Thursday, December 25, 2025

December 25, 2025: Merry Christmas, Gatherings, "World War Tree: A Semi-True Ghost Story"

Merry Christmas to all my faithful disciples!

My wife and I are still on the mend from our recent bouts of illness.  I'm feeling about 90% better, and my wife is probably hitting about 75%.  (Yes, I'm pulling those numbers out of my ass.  They are certainly not based on any empirical evidence aside from the fact that neither one of us had to take a prolonged nap to survive the day.)

In the morning, my wife, son, and I attended Christmas Mass.  My wife was able to sing, although we had to make some last-minute musical substitutions.  My wife simply couldn't perform some of the pieces because of her illness.  Those high notes were just out-of-reach.  Yet, it was a beautiful worship experience, especially when my wife sang one of my favorite songs of all time--"Jesus Messiah" by Chris Tomlin.  Puts me in the weeds every time.

My daughter and her significant other came over in the afternoon, and we had lunch, opened presents, watched some Christmas movies, played some games, and then binged two of the new episodes of Stranger Things (along with probably most of the English-speaking world).  It is now almost 11:30 p.m., and I'm ready for a long winter's nap.

I've been thinking a lot about the meaning of Christmas today.  All those traditions that people hold dear.  This Christmas was nothing like past Christmases.  When I was younger and newly married, my wife and I shuttled between three and four family gatherings each December 25th.  It was exhausting and really didn't allow a whole lot of time for us to truly enjoy the holiday.  

Don't get me wrong.  I love loud, boisterous family gatherings.  In fact, loud and boisterous pretty much describes almost every family Christmas I remember.  My parents loved the chaos that accompanied our holidays.  But most of my blood relatives who truly reveled in yuletide joy have died.  (My sister, Sally, in particular, loved Christmas almost as much as she loved Diet Coke, and she REALLY loved Diet Coke.)  So, Christmas is just . . . different now.

But there will be chaos tomorrow night at my house.  It is our turn to host Christmas for my wife's family.  So, it's turkey with all the fixings, pecan pie, spiked hot chocolate and eggnog, and loudness.  It will be much more like the Christmases I remember.  My wife and I have been married 30 years, and we have been together for 35 years.  My wife's family IS my family.  They've seen me through lots of very difficult times in my life, and I'm very thankful for them.

Yes, I'm feeling a little haunted by Christmases past this year.  Last night, as I was wrapping some of my final presents, I started thinking about my mother and how much I miss her.  Spent a good 20 minutes crying while surrounded by rolls of wrapping paper, scissors, and scotch tape.  That's part of the holidays, too--yearning for lost loved ones.

Saint Marty wrote an essay for public radio this year, a little ghost story to scare up some Christmas spirit in you.



World War Tree:  A Semi-True Ghost Story

by: Martin Achatz

Barbie was dead, to begin with.  This has to be completely understood, or nothing wonderful will come of the story I’m about to relate.  Berton attended Barbie’s burial and sent a card to her only living relative—a great nephew from Frankenmuth who didn’t even come to her funeral.

 Barbie was as dead as a doornail.

 Berton knew she was dead?  Of course he did!  He’d shared an office with Barbie at Iron Town Arts for over ten years.  Together, they’d overseen jazz concerts, productions of Our Town and South Pacific, poetry readings by Billy Collins and Joy Harjo, parades for Picasso Days (Barbie’s brainchild) every July.

 Barbie had been Programmer in Chief for 40 years.  In fact, for most residents of Iron Town, Barbie was simply the “Art Lady.”

For that reason, Berton, who inherited the Programmer in Chief title, never had Barbie’s name removed from Iron Town Arts’ front door.  Year after year, there it stood in flaking gold letters:  Barbie Bradley, PIC.  Sometimes artists still left voice messages for her, seven years after her passing.  Berton never corrected them, and he never touched Barbie’s cluttered desk, leaving it as she had left it the night she died.

