Saturday, January 10, 2026

January 10, 2026: New Year, Renee Nicole Good, “They Shoot Poets, Don’t They?”

Greetings, disciples!

Welcome to a new year of Saint Marty.  I have not dropped off the face of the earth.  I have been recuperating from a lengthy holiday illness, and, to be honest, overwhelmed by the state of my country and the world in, general.

Now that the year of Sharon Olds is over for the blog, I will be announcing 2026’s featured poet in the next post.  She is a writer whom I’ve admired for years, and I’m sure you’ll fall in love with her, as well.

Speaking of poets, I, of course, have been so sad and angry and outraged by the murder of Renee Nicole Good in Minneapolis.  I never thought I’d live to see the day that a masked, armed federal agent would be able to shoot an innocent citizen in the face and walk away free.  A poet friend of mine sent me a text yesterday:

Jesus, Marty, Renee Good was one of us.  Poet, parent, liberal.  She could have been me or you . . . and some son of a bitch given a license to kill by [47] shot her three fucking times because she was fleeing his violent little children’s game.  I’m really pissed off.

Yes, Renee Good was a poet, mother, and wife.  She loved her family and neighbors.  And, like most poets I know, she was trying to make the world a better, safer, more loving place.  Like my friend, I am truly pissed off.  I’ve been drowning in a whirlpool of emotions these past few days.

And, like most poets I know, when I am overcome by tragedy or anger, I turn to words to try to sort out my emotions.

Her name was Renee Nicole Good, and Saint Marty honors her tonight , , , 

They Shoot Poets, Don’t They?

by: Martin Achatz

for Renee Nicole Good

Stop.  Just stop.
Stop being angry or outraged.
Stop jamming fingers or guns in faces.
Look into those faces instead, white or brown,
into those eyes, blue or brown, see
what you can’t see when whistles
scream in your ears, when tear gas
makes your eyes and noses weep.
See a mother who drives
her six-year-old son to school,
shoves his stuffed T-Rex into 
the glovebox so it’s there to greet
him at the end of the day.  See
a wife who needs to pick up
toilet paper and cheese and ketchup
from Kroger.  See a neighbor
who drops off a pan of lasagna
when the man next door loses
his 55-year-old spouse in the middle
of the night to a heart attack.  And
see a poet who sends words out 
into the universe, watches them dip, 
swirl, circle, away and away, 
pollinating, spreading, wildflowering 
until everyone is honeyed in beauty.




Wednesday, December 31, 2025

December 31, 2025: “Wonder as Wander,” New Year’s Eve, “House for Sale”

NOTE:  I wrote this post on New Year’s Eve. It’s a little melancholy, and I wasn’t sure if I wanted to publish it. It’s a little dark for ringing in a new year. However, considering all the shit that happened in 2025, I’ve decided it’s a perfect way to ring out the old, ring in the new.

Yes, it is the last day of 2025, and I can honestly say that I’ve never been happier for a year to end.  This past year has been marked with so much turmoil and suffering.  Unspeakable acts of cruelty.  Leaders who seem to have no common decency or humanity, who harm people simply for harm’s sake.  I’m not sure the coming year will be any better.  We’re still dealing with climate change.  Politicians who don’t seem to care whether people live or die, eat or go hungry.  And a world on the brink of war in so many places.

My life in 2025 has been characterized by immense change.  My sisters sold our family home (the house in which I grew up) and moved away.  My daughter is in medical school, living downstate with her significant other, and my son is a high school senior already taking college classes.  My wife started a new job (one that she loves), and I find myself (at this moment on December 31st, about six hours away from the ball dropping in Time’s Square) filled with dread for the upcoming 365 days.

This last Sharon Olds poem I want to share with you is all about feeling lost, I think.  Of wandering and wondering about life and loss . . . 

