
back down
surely to earth, open the hatch
and draw them out like fresh-born creatures,
sort them out, family by family, go
away, disperse, do not meet here.



Most people of a certain age will remember the day the Challenger exploded.  Those astronauts riding the elevator up to the cockpit, Christa MacAuliffe among them.  The countdown and takeoff.  And then, 73 seconds later, the heartbreak.  Like the JFK assassination or Hiroshima bombing, it is a moment that changed the world forever.

Today, the United States celebrated Veterans Day.  Originally, November 11 was Armistice Day, marking the end of World War I; in 1919, President Woodrow Wilson made it a day of commemoration for all veterans of the Great War.  Then, in 1954, President Dwight D. Eisenhower signed a bill that officially turned November 11 into Veterans Day, honoring all who have served in the U.S. military, war or peacetime.

I spent this Veterans Day at the library for an annual employee inservice.  Lots of presentations and activities.  But, at the beginning of the day, the director of the library acknowledged employees who served in the military.  (There were two.)  

Most military veterans I know don’t really speak about their times in the service.  My dad never talked about his time in the army during the Korean War.  My Uncle Larry never discussed his military service in Korea either.  I’ve taught Iraq and Afghanistan veterans.  Several of them wrote about their experiences for assignments, but I can't recall a single conversation with any of them about their time in the military.

Heroes are quiet.  They don't do what they do for recognition or medals.  Usually, they feel uncomfortable in the spotlight.  If asked, they usually say something along the lines of "I was just doing my job" or "I was just doing what I had to do."  

So, today, I salute all military veterans and unsung heroes out there.  I am grateful for how they made/make this world a better place, day after day.

Saint Marty wrote a poem for this Veterans Day, based on the following prompt from The Daily Poet:

In honor of Veterans Day, write a poem to or about a veteran.  To avoid falling into cliche, write about a veteran doing something completely normal--grocery shopping or pumping gas.  Aim to show something about this veteran without mentioning war, guns, or a bombing.

Uncle Shorty Never Talked About Pearl Harbor

by: Martin Achatz

He talked about carrots he grew
in his garden every summer,
fat and sweet as apples, or
about his son with CP who
smoked cigarettes in a long
Cruella de Vil holder and stomped
his feet with laughter when
someone told him a dirty joke, or
about Aunt Tillie's lemon bars
she brought to every family
shindig involving food (and they
all involved food).  But when
I returned from Honolulu, mentioned
standing on the Arizona Memorial,
staring down at the wreckage below,
Uncle Shorty just nodded, looked off
at his rows of tomatoes and peppers,
his lips moving in silence, as if
saying the names of buddies he lost
December 7.  Pudge.  Junior.  Piehole.
Alfalfa. Sweeney.  Little John.
The green beans hadn't done well,
he noticed.  Not enough rain.



Saturday, November 1, 2025

November 1, 2025: “The Prepositions,” All Saints’ Day, “Litany of Saints for Laundry Day”

Yes, it is the first day of November.  All Saints’ Day.  

In all the years that I’ve been a music minister (at Catholic, Methodist, and Lutheran churches), I don’t think I’ve ever played a service or Mass for All Saints’ Day, which is strange since my son was baptized on this feast.  That’s almost four decades of playing the pipe organ without having to deal with saintly litanies.  (At Catholic Easter Vigil Masses, the priest/cantor sings several litanies involving saints and angels and whatnot, and I have a confession:  I don’t like litanies or Gregorian chant all that much.  A little too medieval for me.)

Sharon Olds comforts herself with a litany of prepositions . . . 