Berton also inherited something else from his long-dead partner in art:  the annual Tiny Timathon.  Another brainchild of Barbie (the first, as a matter of fact, in her 40-year reign), the Timathon belied its nom de plume.  Rather than an inspirational amble through a forest of decorated Christmas trees, the Timathon had morphed into what Berton privately referred to as “World War Tree.”

 Local businesses, organizations, and individuals jockeyed for the prime spots in Iron Town Arts’ art gallery, which had been rechristened the Barbie Bradley Salon.  The Jolly Gingers—a group of red-headed hair dressers—insisted on central placement in the Salon to combat institutional ginger bias.  The Moonshine Pluckers—27 amateur banjo players who tortured local assisted living facilities with bluegrass concerts—refused to be placed by the Polka Dots—13 women accordionists who all happened to be named Dorothy.  And Girl Scout Troop #2341 wanted their tree as far away from Girl Scout Troop #3409 as possible due to some longstanding feud regarding cookie territory.  It went on and on and on every year.

Yet, Berton had never seen Barbie lose her yuletide cool ever, even when the Fraternal Order of Caribou threatened to pull their financial support of the Tiny Timathon because of the inclusion of a tree by the Christmas Queens, a local posse of drag performers.  Berton had watched Waino Riintala, Exulted Ruler of the Caribou, lecture Barbie about family values for over 45 minutes.  Then Barbie folded her hands on her desk, smiled, and said sweetly, “Isn’t Miss Ginger Ale, the head of that group, your nephew, Waino?”  Barbie 1, Caribou 0.

Berton didn’t have Barbie’s patience or Christmas spirit.  His first years as Programmer in Chief, Berton tried to convince Iron Town Arts’ Board of Directors to discontinue the Tiny Timathon.  He wanted to replace it with something younger, hipper.

“I’m thinking an Eggnog Dash,” Berton argued, “a 10K race with spiked eggnog stations along the route.”

“I think,” Board President Alma Henderson said, “it’s a bit premature to discuss chloroforming the Tiny Timathon.  Barbie’s only been gone two months.”

“Plus,” Dr. Bingley, another board member, cleared his throat, “people love it.  It’s a tradition.”

Berton saw the writing on the wall.  He was fighting a losing battle.  He gave it one more shot, though.  “You know, slavery was a tradition in this country until Abraham Lincoln came along.”

Alma pressed her lips together and sighed.  “Let’s table this discussion until next year.”  Alma 1, Berton 0.

And next year came and went.  And the next.  And the next.  And the next.

Seven tabled-discussion years later, Berton sat at his desk on Christmas Eve.  He was exhausted.  The Tiny Timathon had occurred two days prior, with its expected array of petty squabbles, broken ornaments, and bruised feelings.  But the straw that broke the proverbial camel’s back for Berton:  the “Hallelujah Chorus” played in four-part harmony on kazoos by Iron Town’s fifth grade chorus under the direction of Theta Creed.  Berton had gone home with a migraine, put a frozen pizza in the oven, fallen asleep, and woken to a firefighter pounding on the door of his smoke-filled apartment at 2 a.m.  Berton made his decision that night.

The programming office was adjacent to the Barbie Bradley Salon, and Berton had just strolled through the Christmas trees (57 in total this year), unplugging lights, flipping switches, sweeping up cookie crumbs and stray tinsel.  He was looking forward to his one week of vacation between Christmas Eve and New Year’s Day, his time to take a long winter’s nap devoid of trees, lights, banjos, accordions, and kazoos.  (Berton hadn’t put up a Christmas tree in his place for almost ten years.  He was simply Christmas tree-ed out.)  On January 2, he would send an email to the Board of Directors:  either the Tiny Timathon goes, or he does.

Berton sighed, logged off his computer, and turned off his desk lamp.  He noticed a strange glow creeping under the doorframe into his dark office.  Because he’d just made a sweep of the Salon, the entire building should have been black as the grave.