Wonder as Wander

by: Sharon Olds

At dusk, on those evenings she does not go out,   
my mother potters around her house.   
Her daily helpers are gone, there is no one   
there, no one to tell what to do,
she wanders, sometimes she talks to herself,   
fondly scolding, sometimes she suddenly   
throws out her arms and screams—high notes   
lying here and there on the carpets   
like bodies touched by a downed wire,
she journeys, she quests, she marco-polos through   
the gilded gleamy loot-rooms, who is she.   
I feel, now, that I do not know her,
and for all my staring, I have not seen her
—like the song she sang, when we were small,   
I wonder as I wander, out under the sky,   
how Jesus, the Savior, was born for, to die,   
for poor lonely people, like you, and like I 
—on the slow evenings alone, when she delays   
and delays her supper, walking the familiar   
halls past the mirrors and night windows,   
I wonder if my mother is tasting a life   
beyond this life—not heaven, her late   
beloved is absent, her father absent,   
and her staff is absent, maybe this is earth   
alone, as she had not experienced it,   
as if she is one of the poor lonely people,   
as if she is born to die. I hold fast
to the thought of her, wandering in her house,   
a luna moth in a chambered cage.
Fifty years ago, I’d squat in her
garden, with her Red Queens, and try
to sense the flyways of the fairies as they kept
the pollen flowing on its local paths,
and our breaths on their course of puffs—they kept   
our eyes wide with seeing what we
could see, and not seeing what we could not see.




Olds’ mother seems lost in the poem—wandering through the rooms of her home, lost, almost bereft. She’s haunted by people and places and things that have simply slipped through her fingers like rainwater.  These lines are not happy in any way.  (Or, rather, I don’t find them happy.)

New Year’s Eve really is a time to wonder and wander under the sky.  We’re all poor lonely people in need, as the Christmas carol goes, for salvation of some kind.  That’s what the holidays are all about—being redeemed, finding hope in the face of darkness.  It is so, so easy to succumb to despair in our current times.  As I sit typing this post, I find myself on that slippery slope between joy (above) and grief (below).

Tonight, my wife, son, and I will have steak dinners at Texas Roadhouse (prime rib for me).  Then, we’ll play some online games with my daughter and her significant other.  And we’ll eat more foods that are completely and totally unhealthy.  Cheetos.  Chocolate.  Crackers and easy cheese.  Scoop Fritos.  And, around 11:30 p.m., we’ll turn on the TV to watch the festivities in New York City and share in the countdown.

Now is the time when a lot of people are making resolutions and promises for the coming year.  I gave up on resolutions a long, long time ago.  They never pan out.  So, you’re not going to read in this post how I’m going to hit the gym more or read at least two books a month or finish my next poetry manuscript.  I may do those things, but I’m so tired of the whole new-year-new-me mentality.

The world is broken.  People are suffering.  Toadies and sycophants and wannabe oligarchs are calling the shots in the United States.  When this happened in France a few centuries ago, those French “leaders” ended up losing their heads.  Literally.  I’m not saying we need to start publicly guillotining elected officials.  What I’m saying is that SOMETHING has to change.  In a big way.

I miss simpler times.  Easier times.  When my family was all alive and together and cared for each other.  When our leaders respected the U.S. Constitution, and the President of the United States knew he was simply a tenant of the White House for four or eight years.  When bigots and racists were afraid to crawl out from under their rocks.  When common decency and compassion were the guiding principles of being a living, breathing citizen of this planet.  

That’s my New Year’s message tonight.  I want everyone to remember that we’re all in this together.  What hurts one person, hurts everyone.  No more rambling, incoherent, hate-filled monologues.  If you call yourself a Christian, then start behaving like Jesus Christ—with love and compassion and generosity.  If you’re a poet, use your words to uplift and enlighten.  To put it simply:  don’t be an asshole in 2026.

Saint Marty does have a new poem for you tonight, based on the following prompt from The Daily Poet:

Begin by freewriting a list of memorable events of the past year:  places you traveled, people you met, books you read, etc.  Then, take the true and earnest statements about these events, and embellish and exaggerate them until they are funny.  Example:  on your trip to Florida you may have actually seen two people wielding metal detectors, but in your poem, the entire coastline will be covered with folks out there metal detecting.  Create a poem that both preserves some of the highlights of your year and leaves you (and hopefully your reader) smiling.

House for Sale

by: Martin Achatz

Plenty of potential.  Roof installed 5 years
ago, along with laminate flooring.  New furnace,
water heater.  Refrigerator, washer/dryer
included.  Mornings, house fills with scent
of brewing coffee & Old Spice.  TV randomly
plays episodes of Gunsmoke and Bonanza.
Occasional Doris Day songs heard in middle
of night in kitchen, usually “Secret Love” 
or “Que Sera, Sera,” along with rattling
pots and air simmering with spaghetti
sauce.  Attached 2-car garage.  Stand-alone
storage shed, perfect for garden implements,
lawnmower, snowblower.  Green peppers,
eggplants, zucchini grow well in backyard.
From 7:12 a.m. to 7:27 a.m. daily, living
room swells with sound of breaths, as if
someone is drowning in the rising sunlight.