The Prepositions

by: Sharon Olds

When I started Junior High I thought
I’d probably be a Behavior Problem
all my life, John Muir Grammar 
the spawning grounds, the bad-seed bed, but
the first morning at Willard, the dawn 
of seventh grade, they handed me a list
of forty-five prepositions, to learn
by heart. I stood in the central courtyard,
enclosed garden that grew cement, 
my pupils followed the line of the arches
up and over, up and over, like
alpha waves, about, above,
across, along, among, around
, an
odd calm began in me,
before, behind, below, beneath,
beside, between
, I stood in that sandstone
square and started to tame. Down,
from, in, into, near
, I was
located there, watching the Moorish half-
circles rise and fall. Off,
on, onto, out, outside
, we
came from 6th grades all over the city 
to meet each other for the first time,
White tennis-club boys who did not
speak to me, White dorks 
who did, Black student-council guys who’d gaze 
above my head, and the Black
plump goof-off who walked past and
suddenly flicked my sweater-front, I thought to shame me.
Over, past, since, through,
that was the year my father came home in the
middle of the night with those thick earthworms 
of blood on his face, trilobites of
elegant gore, cornice and crisp
waist of the extinct form,
till, to, toward, under, the
lining of my uterus convoluted,
shapely and scarlet as the jointed leeches 
of wound clinging to my father’s face in that
mask, unlike, until, up, I’d
walk, day and night, into 
the Eden of the list, hortus enclosus where
everything had a place. I was in
relation to, upon, with
, and when I
got to forty-five I could just start over
pull the hood of the list down over 
my brain again. It was the first rest
I had had from my mind. My eyes would run
slowly along the calm electro-
cardiogram of adobe cloister,
within, without, I’d repeat the prayer I’d
received, a place in the universe,
meaningless but a place, an exact location—
Telegraph, Woolsey, Colby, Russell—
Berkeley, 1956,
fourteen, the breaking of childhood, beginning of memory.



Litanies can provide some comfort, as Olds’ poem demonstrates.  They occupy the mind, provide a kind of stability.  Olds keeps returning to the list of prepositions because the real world (full of nipple-flicking boys and injured, alcoholic fathers) is so out of her control.  

As you know, I’m what is sometimes referred to as a “cradle Catholic”—that means I was born, baptized, and raised in the Catholic Church.  There have only been a few times in my life that I haven’t attended weekend Masses on a regular basis.  I think every young Catholic goes through that sort of rebellious stage where, instead of going to church on Sunday morning, you hit McDonald’s instead.  (That little rebellion ended for me when I started to get paid for playing the pipe organ on Saturday evenings.)  I’ve been doing my church musician thing for going on 40 years now.  

So, my weeks are full of teaching and library work, and my Saturdays and Sundays are full of organ and piano benches at one Catholic parish (on rare occasions two), two Lutheran parishes, and one Methodist parish (very infrequently).  If you’re wondering when I get a day off, the answer is pretty simple:  I don’t.  Planning any kind of time off for me is like planning the invasion of Normandy.

Today, I was able to pull off something pretty special.  In the middle of working and teaching and music ministering, I planned a surprise 30th anniversary party for my wife.  My biggest surprise for her:  our daughter drove up from medical school to attend.  While my wife and I attended our regular Saturday Mass, our kids and friends gathered at a local restaurant, decorated its back room, and waited for us to walk through the door.

To say that my wife was taken aback is an understatement.  She had no idea what was happening.  I could see it on her face as our litany of friends and relatives all shouted “Surprise!”  And when she realized that our daughter was sitting at the head table, she just about lost it.  

Everyone we loved was there.  We ate and talked and laughed and reminisced.  In a year that has been dominated by President 47 dismantling democracy and taking food and healthcare away from American citizens, tonight was balm for my heart and soul.

After the dinner, our daughter and her significant other came to our house to play games and visit.  It was such a good day and night.  (I didn’t even mind going to the laundromat today, and I hate doing laundry.)

Saint Marty wrote a litany for today, based on the following prompt from The Daily Poet:

Write a poem that includes visits from three saints.  You can research saints on the Internet and choose your favorite, or make a list of your obsessions and create a saint from that.  Write a poem to the Saint of Poets, the Saint of Birds, or make up your own saint.  The Saint of the Internet, perhaps?  The Saint of Broken Violins?  Feel free to use one or more real or invented saints in your poem.

Litany of Saints for Laundry Day

by: Martin Achatz

I wake on dirty clothes day 
     to first snow on the grass,
     a breath of white that will
     be gone as soon as the sun
     opens its morning eye.
Our Lady of Termination Dust, pray for us.

I stare at autumn gold 
     on the hillside across 
     from King Koin Laundry
     this first day of November.
Saint Maidenhair, pray for us.

I scribble these words, my first
     lines while the colds
     spin cycle, tumbling
     like teens in a Buick’s backseat.
Saint Coitus, pray for us.

I think of you, my first (and only)
     love at home, waiting
     for me to return with
     baskets of bread-warm clothes.
God of Bounce Dryer Sheets, remind us
     we were all once fresh and clean. 