Berton got up, crossed to his door, and opened it.

Directly outside his office stood the Barbie Bradley Memorial Tree.  The Board of Directors purchased the tree seven Christmases before to keep Barbie’s spirit alive for the Timathon.

Berton clearly recalled tapping the toe button on Barbie’s tree that night, plunging its branches into darkness.  It was always the last thing he did before going home.

The Barbie Bradley Memorial Tree blazed before him.

Berton glanced around the gallery.  “Hello?” he called out, thinking a board member had stopped by without telling him. 

Silence.

He shook his head, trying to convince himself that he’d forgotten to turn off the lights due to CTSD (Christmas Tree Stress Disorder); he tapped the tree’s button with his toe, and the faux evergreen blinked to darkness.

Berton went back into the programming office, shutting the door behind him.

The lamp on Barbie’s cluttered desk, which hadn’t been used for seven years, was switched on, casting a moon of light onto a stack of reports.

Berton walked over to the desk, stared down at the spotlighted papers.  They were just spreadsheets of budgets several years out-of-date.  He looked around to make sure he was alone.  He was.  Shaking his head again, Berton reached down and turned off the lamp.  As he headed back to his desk, his gaze returned to the office door, and he froze.

A strange glow was creeping under the doorframe.

Berton held his breath, calculating his next move.  Grab his winter coat and run out the back entrance?  Lock the door and call the police?  Or march across the room to confront the practical joker?

Berton was not a person who indulged in flights of fancy.  Right before her last Tiny Timathon, Barbie said to him, “Christmas is a time to be haunted by love.”  Berton had laughed and said, “The Taco Bell I ate last night is the only thing that’s haunting me right now.”

He crossed the dark office and opened the door.

The Barbie Bradley Memorial Tree blazed before him.

Berton took a step back, jaw slack with surprise.  Glancing around the dark Salon, he called out, “Whoever is doing this, it’s not funny.  I’m calling the police.”  He leaned over and unplugged the tree from the outlet.  Darkness ate its branches again.

Berton slammed the door and spun around, intent on dialing 911.

The lamp on Barbie’s desk was back on, casting the same moon on the same pile of papers.  However, now sitting on top of the pile was a box no bigger than Berton’s fist.  Berton approached Barbie’s desk, fingers of dread squeezing his throat.

The box was wrapped in brown paper, and Berton could see lettering beneath a thick layer of dust.  He picked up the box and blew on it.  The dust fogged the air briefly then settled.  Berton squinted at the writing.

It was an address.  Barbie’s address. Each letter was blocky and large, as if traced onto the paper by a kindergartner.  Instead of her name, however, the sender had just written “Auntie Barbie” above the street number, in the same clumsy script.  In the lefthand corner was a name (Tim Bradley) and a Frankenmuth return address.

“The long-lost great nephew, I presume,” Berton said under his breath.

Berton paused a moment, feeling as if he was back in high school spying on girls changing in the locker room.  He tore the brown paper off the box and opened its lid.  A photograph tumbled out.

In the picture, a man about 45 years of age was sitting on Santa’s lap, his smile so large it looked like it was eating his face.  The man’s eyes were almond-shaped; his ears, small and low-set.  Berton could tell the man had Down Syndrome.  On the back of the photo, in the same block letters, was an inscription:  Timmy loves Santa!

Berton set aside the photo and reached into the box, removing a plastic Christmas tree ornament.  Someone had drawn a green triangle on the ornament and peppered the triangle with shiny gold star stickers.  On the ornament’s opposite side was another handwritten message:  Tiny Tim ♥ Auntie Barbie! 

Berton stood holding the ornament in his palm.  Understanding flushed his cheeks and forehead.  “Tiny Timathon,” he whispered.  He heard, or thought he heard, Barbie’s words again, softly, like snow falling in the night:  Christmas is a time to be haunted by love.

Berton looked back at his office door. 