Thursday, December 25, 2025

December 25, 2025: Merry Christmas, Gatherings, "World War Tree: A Semi-True Ghost Story"

Merry Christmas to all my faithful disciples!

My wife and I are still on the mend from our recent bouts of illness.  I'm feeling about 90% better, and my wife is probably hitting about 75%.  (Yes, I'm pulling those numbers out of my ass.  They are certainly not based on any empirical evidence aside from the fact that neither one of us had to take a prolonged nap to survive the day.)

In the morning, my wife, son, and I attended Christmas Mass.  My wife was able to sing, although we had to make some last-minute musical substitutions.  My wife simply couldn't perform some of the pieces because of her illness.  Those high notes were just out-of-reach.  Yet, it was a beautiful worship experience, especially when my wife sang one of my favorite songs of all time--"Jesus Messiah" by Chris Tomlin.  Puts me in the weeds every time.

My daughter and her significant other came over in the afternoon, and we had lunch, opened presents, watched some Christmas movies, played some games, and then binged two of the new episodes of Stranger Things (along with probably most of the English-speaking world).  It is now almost 11:30 p.m., and I'm ready for a long winter's nap.

I've been thinking a lot about the meaning of Christmas today.  All those traditions that people hold dear.  This Christmas was nothing like past Christmases.  When I was younger and newly married, my wife and I shuttled between three and four family gatherings each December 25th.  It was exhausting and really didn't allow a whole lot of time for us to truly enjoy the holiday.  

Don't get me wrong.  I love loud, boisterous family gatherings.  In fact, loud and boisterous pretty much describes almost every family Christmas I remember.  My parents loved the chaos that accompanied our holidays.  But most of my blood relatives who truly reveled in yuletide joy have died.  (My sister, Sally, in particular, loved Christmas almost as much as she loved Diet Coke, and she REALLY loved Diet Coke.)  So, Christmas is just . . . different now.

But there will be chaos tomorrow night at my house.  It is our turn to host Christmas for my wife's family.  So, it's turkey with all the fixings, pecan pie, spiked hot chocolate and eggnog, and loudness.  It will be much more like the Christmases I remember.  My wife and I have been married 30 years, and we have been together for 35 years.  My wife's family IS my family.  They've seen me through lots of very difficult times in my life, and I'm very thankful for them.

Yes, I'm feeling a little haunted by Christmases past this year.  Last night, as I was wrapping some of my final presents, I started thinking about my mother and how much I miss her.  Spent a good 20 minutes crying while surrounded by rolls of wrapping paper, scissors, and scotch tape.  That's part of the holidays, too--yearning for lost loved ones.

Saint Marty wrote an essay for public radio this year, a little ghost story to scare up some Christmas spirit in you.



World War Tree:  A Semi-True Ghost Story

by: Martin Achatz

Barbie was dead, to begin with.  This has to be completely understood, or nothing wonderful will come of the story I’m about to relate.  Berton attended Barbie’s burial and sent a card to her only living relative—a great nephew from Frankenmuth who didn’t even come to her funeral.

 Barbie was as dead as a doornail.

 Berton knew she was dead?  Of course he did!  He’d shared an office with Barbie at Iron Town Arts for over ten years.  Together, they’d overseen jazz concerts, productions of Our Town and South Pacific, poetry readings by Billy Collins and Joy Harjo, parades for Picasso Days (Barbie’s brainchild) every July.

 Barbie had been Programmer in Chief for 40 years.  In fact, for most residents of Iron Town, Barbie was simply the “Art Lady.”

For that reason, Berton, who inherited the Programmer in Chief title, never had Barbie’s name removed from Iron Town Arts’ front door.  Year after year, there it stood in flaking gold letters:  Barbie Bradley, PIC.  Sometimes artists still left voice messages for her, seven years after her passing.  Berton never corrected them, and he never touched Barbie’s cluttered desk, leaving it as she had left it the night she died.

Berton also inherited something else from his long-dead partner in art:  the annual Tiny Timathon.  Another brainchild of Barbie (the first, as a matter of fact, in her 40-year reign), the Timathon belied its nom de plume.  Rather than an inspirational amble through a forest of decorated Christmas trees, the Timathon had morphed into what Berton privately referred to as “World War Tree.”