Friday, October 31, 2025

October 31, 2025: “Leaving the Island,” All Hallow’s Eve, “My Teenage Son Carves a Pumpkin”

Yes, it is All Hallow’s Eve.  

All the little ghosts and goblins and Supermans are at home, sifting through their chocolaty loot.  I used to do that every year—dividing my Halloween candy into three categories:  1) all chocolate products not containing coconut; 2) Starburst types of sweets (including Laffy Taffy); and 3) Smarties and Lemonheads.  It is the start of candy season.

Sharon Olds writes about a scary encounter with between a father and son . . . 

Leaving the Island

by: Sharon Olds

On the ferry, on the last morning of summer,
a father at the snack counter low in the boat
gets breakfast for the others.  Here, let me drink some of
Mom’s coffee, so it won’t be so full
for you to carry, he says to his son,
a boy of ten or eleven.  The boat
lies lower and lower in the water as the last
cars drive on, tilts its massive
grey floor like the flat world.  Then the
screaming starts, I carry four things,
and I only give you one, and you drop it,
what are you, a baby? a high, male
shrieking, and it doesn’t stop, Are you two?
Are you a baby? I give you one thing,
no one in the room seems to move for a second,
a steaming pool spreading on the floor, little
sea with its own waves, the boy
at the shore of it.  Can’t you do anything
right? Are you two? Are you two? the piercing
cry of the father.  Go away,
go up to your mother, get out of here— 
the purser swabbing the floor, the boy
not moving from where the first word touched him,
and I could not quite walk past him, I paused
and said I spilled my coffee on the deck, last trip,
it happens to us all.  He turned to me,
his lips everted so the gums gleamed,
he hissed a guttural hiss, and in
a voice like Gollum’s or the Exorcist girl’s when she
made the stream of vomit and beamed it
eight feet straight into the minister’s mouth
he said Shut up, shut up, shut up, as if
protecting his father, peeling from himself
a thin wing of hate, and wrapping it
tightly around father and son, shielding them.



It’s amazing what kids will do to protect or defend their parents, even mothers or fathers who are physically or emotionally abusive.  It’s almost as if the boy in Olds’ poem doesn’t know what to do when the speaker says something kind to him.  He interprets the speaker’s words as a criticism of the father and thus goes into full defense mode:  Shut up, shut up, shut up.

Tonight, all the parents were bundled up while their little Elmos and witches and dinosaurs went begging for candy door-to-door.  I didn’t hear an angry word or criticism, except the occasional “What do you say?” when I handed out the Twix bars, followed by a sheepish “Thank you!”  

Holidays, even ones steeped in blood and ghosts and serial killers, seem to bring out the best in people.  And, really, Halloween started as a time to honor and remember the dearly departed, at a time when, supposedly, the veil between the here and hereafter is the thinnest.  That’s why All Hallow’s Eve is followed by All Saints’ Day and then All Souls’ Day.

My kids have outgrown trick-or-treating.  This year is literally the first time my wife and I haven’t trooped around the neighborhood with one or both of them.  Instead, we stood outside with our bowl of booty, became that old couple who fawns over all the cute little goblins coming to our front step.

My son?  He invited a friend (who happens to be a girl) over for the evening.  They had pizza and did whatever teenagers these days do to entertain themselves.  (I remember what I did at my son’s age on Halloween, so I’m hoping he’s being a little more responsible.)  He carved our pumpkin this afternoon, so he did his filial duty.  So I don’t begrudge him his hormonally charged night.

Saint Marty wrote a poem for this Halloween night, based on the following prompt from The Daily Poet:

Write a poem about a specific moment that could happen on Halloween.  It could be about stealing a pumpkin, walking through a graveyard, or giving out candy to trick-or-treaters.  Pay attention to specific details, sounds, or sights that might be present on this holiday.

My Teenage Son Carves a Pumpkin

by: Martin Achatz

He doesn’t want to do it, hates
the viscera inside with its
almost human membranes,
cold as December.  But he does it
because he wants to spend
this All Hallow’s Eve with a girl,
watch Jason hunt horny teens
or Regan baptize Father Merrin
with split pea, hoping the girl
clings to him the way pollen
clings to a bee’s leg.  His pumpkin
sits now on the front stoop,
mouth big as a super moon, 
eyes just tiny stars, candle
inside—a flickering tonsil—
while he and the girl carve
each other in the dark upstairs,
bodies blazing like Druid bonfires.