The strange glow was again creeping under the doorframe.

Berton carried the ornament across the room to the door and opened it.

The Barbie Bradley Memorial Tree blazed before him.  It was still unplugged, but all the lightbulbs in its branches were glowing like winter constellations.

Berton walked to the tree and hung Timmy’s ornament on it.  He stood there unmoving.  One by one, all the trees in the Salon blinked on until the entire room looked like it was on fire.

Berton watched all this happen calmly, as if he was waiting for a traffic signal to change.  When the final tree came to life, Berton nodded his head almost imperceptibly.  He opened his lips to speak, but then closed them again without saying a word, as if he didn’t want to break the spell.

Finally, he took a deep, deep breath.  “I surrender,” he said.  “God bless us, everyone.”


Tuesday, December 23, 2025

December 23, 2025: “The Protestor,” Illness, “Winter Solstice Haiku”

Merry Christmas Eve eve!

Yes, it is the day before the day before.  It was my intention, once my vacation started, to blog every night.  However, my son decided to bring a particularly nasty bug home from school last Friday, so my entire household has been battling fevers, coughs, runny noses, and exhaustion.  Today is the first day I have felt almost human since Saturday morning.

It was also my intention to do all kinds of Christmas prep over the weekend.  Wrapping presents.  Baking cookies.  Working on my Christmas poem.  Filling out our Christmas cards.  That all went out the window, too.  I am now on my fourth day of illness, and all I have to show for it is a pecan pie and a stack of Christmas cards that went into the mail yesterday. 

Since I’ve had a lot of time to just lay on my couch, I’ve been reflecting a lot on ghosts of Christmas.  People who are no longer a part of my life, by death or design.  I think this time of year lends itself to this kind of nostalgia.  The Christmases of today simply can’t hold a candle to the Christmases of our childhoods, when Dad and Mom and Grandmas and Grandpas made sure we got everything we wanted from Santa.

Sharon Olds gets nostalgic about a person she once knew . . . 

The Protestor

by: Sharon Olds

     (for Bob Stein)

We were driving north, through the snow, you said
you had turned twenty-one during Vietnam, you were
1-A.  The road curved
and curved back, the branches laden,
you said you had decided not to go
to Canada.  Which meant you’d decided to
go to jail, a slender guy of
twenty-one, which meant you’d decided to be
raped rather than to kill, if it was their 
life or your ass, it was your ass.
We drove in silence, such soft snow
so heavy borne-down.  That was when I’d come to
know I loved the land of my birth—
when the men had to leave, they could never come back,
I looked and loved every American
needle on every American tree, I thought
my soul was in it.  But if I were taken and
used, taken and used, I think
my soul would die, I think I’d be easily broken,
the work of my life over.  And you’d said,
This is the word of my life, to say,
with my body itself, You fuckers you cannot
tell me who to kill.  As if there were a
spirit free of the body, safe from it.
After a while, you talked about your family,
not starting as I had, with
husbands and kids, leavening everyone else out—
you started with your grandparents 
and worked your way back, away from yourself,
deeper and deeper into Europe, into
the Middle East, the holy book
buried sometimes in the garden, sometimes
swallowed and carried in the ark of the body itself.


Yes, people shuttle in and out of our lives all the time.  My life has been blessed with loving parents and siblings.  Friends who care deeply, feel deeply.  Over the last few days, as I’ve slept and hallucinated with cold medicine and ibuprofen, I have thought quite a bit about my mother, in particular.  This Christmas season, I will be playing or singing at six church services in the next five days.  My mother is the reason I’m a church organist.  She’s the one who made me take piano lessons for twelve years straight, and she’s also the one who volunteered my keyboard talents to our parish priest over 40 years ago.  The rest, as they say, is history.