 Local businesses, organizations, and individuals jockeyed for the prime spots in Iron Town Arts’ art gallery, which had been rechristened the Barbie Bradley Salon.  The Jolly Gingers—a group of red-headed hair dressers—insisted on central placement in the Salon to combat institutional ginger bias.  The Moonshine Pluckers—27 amateur banjo players who tortured local assisted living facilities with bluegrass concerts—refused to be placed by the Polka Dots—13 women accordionists who all happened to be named Dorothy.  And Girl Scout Troop #2341 wanted their tree as far away from Girl Scout Troop #3409 as possible due to some longstanding feud regarding cookie territory.  It went on and on and on every year.

Yet, Berton had never seen Barbie lose her yuletide cool ever, even when the Fraternal Order of Caribou threatened to pull their financial support of the Tiny Timathon because of the inclusion of a tree by the Christmas Queens, a local posse of drag performers.  Berton had watched Waino Riintala, Exulted Ruler of the Caribou, lecture Barbie about family values for over 45 minutes.  Then Barbie folded her hands on her desk, smiled, and said sweetly, “Isn’t Miss Ginger Ale, the head of that group, your nephew, Waino?”  Barbie 1, Caribou 0.

Berton didn’t have Barbie’s patience or Christmas spirit.  His first years as Programmer in Chief, Berton tried to convince Iron Town Arts’ Board of Directors to discontinue the Tiny Timathon.  He wanted to replace it with something younger, hipper.

“I’m thinking an Eggnog Dash,” Berton argued, “a 10K race with spiked eggnog stations along the route.”

“I think,” Board President Alma Henderson said, “it’s a bit premature to discuss chloroforming the Tiny Timathon.  Barbie’s only been gone two months.”

“Plus,” Dr. Bingley, another board member, cleared his throat, “people love it.  It’s a tradition.”

Berton saw the writing on the wall.  He was fighting a losing battle.  He gave it one more shot, though.  “You know, slavery was a tradition in this country until Abraham Lincoln came along.”

Alma pressed her lips together and sighed.  “Let’s table this discussion until next year.”  Alma 1, Berton 0.

And next year came and went.  And the next.  And the next.  And the next.

Seven tabled-discussion years later, Berton sat at his desk on Christmas Eve.  He was exhausted.  The Tiny Timathon had occurred two days prior, with its expected array of petty squabbles, broken ornaments, and bruised feelings.  But the straw that broke the proverbial camel’s back for Berton:  the “Hallelujah Chorus” played in four-part harmony on kazoos by Iron Town’s fifth grade chorus under the direction of Theta Creed.  Berton had gone home with a migraine, put a frozen pizza in the oven, fallen asleep, and woken to a firefighter pounding on the door of his smoke-filled apartment at 2 a.m.  Berton made his decision that night.

The programming office was adjacent to the Barbie Bradley Salon, and Berton had just strolled through the Christmas trees (57 in total this year), unplugging lights, flipping switches, sweeping up cookie crumbs and stray tinsel.  He was looking forward to his one week of vacation between Christmas Eve and New Year’s Day, his time to take a long winter’s nap devoid of trees, lights, banjos, accordions, and kazoos.  (Berton hadn’t put up a Christmas tree in his place for almost ten years.  He was simply Christmas tree-ed out.)  On January 2, he would send an email to the Board of Directors:  either the Tiny Timathon goes, or he does.

Berton sighed, logged off his computer, and turned off his desk lamp.  He noticed a strange glow creeping under the doorframe into his dark office.  Because he’d just made a sweep of the Salon, the entire building should have been black as the grave.

Berton got up, crossed to his door, and opened it.

Directly outside his office stood the Barbie Bradley Memorial Tree.  The Board of Directors purchased the tree seven Christmases before to keep Barbie’s spirit alive for the Timathon.

Berton clearly recalled tapping the toe button on Barbie’s tree that night, plunging its branches into darkness.  It was always the last thing he did before going home.

The Barbie Bradley Memorial Tree blazed before him.

Berton glanced around the gallery.  “Hello?” he called out, thinking a board member had stopped by without telling him. 

Silence.

He shook his head, trying to convince himself that he’d forgotten to turn off the lights due to CTSD (Christmas Tree Stress Disorder); he tapped the tree’s button with his toe, and the faux evergreen blinked to darkness.

Berton went back into the programming office, shutting the door behind him.