Thursday, October 30, 2025

October 30, 2025: “What Is the Earth?”, Wife’s Birthday, “Maple Leaf Love Poem”

It is the birthday of my beautiful partner of 30-plus years.  

Most of my faithful disciples know that my wife and I have had our fair share of struggles during our time together.  As with most marriages, ours has had its ups and downs.  The ups have been tsunami-sized, and the downs have been Grand Canyon-sized.  Yet, we’re still standing, as the Elton John song goes.  We have found homes in each other.

Sharon Olds writes about homelessness and homes . . . 

What Is the Earth?

by: Sharon Olds

The earth is a homeless person. Or
the earth’s home is the atmosphere.
Or the atmosphere is the earth’s clothing,
layers of it, the earth wears all of it,
the earth is a homeless person.
Or the atmosphere is the earth’s cocoon,
which it spun itself, the earth is a larvum.
Or the atmosphere is the earth’s skin—
earth, and atmosphere, one
homeless one. Or its orbit is the earth’s
home, or the path of the orbit just
a path, the earth a homeless person.
Or the gutter of the earth’s orbit is a circle
of hell, the circle of the homeless. But the earth
has a place, around the fire, the hearth
of our star, the earth is at home, the earth
is home to the homeless. For food, and warmth,
and shelter, and health, they have earth and fire
and air and water, for home they have
the elements they are made of, as if
each homeless one were an earth, made
of milk and grain, like Ceres, and one
could eat oneself--as if the home
were a god, who could eat the earth, a god
of homelessness.



We haven’t treated our earth home very well, despite the MAGA climate-change deniers’ screaming and whining.  In fact, I would say that we’ve fucked up our home pretty good.  If we’re not careful, we’re all going to end up homeless (or our children and grandchildren are).  

Olds constantly defines and redefines home and homelessness in this poem.  My definition of home:  any place/person that/who accepts you unconditionally and lovingly.

I’ve lived in the same house for almost 30 years now.  It’s home.  I’ve lived in the same city for most of my life (except for a brief sojourn downstate for graduate school).  Home, too.  I’ve taught at the same college, attended the same church, broke bread with the same friends.  Home, home, and home.  And, of course, I’ve been married to the same woman for 30 years.  Home, with a capital “H.”

As I said at the beginning of this post, my wife celebrated her birthday today.  It’s the 35th time since we first met that I’ve seen her blow out her birthday candles.  She truly is the person who knows me best—understands my sometimes mercurial disposition.  I don’t have to be anybody but myself when I’m around her.  That is one of the greatest blessings a person can ask for.

I took my wife out to her favorite restaurant tonight, where she ordered her favorite meal:  seafood risotto.  I’m still on a liquid diet because I had a tooth removed yesterday, so I ended up drinking most of my dinner:  two tall gin and tonics.  Good gin.  Top-shelf all the way.  

When we got back home, we sang to her and had pieces of Dairy Queen ice cream cake.  Then, I pretty much passed out on the couch.  Chalk it up to the booze and all the papers I graded this week.  I woke just a few minutes ago.  It’s almost midnight, and I decided to finish writing this post.

I am Home with a capital “H” right now.  My wife just gave me a kiss goodnight, and I wished her happy birthday one last time.  She is in bed, and I’m on my way to dreamland soon.

Saint Marty wrote a poem about home and love for tonight, based on the following prompt from October 28 of The Daily Poet:

Go outside and find a leaf on the ground.  Or find a few of them.  Imagine writing a love letter, goodbye letter, or note to a friend on that leaf.  What would you write?  If you could only write one word on that leaf to hand to them, what would it be?  Write a poem about what you imagined.

Maple Leaf Love Poem

by: Martin Achatz

for Beth, October 30, 2025



I

watch

you kick

up          piles of golden          light

as we walk on this late October eve

when the moon is already tap, tap,

tapping our shoulders, begging

to                    be admired like a contestant                    in

a                    celestial beauty pageant.                   Your

breath                    fogs the air as the                    maple

leaves rise, applaud, their veined palms tender as

a grandmother’s.  I want to reach out, hold you the way

these leaves have held the sky since spring, as if they are cupping

the          last drops of water on a parched, parched          earth,

maybe in the entire parched Milky Way,

and I

(oh yes!)

I

I

I

am drowning with thirst.