So, my mom is haunting me this Christmas, as are all the memories of Christmases past.  Nothing can ever stay the same, except in a photograph or video.  Even poems don’t stay the same.  A poem that I read five years ago (maybe about a mother’s death) has a completely different meaning for me tonight.  I had wonderful Christmases as a kid.  A living room floor literally overtaken with presents.  Tupperware upon Tupperware filled with cookies.  Baked ham and rolls.  I was really lucky.

Those days are long gone now, and I have to accept that.  My business is now making those same kind of treasured memories for my kids.  I want my daughter and son to look back with joy and longing at Christmases with my wife and I.  I think we’re accomplishing that.  Earlier this evening, my daughter phoned me from the road (she’s on her way home with her significant other).  We talked for over 40 minutes, and it was all about all our family traditions, from pumpkin puff pancakes to watching Emmet Otter’s Jug-Band Christmas.  

So, I am on the mend, although, when I’m done typing this post, I’m going to go lie on the couch and stay there, probably for the rest of the night.  Tomorrow, it’s gift wrapping, house cleaning, ham baking, and music practicing.  (By the way, I got up this morning at 5:30 a.m. to work on my Christmas poem.  Three hours later, it was drafted and done.). Tomorrow night?  Two church services.  

Tonight, however, I’m just happy that I’m feeling slightly better, and I’m looking forward to some good family time over the next few days.

Saint Marty wrote a poem for the Winter Solstice.  He was just too damn sick to post it.  It’s based (very loosely) on the following prompt from The Daily Poet:

In celebration of the winter solstice, write a poem that begins 96% of the universe is made up of the dark and unknown . . .  Your poem might posit what is the other 4% made of or perhaps share (with specific images) why you enjoy (or don’t enjoy) winter.

Winter Solstice Haiku

by: Martin Achatz

snow and wind all day
rabbit tracks in the backyard
winter syllables

moon trapped in branches
pine needles stitch the heavens
embroidered solstice

coughing at midnight
my eyes water with fever
my body blizzards

angel tree topper
face coffee brown like Jesus
ICE storm tomorrow



Friday, December 19, 2025

December 19, 2025: "Where Will Love Go?", Long Weeks, "Reincarnation"

I am writing this post the end of a long couple weeks--after final teaching and grading, last holiday events at the library, and the terrible murders of Rob Reiner and his wife last weekend in California.  In short, I'm exhausted with life and the world, and Christmas is fast approaching.  

Today, in particular, was very challenging for me in many ways that aren't interesting enough to discuss here.  But, when I got home this evening, I went into my office and ate dinner alone because I was not fit to be around other people.  I withdrew so I didn't say or do something that would hurt my wife or son.  On top of all that, I've been thinking a lot about my friend, Helen, who always lifted my spirits when I was in a state of ennui such as this.  I miss her joy and love.

Sharon Olds meditates on the conservations of love . . . 

Where Will Love Go?

by: Sharon Olds

Where will love go?  When my father
died, and my love could no longer shine
on the oily, drink-contused slopes of his skin,
then my love for him lived inside me,
and lived wherever the fog they made of him
coiled like a spirit.  And when I die
my love for him will live in my vapor
and live in my children, some of it
still rubbed into the grain of the desk my father left me
and the oxblood pores of the leather chair which he
sat in, in a stupor, when I was a child, and then
gave me passionately after his death--our
souls seem locked in it, together,
two alloys in a metal, and we're there
in the black and chrome workings of his forty-pound
1932 Underwood,
the trapezes stilled inside it on the desk
in the front of the chair.  Even when the children
have died, our love will live in their children
and still be here in the arm of the chair,
locked in it, like the secret structure of matter,

but what if we ruin everything,
the earth burning like a human body,
storms of soot wreathing it
in permanent winter?  Where will love go?
Will the smoke be made of animal love,
will the clouds of roasted ice, circling
the globe, be all that is left of love,
will the sphere of cold, turning ash,
seen by no one, heard by no one,
hold all
our love?  Then love
is powerless and means nothing.