The lamp on Barbie’s cluttered desk, which hadn’t been used for seven years, was switched on, casting a moon of light onto a stack of reports.

Berton walked over to the desk, stared down at the spotlighted papers.  They were just spreadsheets of budgets several years out-of-date.  He looked around to make sure he was alone.  He was.  Shaking his head again, Berton reached down and turned off the lamp.  As he headed back to his desk, his gaze returned to the office door, and he froze.

A strange glow was creeping under the doorframe.

Berton held his breath, calculating his next move.  Grab his winter coat and run out the back entrance?  Lock the door and call the police?  Or march across the room to confront the practical joker?

Berton was not a person who indulged in flights of fancy.  Right before her last Tiny Timathon, Barbie said to him, “Christmas is a time to be haunted by love.”  Berton had laughed and said, “The Taco Bell I ate last night is the only thing that’s haunting me right now.”

He crossed the dark office and opened the door.

The Barbie Bradley Memorial Tree blazed before him.

Berton took a step back, jaw slack with surprise.  Glancing around the dark Salon, he called out, “Whoever is doing this, it’s not funny.  I’m calling the police.”  He leaned over and unplugged the tree from the outlet.  Darkness ate its branches again.

Berton slammed the door and spun around, intent on dialing 911.

The lamp on Barbie’s desk was back on, casting the same moon on the same pile of papers.  However, now sitting on top of the pile was a box no bigger than Berton’s fist.  Berton approached Barbie’s desk, fingers of dread squeezing his throat.

The box was wrapped in brown paper, and Berton could see lettering beneath a thick layer of dust.  He picked up the box and blew on it.  The dust fogged the air briefly then settled.  Berton squinted at the writing.

It was an address.  Barbie’s address. Each letter was blocky and large, as if traced onto the paper by a kindergartner.  Instead of her name, however, the sender had just written “Auntie Barbie” above the street number, in the same clumsy script.  In the lefthand corner was a name (Tim Bradley) and a Frankenmuth return address.

“The long-lost great nephew, I presume,” Berton said under his breath.

Berton paused a moment, feeling as if he was back in high school spying on girls changing in the locker room.  He tore the brown paper off the box and opened its lid.  A photograph tumbled out.

In the picture, a man about 45 years of age was sitting on Santa’s lap, his smile so large it looked like it was eating his face.  The man’s eyes were almond-shaped; his ears, small and low-set.  Berton could tell the man had Down Syndrome.  On the back of the photo, in the same block letters, was an inscription:  Timmy loves Santa!

Berton set aside the photo and reached into the box, removing a plastic Christmas tree ornament.  Someone had drawn a green triangle on the ornament and peppered the triangle with shiny gold star stickers.  On the ornament’s opposite side was another handwritten message:  Tiny Tim ♥ Auntie Barbie! 

Berton stood holding the ornament in his palm.  Understanding flushed his cheeks and forehead.  “Tiny Timathon,” he whispered.  He heard, or thought he heard, Barbie’s words again, softly, like snow falling in the night:  Christmas is a time to be haunted by love.

Berton looked back at his office door. 

The strange glow was again creeping under the doorframe.

Berton carried the ornament across the room to the door and opened it.

The Barbie Bradley Memorial Tree blazed before him.  It was still unplugged, but all the lightbulbs in its branches were glowing like winter constellations.

Berton walked to the tree and hung Timmy’s ornament on it.  He stood there unmoving.  One by one, all the trees in the Salon blinked on until the entire room looked like it was on fire.

Berton watched all this happen calmly, as if he was waiting for a traffic signal to change.  When the final tree came to life, Berton nodded his head almost imperceptibly.  He opened his lips to speak, but then closed them again without saying a word, as if he didn’t want to break the spell.

Finally, he took a deep, deep breath.  “I surrender,” he said.  “God bless us, everyone.”


Tuesday, December 23, 2025

December 23, 2025: “The Protestor,” Illness, “Winter Solstice Haiku”

Merry Christmas Eve eve!

Yes, it is the day before the day before.  It was my intention, once my vacation started, to blog every night.  However, my son decided to bring a particularly nasty bug home from school last Friday, so my entire household has been battling fevers, coughs, runny noses, and exhaustion.  Today is the first day I have felt almost human since Saturday morning.

It was also my intention to do all kinds of Christmas prep over the weekend.  Wrapping presents.  Baking cookies.  Working on my Christmas poem.  Filling out our Christmas cards.  That all went out the window, too.  I am now on my fourth day of illness, and all I have to show for it is a pecan pie and a stack of Christmas cards that went into the mail yesterday. 