The ending of that poem is pretty bleak.  Right now, at the end of 2025, there is a climate crisis.  Most of the rest of the world is trying to save this planet from humankind's greed, sloth, and stupidity.  Yet, in my home country, the people currently in charge are hell-bent on drilling and AIing and mining and Facebooking and manufacturing the world into oblivion.  Love does not enter the equation, and that mean that there is a love crisis on top of the global climate crisis.  (Proof of a the love crisis:  ICE raids, mass shootings, unaffordable healthcare.)

It's difficult not to be a cynical Scrooge this holiday season with all of that going on.  Yet, over the next couple weeks, I will endeavor to buoy my yuletide spirits in any way that I can--cookies, chocolates, It's a Wonderful Life, rereading my favorite Christmas book of all time (Mr. Ives' Christmas by Oscar Hijuelos), which never ceases to restore my faith in humanity.

I'm hoping my difficult mood this evening is simply a fluke, brought on by the stress of last-minute work responsibilities and a severe lack of sleep.  (I think, over the last week or so, I've been averaging about four to five hours of slumber a night.)  Tomorrow, I will wake, finish up my last library chores for the year, and throw myself into Christmas overdrive--addressing cards, wrapping presents, planning menus, watching Charlie Brown learn what Christmas is all about from Linus.  and reading some Mary Oliver poems.

'Tis the season, as my part of the globe tips away from darkness, to embrace the return of light and, hopefully, love and goodness.  A love crisis is easily reversed--just don't behave like an asshole.

Saint Marty wrote a poem for this evening about faith and belief, based on the following prompt from The Daily Poet:

Are you for or against getaway weekends in Vegas?  Do you believe wolves should be reintroduced in the western US?  What's your idea of a perfect day?  Write a credo poem that shares the core beliefs that guide your actions.

Reincarnation

by: Martin Achatz

I used to believe I was Flannery O'Connor,
practiced walking with crutches, spoke
with a thick Southern accent, ate grits
for breakfast, lunch, and dinner, tried
to talk my parents into raising peafowl
in our backyard so we could watch
them shiver their feathers into stained
glass.  When I turned 24, I waited for
red butterflies to appear on my cheeks
and forehead, for my hair to thin,
fall out in clumps.  More than anything, 
though, I kept an eye out for a hitchhiker
who looked a lot like Kevin Spacey to shoot
me in the chest every day of my life, 
just to keep me honest and good. 



Friday, December 12, 2025

December 12, 2025: “You Kindly,” Abtraction, “Democracy”

We all deal with abstractions daily.

In the morning, I say “I love you” to my wife when I drop her off at work.  During the day, there will be moments of joy or sorrow or anger or wonder or disappointment or freedom—all abstractions for states of mind and heart.  And, at night, right before he goes to bed, my 17-year-old son says “I love you” to me, and he stands there, waits for me to say “I love you back to him.”  

Abstractions haunt us.

Sharon Olds writes about sex . . . 