Since I’ve had a lot of time to just lay on my couch, I’ve been reflecting a lot on ghosts of Christmas.  People who are no longer a part of my life, by death or design.  I think this time of year lends itself to this kind of nostalgia.  The Christmases of today simply can’t hold a candle to the Christmases of our childhoods, when Dad and Mom and Grandmas and Grandpas made sure we got everything we wanted from Santa.

Sharon Olds gets nostalgic about a person she once knew . . . 

The Protestor

by: Sharon Olds

     (for Bob Stein)

We were driving north, through the snow, you said
you had turned twenty-one during Vietnam, you were
1-A.  The road curved
and curved back, the branches laden,
you said you had decided not to go
to Canada.  Which meant you’d decided to
go to jail, a slender guy of
twenty-one, which meant you’d decided to be
raped rather than to kill, if it was their 
life or your ass, it was your ass.
We drove in silence, such soft snow
so heavy borne-down.  That was when I’d come to
know I loved the land of my birth—
when the men had to leave, they could never come back,
I looked and loved every American
needle on every American tree, I thought
my soul was in it.  But if I were taken and
used, taken and used, I think
my soul would die, I think I’d be easily broken,
the work of my life over.  And you’d said,
This is the word of my life, to say,
with my body itself, You fuckers you cannot
tell me who to kill.  As if there were a
spirit free of the body, safe from it.
After a while, you talked about your family,
not starting as I had, with
husbands and kids, leavening everyone else out—
you started with your grandparents 
and worked your way back, away from yourself,
deeper and deeper into Europe, into
the Middle East, the holy book
buried sometimes in the garden, sometimes
swallowed and carried in the ark of the body itself.


Yes, people shuttle in and out of our lives all the time.  My life has been blessed with loving parents and siblings.  Friends who care deeply, feel deeply.  Over the last few days, as I’ve slept and hallucinated with cold medicine and ibuprofen, I have thought quite a bit about my mother, in particular.  This Christmas season, I will be playing or singing at six church services in the next five days.  My mother is the reason I’m a church organist.  She’s the one who made me take piano lessons for twelve years straight, and she’s also the one who volunteered my keyboard talents to our parish priest over 40 years ago.  The rest, as they say, is history.

So, my mom is haunting me this Christmas, as are all the memories of Christmases past.  Nothing can ever stay the same, except in a photograph or video.  Even poems don’t stay the same.  A poem that I read five years ago (maybe about a mother’s death) has a completely different meaning for me tonight.  I had wonderful Christmases as a kid.  A living room floor literally overtaken with presents.  Tupperware upon Tupperware filled with cookies.  Baked ham and rolls.  I was really lucky.

Those days are long gone now, and I have to accept that.  My business is now making those same kind of treasured memories for my kids.  I want my daughter and son to look back with joy and longing at Christmases with my wife and I.  I think we’re accomplishing that.  Earlier this evening, my daughter phoned me from the road (she’s on her way home with her significant other).  We talked for over 40 minutes, and it was all about all our family traditions, from pumpkin puff pancakes to watching Emmet Otter’s Jug-Band Christmas.  

So, I am on the mend, although, when I’m done typing this post, I’m going to go lie on the couch and stay there, probably for the rest of the night.  Tomorrow, it’s gift wrapping, house cleaning, ham baking, and music practicing.  (By the way, I got up this morning at 5:30 a.m. to work on my Christmas poem.  Three hours later, it was drafted and done.). Tomorrow night?  Two church services.  

Tonight, however, I’m just happy that I’m feeling slightly better, and I’m looking forward to some good family time over the next few days.

Saint Marty wrote a poem for the Winter Solstice.  He was just too damn sick to post it.  It’s based (very loosely) on the following prompt from The Daily Poet:

In celebration of the winter solstice, write a poem that begins 96% of the universe is made up of the dark and unknown . . .  Your poem might posit what is the other 4% made of or perhaps share (with specific images) why you enjoy (or don’t enjoy) winter.

Winter Solstice Haiku

by: Martin Achatz

snow and wind all day
rabbit tracks in the backyard
winter syllables

moon trapped in branches
pine needles stitch the heavens
embroidered solstice

coughing at midnight
my eyes water with fever
my body blizzards

angel tree topper
face coffee brown like Jesus
ICE storm tomorrow