You Kindly

by: Sharon Olds

Because I felt too weak to move
you kindly moved for me, kneeling
and turning, until you could take my breast-tip in the
socket of your lips, and my womb went down
on itself, drew sharply over and over
to its tightest shape, the way, when newborns
nurse, the fist of the uterus
with each, milk, tug, powerfully
shuts.  I saw your hand, near me, your
daily hand, your thumbnail,
the quiet hairs on your fingers—to see your
hand its ordinary self, when your mouth at my
breast was drawing sweet gashes of come
up from my womb made black fork-flashes of a
celibate’s lust shoot through me.  And I couldn’t
lift my head, and you swiveled, and came down
close to me, delicate blunt
touch of your hard penis in long
caresses down my face, species
happiness, calm which gleams
with fearless anguished desire.  It found
my pouring mouth, the3 back of my throat,
and the bright wall which opens.  It seemed to
take us hours to move the blonde
creatures so their gods could be fitted to each other,
and then, at last, home, root
in the earth, wing in the air.  As it finished,
it seemed my sex was a grey flower
the color of the brain, smooth and glistening,
a complex calla or iris which you
we’re creating with the errless digit
of your sex.  But then, as it finished again,
one could not speak of a blossom, or the blossom
was stripped away, as if, until
that moment, the cunt had been clothed, still,
in the thinnest garment, and now was bare
or more than bare, silver wet-suit of
matter itself gone, nothing
there but the paradise fall.  And then
more, that cannot be told—may be,
but cannot be, things that did not
have to do with me, as if some
wires crossed, and history
or war, or the witches possessed, or the end
of life where happening in me, or I was
in a borrowed body, I knew
what I could not know, did-was-done-to
what I cannot do-be-done-to, so when
we returned, I cried, afraid for a moment
I was dead, and had got my wish to come back,
once, and sleep with you, on a summer
afternoon, in an empty house
where no one could hear us.
I lowered the salt breasts of my eyes
to your mouth, and you sucked,
then I looked at your face, at its absence of unkindness,
its giving that absence off as a matter
I cannot name, I was seeing not you
but something that lives between us, that can live
only between us.  I stroked back the hair in
pond and sex rivulets
from your forehead, gently, raked it back
along your scalp,
I did not think of my father’s hair
in death, those oiled paths, I lay
along your length and did not think how he
did not love me, how he trained me not to be loved.



Olds is dealing with a lot of big abstractions in this poem—love and sex and sadness and passion.  Most poets and writers will tell you that they write in order to know what they think.  That’s what Olds is doing here, capturing this very intimate moment between herself and her significant other, deciphering its meaning for herself and her readers..  

The abstractions that has been haunting me this week is grief.  On Tuesday, I received an email from a good friend, telling me that his wife (and good friend to my family, as well) had transitioned from this life.  She had been struggling for about three years with rheumatoid arthritis which caused a very rare respiratory condition.  The news of her death, while not completely unexpected, still cast a pall over the rest of the week for me.  

No matter what I type here, I will never be able to communicate what a light she was in the world.  On occasion, my wife and I had dinner and drinks with these friends.  The thing that always struck me about our meetups was that my friend’s wife never complained or spoke about her health issues.  In fact, more than anything else, she just seemed annoyed by the physical limitations of her illness.  Yet, in my mind, she always remained vibrant and engaged and full of joy.  I’m sure she had her dark moments during the last year or so, but she still enjoyed a glass of wine, sweet potato fries, and good conversation.

That’s how I’ll always remember her—laughing, loving life, cherishing friends and family.  I grieve that I will no longer be able to see her smile, hear her laugh.  And I grieve for my friend, who is simply one of the best people I’ve ever had the privilege to know.

That’s my abstraction for tonight—loss and sadness.  

Saint Marty wrote a poem for tonight, based on the following prompt from December 8 in The Daily Poet:

Begin a poem “Dear Time” or “Dear Eternity” but instead of continuing in the realm of abstraction, make your letter specific and concrete.  Perhaps you are unhappy with these concepts.  Voice your opposition!  If you get stuck, include one or more of the following words in your letter:  skin, geography, regret, tugboat, pudding, fibrous, pumice.

Democracy

by: Martin Achatz

This December, I festoon my front porch
     with white lights.
Down the street, my neighbor’s front porch
     blazes red, green, blue, gold.

I had lunch with a friend today:
     a burger, hold the pickles and mustard.
My friend’s burger dripped mustard,
     extra pickles littered his plate.

I watch a snowstorm approach on radar
     like unwanted relatives at Christmas.
A poet friend waxes her skis, puts them
     in her car for tomorrow morning’s glide.

My wife sleeps on her side, breath
     easy as sunlight.
My friends wife chews each bite of air
     as if it’s her last.

Tonight, my backyard is a blank
     sheet of Foolscap.  
By dawn, rabbits will have scribbled
     haiku on it all the way to the alley.